{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":29,"n_cols":5,"rows_kept":29,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[12,2,12,3],[12,4,12,5],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[16,2,16,3],[17,2,17,3],[18,2,18,3],[25,2,25,3],[26,2,26,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990008512730403321"]
[null,null,"Autore",null,"Marasovic, Tomislav"]
[null,null,"Titolo",null,"Methodological proceedings for the protection and revitalization of historic sites : experiences of split / Tomislav Marasović"]
[null,null,"Pubbl/distr/stampa",null,"Roma : International centre for the study of the preservation and the restoration of cultural property, stampa 1975"]
[null,null,"Descrizione fisica",null,"40 p., [9] c. di tav. : ill. ; 24 cm"]
[null,null,"Disciplina",null,"720.47"]
[null,null,"Locazione",null,"DARST"]
[null,null,"Collocazione",null,"16.234"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In testa al front.: International centre for the study of the preservation and the restoration of cultural property; Faculty of architecture, University of Rome"]
[null,"2.","Record Nr.",null,"UNINA9910641194903321"]
[null,null,"Autore",null,"Anselmini Julie"]
[null,null,"Titolo",null,"Les Héroïsmes de l'acteur au XIXe siècle / / Olivier Bara, Mireille Losco, Anne Pellois"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : Presses universitaires de Lyon, 2018"]
[null,null,"ISBN",null,"2-7297-1134-1"]
[null,null,"Descrizione fisica",null,"1 online resource (368 p.)"]
[null,null,"Soggetti",null,"History"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"romantisme"]
[{"$nulls":4},"dramaturgie"]
[{"$nulls":4},"héros populaire"]
[{"$nulls":4},"Talma"]
[{"$nulls":4},"jeu héroïque"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","De Talma aux premiers acteurs du cinéma, les mutations du jeu héroïque comme les phénomènes d'héroïsation de la figure de l'acteur soulèvent des questions esthétiques, culturelles et politiques. Alors que le jeu héroïque hésite entre le code tragique et le génie naturel, on observe dans les années 1830 la naissance de « héros populaires », identifiés aux personnages ou aux acteurs romantiques. Au fil du siècle, les « héros consensuels » laissent place aux « héros impersonnels », manifestations d'une crise des valeurs comme d'un renouveau dramaturgique.  Centré sur le paysage théâtral français, l'ouvrage ouvre des perspectives du côté de l'Allemagne, de l'Espagne, de la Russie et de l'Italie. Il explore le caractère mouvant, dynamique, souvent paradoxal ou contradictoire, de l'alliance du héros et de l'acteur au XIXe siècle."]