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[null,"1.","Record Nr.",null,"UNINA9910450059103321"]
[null,null,"Autore",null,"Eckard Paula Gallant"]
[null,null,"Titolo",null,"Maternal body and voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith [[electronic resource] /] / Paula Gallant Eckard"]
[null,null,"Pubbl/distr/stampa",null,"Columbia, : University of Missouri Press, c2002"]
[null,null,"ISBN",null,"0-8262-6403-4"]
[null,null,"Descrizione fisica",null,"1 online resource (245 p.)"]
[null,null,"Disciplina",null,"813/.54093520431"]
[null,null,"Soggetti",null,"American fiction - Women authors - History and criticism"]
[{"$nulls":4},"Mothers in literature"]
[{"$nulls":4},"Women and literature - United States - History - 20th century"]
[{"$nulls":4},"American fiction - 20th century - History and criticism"]
[{"$nulls":4},"Mother and child in literature"]
[{"$nulls":4},"Human body in literature"]
[{"$nulls":4},"Motherhood in literature"]
[{"$nulls":4},"Voice in literature"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 207-216) and index."]
[null,"2.","Record Nr.",null,"UNINA9910619500103321"]
[null,null,"Autore",null,"Burgelin Claude"]
[null,null,"Titolo",null,"Les Ouvertures de l’opéra : Une nouvelle géographie culturelle ? / / Michel Foucher"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : Presses universitaires de Lyon, 2021"]
[null,null,"ISBN",null,"2-7297-1367-0"]
[null,null,"Descrizione fisica",null,"1 online resource (104 p.)"]
[null,null,"Collana",null,"Transversales"]
[null,null,"Soggetti",null,"Art"]
[{"$nulls":4},"Geography"]
[{"$nulls":4},"Political Science"]
[{"$nulls":4},"Sociology"]
[{"$nulls":4},"sociologie"]
[{"$nulls":4},"géopolitique"]
[{"$nulls":4},"économie"]
[{"$nulls":4},"marché"]
[{"$nulls":4},"opéra"]
[{"$nulls":4},"géographie"]
[{"$nulls":4},"lyrique"]
[{"$nulls":4},"mode"]
[{"$nulls":4},"public"]
[{"$nulls":4},"cinéma"]
[{"$nulls":4},"culturelle"]
[{"$nulls":4},"ouvrir"]
[{"$nulls":4},"urbaine"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Dans le cadre des Entretiens Jacques Cartier, le colloque Opéra Mundi a été conçu par l’Observatoire européen de géopolitique, en symphonie avec l’opéra de Lyon, pour repenser la géographie culturelle et l’économie de l’opéra, dans une approche à plusieurs voix.  De la mode au cinéma, de la psychanalyse à la littérature, de la géopolitique à l’économie des biens culturels, l’opéra est un art d’ouvertures : carrefour des arts et des nations, de leurs langues officielles et de leurs cultures "]
[{"$nulls":4},"particulières. Phénomène européen, il a vu sa diffusion s’élargir au fil des courants économiques et migratoires.  L’opéra a ses lieux, réels et mythiques, ses publics, ses marchés. L’art lyrique aborde le prochain siècle en s’ouvrant aux moyens modernes de communication. La voix de l’autre ne cessera donc de nous fasciner. Par sa capacité à franchir les frontières culturelles, l’opéra est investi d’une fonction civique, puisqu’il nous invite, l’espace d’un soir, à la multi-appartenance. Alors l’écoute et l’ouverture participent de ce que l’on appelle la civilisation."]