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[null,"1.","Record Nr.",null,"UNISALENTO991000945829707536"]
[null,null,"Autore",null,"Conference on new trends in geometrical and topological methods <1995 ; Sao Joao da Madeira, Portugal>"]
[null,null,"Titolo"]
[{"$nulls":4},"Geometry and nature : in memory of W. K. Clifford : a Conference on New Trends in Geometrical and Topological Methods in memory of William Kingdon Clifford, July 30-August 5, 1995, Madeira, Portugal / Hanna Nencka, Jean-Pierre Bourguignon, editors"]
[null,null,"Pubbl/distr/stampa",null,"Providence, R.I. : American Mathematical Society, c1997"]
[null,null,"ISBN",null,"0821806076"]
[null,null,"Descrizione fisica",null,"xvi, 296 p. : ill. ; 26 cm"]
[null,null,"Collana",null,"Contemporary mathematics, 0271-4132 ; 203"]
[null,null,"Classificazione",null,"AMS 00B25"]
[{"$nulls":4},"AMS 53-06"]
[null,null,"Disciplina",null,"516"]
[null,null,"Soggetti",null,"Geometry - Congresses"]
[{"$nulls":4},"Mathematical physics - Congresses"]
[{"$nulls":4},"Topology - Congresses"]
[{"$nulls":4},"Clifford, William Kingdon <1845-1879>"]
[{"$nulls":4},"Clifford, William Kingdon <1845-1879>"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes bibliographical references"]
[null,"2.","Record Nr.",null,"UNINA9910642296203321"]
[null,null,"Titolo",null,"Gegen\\Dokumentation : Operationen – Foren – Interventionen / Esra Canpalat, Maren Haffke, Sarah Horn, Felix Hüttemann, Matthias Preuss"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"ISBN",null,"9783839451670"]
[{"$nulls":4},"3839451671"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (242 p.)"]
[null,null,"Collana",null,"Das Dokumentarische. Exzess und Entzug"]
[null,null,"Classificazione",null,"AN 96900"]
[null,null,"Disciplina",null,"700"]
[null,null,"Soggetti",null,"Gegendokumentarisches"]
[{"$nulls":4},"Counter-documentary"]
[{"$nulls":4},"Dokumentarisches"]
[{"$nulls":4},"Documentary"]
[{"$nulls":4},"Dokumentation"]
[{"$nulls":4},"Media"]
[{"$nulls":4},"Reality"]
[{"$nulls":4},"Gegendokumentation"]
[{"$nulls":4},"Medien"]
[{"$nulls":4},"Visual Media"]
[{"$nulls":4},"Wirklichkeit"]
[{"$nulls":4},"Operations"]
[{"$nulls":4},"Bildmedien"]
[{"$nulls":4},"Institutions"]
[{"$nulls":4},"Operationen"]
[{"$nulls":4},"Poems"]
[{"$nulls":4},"Institutionen"]
[{"$nulls":4},"Aesthetics"]
[{"$nulls":4},"Poetiken"]
[{"$nulls":4},"Spell"]
[{"$nulls":4},"Ästhetiken"]
[{"$nulls":4},"Representations"]
[{"$nulls":4},"Schreibweisen"]
[{"$nulls":4},"Processuality"]
[{"$nulls":4},"Practices"]
[{"$nulls":4},"Darstellungsweisen"]
[{"$nulls":4},"Prozessualität"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Praktiken"]
[{"$nulls":4},"Journalism"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Law"]
[{"$nulls":4},"Journalismus"]
[{"$nulls":4},"Politics"]
[{"$nulls":4},"Recht"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Politik"]
[{"$nulls":4},"Film"]
[{"$nulls":4},"Media Aesthetics"]
[{"$nulls":4},"Kultur"]
[{"$nulls":4},"Media History"]
[{"$nulls":4},"Medienästhetik"]
[{"$nulls":4},"Media Theory"]
[{"$nulls":4},"Media Studies"]
[{"$nulls":4},"Mediengeschichte"]
[{"$nulls":4},"Medientheorie"]
[{"$nulls":4},"Medienwissenschaft"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Counter\\Documentation marks a strategic effort to sharpen and politicise the understanding of documentary media, operations and institutions."]
[null,null,"Nota di contenuto",null,"Frontmatter    1 Inhalt    5 Einleitung    7 Records in Motion    29 Die Rotoskopie von Tehran Taboo als katachretisches Bewegtbild    39 Was bleibt, wenn nichts bleibt?    63 Das Dokugramm    77 Kritik der Kritik    91 Im Bau    109 Resounding the Past    137 7 Wolken für G20    151 Der Fall Pierre Rivière    173 »Faithful Transcriptions«    195 Walking a Mile in Viktorija's Shoes    213 Autor_innen und Herausgeber_innen    235"]
[null,null,null,"Sommario/riassunto","Das Gegen\\\\Dokumentarische ist eine Antwort auf die Provokation des Dokumentarischen. Diese Provokation liegt im Anspruch oder Begehren, »Wirklichkeit« zu erfassen, darzustellen und zu kontrollieren. Der Begriff des Gegen\\\\Dokumentarischen markiert einen strategischen Einsatz, mit dem das Verständnis dokumentarischer Medien, Operationen, Institutionen, Poetiken, Ästhetiken, Schreib- und Darstellungsweisen geschärft und politisiert wird. Das Gegen\\\\Dokumentarische dient als Zugang, auch evidentielle Verfahren jenseits analoger Bildmedien zu beschreiben. Dabei rücken künstlerische, journalistische, juristische, politische und kulturelle Praktiken ins Blickfeld, die die Prozessualität des Gegen\\\\Dokumentarischen betonen."]