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[null,"1.","Record Nr.",null,"UNINA9910454338303321"]
[null,null,"Autore",null,"Wawrzinek Jennifer"]
[null,null,"Titolo",null,"Ambiguous subjects [[electronic resource] ] : dissolution and metamorphosis in the postmodern sublime / / Jennifer Wawrzinek"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; New York, NY, : Rodopi, 2008"]
[null,null,"ISBN",null,"1-282-59425-7"]
[{"$nulls":4},"9786612594250"]
[{"$nulls":4},"90-420-2901-3"]
[{"$nulls":4},"1-4416-0647-5"]
[null,null,"Descrizione fisica",null,"1 online resource (157 p.)"]
[null,null,"Collana",null,"Genus--gender in modern culture ; ; 10"]
[null,null,"Disciplina",null,"111.85"]
[null,null,"Soggetti",null,"Experience in literature"]
[{"$nulls":4},"Grotesque in literature"]
[{"$nulls":4},"Human body (Philosophy)"]
[{"$nulls":4},"Human body in literature"]
[{"$nulls":4},"Mind and body"]
[{"$nulls":4},"Postmodernism (Literature)"]
[{"$nulls":4},"Subjectivity in literature"]
[{"$nulls":4},"Sublime, The, in literature"]
[{"$nulls":4},"Sublime, The"]
[{"$nulls":4},"Transcendence (Philosophy) in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Originally presented the author's thesis (Ph. D.)--University of Melbourne, 2008."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Sublime Politics -- The Haunting of Transcendence -- Translation as Erotic Surrender: Nicole Brossard’s Radical Other in Le Désert mauve -- Navigating the Contingent Subject in Morgan Yasbincek’s liv -- “When I’m Up There It Feels Like Heaven”: Aerial Bodies and The Women’s Circus Secrets -- A New Transcendental -- Works Cited."]
[null,null,null,"Sommario/riassunto","In the history of ideas, the aesthetic categories of the sublime and the grotesque have exerted a powerful force over the cultural imagination. Ambiguous Subjects is one of the first studies to examine the relationship between these concepts. Tracing the history of the sublime from the eighteenth century through Burke and Kant, Wawrzinek "]
[{"$nulls":4},"illustrates the ways in which the sublime has traditionally been privileged as an inherently masculine and imperialist mode of experience that polices and abjects the grotesque to the margins of acceptable discourse, and the way in which twentieth-century reconfigurations of the sublime increasingly enable the productive situating of these concepts within a dialogic relation as a means of instating an ethical relation to others. This book examines the articulations of both the sublime and the grotesque in three postmodern texts. Looking at novels by Nicole Brossard and Morgan Yasbincek, and the performance work of The Women’s Circus, Wawrzinek illuminates the ways in which these writers and performers restructure the spatial and temporal parameters of the sublime in order to allow various forms of highly contingent transcendence that always necessarily remain in relation to the grotesque body. Ambiguous Subjects illustrates how the sublime and the grotesque can co-exist in a manner where each depends on and is inflected through the other, thus enabling a notion of individuality and of community as contingent, but nevertheless very real, moments in time. Ambiguous Subjects is essential reading for anyone interested in aesthetics, continental philosophy, gender studies, literary theory, sociology and politics."]
[null,"2.","Record Nr.",null,"UNISA990003612360203316"]
[null,null,"Autore",null,"RAVEGNANI, Giorgio <1948-  >"]
[null,null,"Titolo",null,"Bisanzio e le crociate / Giorgio Ravegnani"]
[null,null,"Pubbl/distr/stampa",null,"Bologna, : Il mulino, 2011"]
[null,null,"ISBN",null,"978-88-15-14956-5"]
[null,null,"Descrizione fisica",null,"173 p. : ill. ; 21 cm"]
[null,null,"Collana",null,"Universale paperbacks Il mulino ; 602"]
[null,null,"Disciplina",null,"949.503"]
[null,null,"Soggetti",null,"Impero d'Oriente - Effetti [delle] Crociate"]
[null,null,"Collocazione",null,"X.1.B. 1401"]
[{"$nulls":4},"X.1.B. 1401 a"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910633930603321"]
[null,null,"Autore",null,"Gulya Jason J."]
[null,null,"Titolo",null,"Allegory in Enlightenment Britain : Literary Abominations / / by Jason J. Gulya"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022"]
[null,null,"ISBN",null,"9783031190360"]
[{"$nulls":4},"9783031190353"]
[null,null,"Edizione",null,"[1st ed. 2022.]"]
[null,null,"Descrizione fisica",null,"1 online resource (107 pages)"]
[null,null,"Collana",null,"Palgrave pivot"]
[null,null,"Disciplina",null,"809.915"]
[{"$nulls":4},"820.915"]
[null,null,"Soggetti",null,"Literature, Modern - 18th century"]
[{"$nulls":4},"Language and languages - Style"]
[{"$nulls":4},"Rhetoric"]
[{"$nulls":4},"Adaptation (Literary, artistic, etc.)"]
[{"$nulls":4},"Eighteenth-Century Literature"]
[{"$nulls":4},"Rhetorics"]
[{"$nulls":4},"Adaptation Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1 Introduction: How the British Enlightenment Transformed Allegory -- 2 How Bunyan’s Anxieties About Allegory Sparked a Culture of Experimentation -- 3 How Dryden Created an Abomination that Would Haunt the Next Century -- 4 How Prose Experiments Dissected Allegory -- 5 How Critics Retrofitted Rules for Allegory."]
[null,null,null,"Sommario/riassunto","\"Offering a fresh, nuanced reading, Jason Gulya argues that the death of allegory during the Enlightenment has been greatly exaggerated. He illustrates how writers adapted allegory, a genre he sees as supple enough to accommodate the new and experimental ways of understanding the world that characterizes Enlightenment thinking and writing.\" -Sharon Harrow, Professor of English at Shippensburg University of Pennsylvania, USA. This Palgrave Pivot argues for the significance of allegory in Enlightenment writing. While eighteenth-century allegory has often been dismissed as an inadequate form, both in its time and in later scholarship, this short book reveals how Enlightenment writers adapted allegory to the cultural changes of the time. It examines how these writers analyzed earlier allegories with "]
[{"$nulls":4},"scientific precision and broke up allegory into parts to combine it with other genres. These experimentations in allegory reflected the effects of empiricism, secularization and a modern aesthetic that were transforming Enlightenment culture. Using a broad range of examples – including classics of the genre, eighteenth-century texts and periodicals – this book argues that the eighteenth century helped make allegory the flexible, protean literary form it is today. Jason J. Gulya is Professor of English at Berkeley College, USA, where he teaches courses on literature, composition, film, and the humanities more broadly. Over the last decade, he has taught at Berkeley, Rutgers University, Raritan Valley Community College, and Brookdale Community College. As a professor, he has earned various prestigious awards, including his college’s Faculty of the Year Award for Excellence in Teaching in 2020 and Rutgers University’s Dissertation Teaching Award in 2015."]