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[null,"1.","Record Nr.",null,"UNINA9910597893403321"]
[null,null,"Autore",null,"McQuillan Martin"]
[null,null,"Titolo",null,"Critical practice : philosophy and creativity / / Martin McQuillan"]
[null,null,"Pubbl/distr/stampa",null,"London, England : , : Bloomsbury Academic, , 2019"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"1-78093-100-X"]
[null,null,"Descrizione fisica",null,"1 online resource (249 pages)"]
[null,null,"Disciplina",null,"801.9509"]
[null,null,"Soggetti",null,"Criticism - History"]
[{"$nulls":4},"Literature - Philosophy"]
[{"$nulls":4},"Arts - Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based on print version of record."]
[null,null,null,"Sommario/riassunto","What is the relationship between theory and practice in the creative arts today? In Critical Practice, Martin McQuillan offers a critical interrogation of the idea of practice-led research. He goes beyond the recent vocabulary of research management to consider the more interesting question of the emergence of a cultural space in which philosophy, theory, history and practice are becoming indistinguishable. McQuillan considers the work of a number of writers and thinkers who cross the divide between theoretical and creative practice, including Alain Badiou and Terry Eagleton, and the longer tradition of'theory-writing'that runs through the work of Hélène Cixous, Roland Barthes and Louis Althusser. His aim is to elucidate the contemporary ramifications of a relationship that has been contested throughout the long history of philosophy, from Plato's dialogues to Derrida's'Envois'"]