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[null,"1.","Record Nr.",null,"UNINA9910436250603321"]
[null,null,"Titolo",null,"Electronic literature as digital humanities : contexts, forms, and practices / / edited by Dene Grigar & James O'Sullivan"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY ; ; London [England] : , : Bloomsbury Academic, , 2021"]
[{"$nulls":4},"[London, England] : , : Bloomsbury Publishing, , 2021"]
[null,null,"Edizione",null,"[First edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 380 pages) : illustrations (some colour); digital file(s)"]
[null,null,"Collana",null,"Electronic Literature"]
[null,null,"Disciplina",null,"802.85"]
[{"$nulls":4},"801/.95/0285"]
[null,null,"Soggetti",null,"Electronic books - Social aspects"]
[{"$nulls":4},"Digital media - Social aspects"]
[{"$nulls":4},"Communication in learning and scholarship - Technological innovations"]
[{"$nulls":4},"Literature: history & criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"About the Editors -- Electronic Literature as Digital Humanities: An Introduction / Dene Grigar -- Section I Contexts -- 1. The Origins of Electronic Literature: An Overview / Giovanna di Rosario, Nohelia Meza, and Kerri Grimaldi -- 2. Third-Generation Electronic Literature / Leonardo Flores -- 3. Toys and Toons : From Hispanic Literary Traditions to a Global E-Lit Landscape / Élika Ortega and Alex Saum-Pascual -- 4. Community, Institution, Database: Tracing the Development of an International Field through ELO, ELMCIP, and CELL / Davin Heckman -- 5. The E-Poetry Festivals: Celebration, Art, and Imagination in Community Loss / Pequeǫ Glazier -- 6. Cyberfeminist Literary Space: Performing the Electronic Manifesto / Carolyn Guertin -- 7. Bodies in E-Lit / Astrid Ensslin, Carla Rice, Sarah Riley, Christine Wilks, Megan Perram, Hannah Fowlie, Lauren Munro and K. Alysse Bailey -- Section II Forms -- 8. Ambient Art and Electronic Literature / Jim Bizzocchi -- 9. Electronic Literature and Sound / John F. Barber -- 10. Augmented Reality / Anne Karhio -- 11. Artistic and Literary Bots / Leonardo Flores -- 12. Consuming the Database: The Reading Glove as a Case Study of Combinatorial Narrative / Theresa Jean Tanenbaum and Karen Tanenbaum -- 13. Hypertext Fiction Ever After / Stuart "]
[{"$nulls":4},"Moulthrop -- 14. Place Taking Place: Temporary Poetic Theaters / Judd Morrissey -- 15. Kinetic Poetry / ℓlvaro Seiça -- 16. Kinepoeia in Animated Poetry / Dene Grigar -- 17. Mobile Electronic Literature / Jeneen Naji -- 18. The Voice of the Polyrhetor: Physical Computing and the (e-)Literature of Things / Helen J. Burgess -- 19. Having Your Story and Eating It Too: Affect and Narrative in Recombinant Fiction / Will Luers -- Section III Practices -- 20. Challenges to Archiving and Documenting Born-Digital Literature: What Scholars, Archivists, and Librarians Need to Know / Dene Grigar -- 21. Holes as a Collaborative Project / Graham Allen -- 22. Publishing Electronic Literature / James O'Sullivan -- 23. E-Lit after Flash: The Rise (and Fall) of a 'Universal' Language / Anastasia Salter and John Murray -- 24. Learning as You Go: Inventing Pedagogies for Electronic Literature / Davin Heckman -- Section IV Artist Interventions -- 25. My cODEwORk ARTicle / Michael J. Maguire -- 26. Locative Narrative / Jeremy Hight -- 27. Come Play Netprov!: Recipes for an Evolving Practice / Rob Wittig and Mark C. Marino -- 28. A Collective Imaginary: A Published Conversation / Kate Pullinger and Kate Armstrong -- 29. Addressing Torture in Iraq through Critical Digital Media Art- Hearts and Minds: The Interrogations Project / Roderick Coover, Scott Rettberg, Daria Tsoupikova and Arthurh Nishimoto -- 30. Poetic Playlands: Poetry, Interface, and Video Game Engines / Jason Nelson -- 31. A Way Is Open: Allusion, Authoring System, Identity, and Audience in Early Text-Based Electronic Literature / Judy Malloy -- Index."]
[null,null,null,"Sommario/riassunto","\"Electronic Literature as Digital Humanities: Contexts, Forms & Practices is a volume of essays that provides a detailed account of born-digital literature by artists and scholars who have contributed to its birth and evolution. Rather than offering a prescriptive definition of electronic literature, this book takes an ontological approach through descriptive exploration, treating electronic literature from the perspective of the digital humanities (DH), that is, as an area of scholarship and practice that exists at the juncture between the literary and the algorithmic. The domain of DH is typically segmented into the two seemingly disparate strands of criticism and building, with scholars either studying the synthesis between cultural expression and screens or the use of technology to make artifacts in themselves. This book regards electronic literature as fundamentally DH in that it synthesizes these two constituents. Electronic Literature as Digital Humanities provides a context for the development of the field, informed by the forms and practices that have emerged throughout the DH moment, and finally, offers resources for others interested in learning more about electronic literature.\"--"]
[null,"2.","Record Nr.",null,"UNINA9910637184103321"]
[null,null,"Autore",null,"Baudry Jérôme"]
[null,null,"Titolo",null,"Claude Pierre Molard (1759-1837) : Un technicien dans la cité / / Liliane Hilaire-Pérez, François Jarrige"]
[null,null,"Pubbl/distr/stampa",null,"Besançon, : Presses universitaires de Franche-Comté, 2022"]
[null,null,"ISBN",null,"2-84867-951-4"]
[null,null,"Descrizione fisica",null,"1 online resource (318 p.)"]
[null,null,"Soggetti",null,"History"]
[{"$nulls":4},"Révolution française"]
[{"$nulls":4},"Premier Empire"]
[{"$nulls":4},"technique"]
[{"$nulls":4},"industrie"]
[{"$nulls":4},"Conservatoire des arts et métiers"]
[{"$nulls":4},"French Revolution"]
[{"$nulls":4},"First Empire"]
[{"$nulls":4},"technology"]
[{"$nulls":4},"industry"]
[{"$nulls":4},"Revolución Francesa"]
[{"$nulls":4},"Primer Imperio"]
[{"$nulls":4},"técnica"]
[{"$nulls":4},"industria"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Claude-Pierre Molard est une figure clé de la technologie au tournant des xviiie et xixe siècles. Il est le premier administrateur du Conservatoire des arts et métiers. À ce jour, il n’avait pas fait l’objet d’une étude approfondie de son itinéraire, du Jura natal à l’École d’artillerie de La Fère, ni de ses fonctions, multiples car il participe à toutes les institutions technologiques créées depuis la fin de l’Ancien Régime. Mais plus qu’un technologue, Molard est un praticien et un promoteur de la technique à un moment où l’idée de progrès est un sujet d’intérêt politique et social. Dans cette synthèse, c’est une histoire incarnée des politiques techniciennes qui est proposée.  "]
[{"$nulls":4},"Claude-Pierre Molard is a key figure in technology at the turn of the 18th and 19th centuries. He was the first administrator of the Conservatoire des arts et métiers. To date, there has been no in-depth study of his career, from his native Jura to the École d'artillerie de La Fère, nor of his many functions, since he participated in all the technological institutions created since the end of the Ancien Régime. But more than a technologist, Molard was a practitioner and promoter of technology at a time when the idea of progress was a subject of political and social interest. Through this synthesis, an incarnate history of technical policies is proposed.  Claude-Pierre Molard es una figura clave de la tecnología en el cambio de los siglos XVIII y XIX. Fue el primer administrador del Conservatoire des arts et métiers. Hasta la fecha no se ha estudiado en profundidad su trayectoria, desde su Jura natal hasta la Escuela de Artillería de La Fère, ni sus múltiples funciones, ya que participó en todas las instituciones tecnológicas creadas desde el final del Antiguo Régimen. Pero más que un tecnólogo, Molard fue un practicante y promotor de la tecnología en una época en la que la idea de progreso era un tema de interés político y social. A través de esta síntesis, se propone una historia…"]