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[null,"1.","Record Nr.",null,"UNINA9910597888703321"]
[null,null,"Autore",null,"Szczepanik Petr"]
[null,null,"Titolo",null,"Screen industries in East-central Europe / / Petr Szczepanik"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York : , : Bloomsbury Publishing UK, , 2021"]
[null,null,"Descrizione fisica",null,"1 online resource (xiii, 289 page) : illustrations"]
[null,null,"Collana",null,"International screen industries"]
[null,null,"Disciplina",null,"302.23"]
[null,null,"Soggetti",null,"Mass media - Technological innovations"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: East-central European media as digital peripheries -- Post-socialist producer: the production culture of a small and peripheral media industry -- Managing the 'Ida effect': an art-house producer breaking out of the periphery -- The service producer and the globalization of media production -- Breaking through the East European ceiling: minority co-production and the new symbolic economy of small-market cinemas -- Public service television as a producer -- HBO Europe's original programming in the era of streaming wars -- Digital producers: short-form web television positions itself between clickbait and public service -- Conclusion: 'Hi circumscription' in the era of global streamers, and more questions to be asked."]
[null,null,null,"Sommario/riassunto","\"This book is available as open access through the Bloomsbury Open programme and is available on www.bloomsburycollections.com. Petr Szczepanik provides an in-depth study of the history and contemporary landscape of screen media industries in the Czech Republic, Slovakia, Poland and Hungary. Drawing on first-hand research in the world of the various producers who operate in the \"digital peripheries\" of Central and Eastern European, he offers broad insights into the ways the screen industries of small nations are positioned in and respond to globalization and digitalization. Szczepanik's shows how film, television, and online video are industries with still distinct structures and professional cultures, but which have nevertheless been converging, affected by the same globalizing forces such as transnational video on demand services and platforms, and whose producers move across inter-industry boundaries with increasing ease. The book explores small media markets through attention to the role "]
[{"$nulls":4},"of producers as key cultural mediators, looking closely at how their agency is circumscribed by the limited scope and peripheral positioning of the markets in which they operate, and how they struggle to overcome these obstacles through their professional identities, business models, and adaptations to technological change and transnational competition\"-- Provided by publisher."]
[null,"2.","Record Nr.",null,"UNINA9910568198003321"]
[null,null,"Autore",null,"Bastien Pascal"]
[null,null,"Titolo",null,"Paris et ses peuples au xviiie siècle / / Pascal Bastien, Simon Macdonald"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Sorbonne, 2021"]
[null,null,"ISBN",null,"979-1-03-510769-7"]
[null,null,"Descrizione fisica",null,"1 online resource (304 p.)"]
[null,null,"Collana",null,"Histoire moderne"]
[null,null,"Soggetti",null,"Demography"]
[{"$nulls":4},"Paris"]
[{"$nulls":4},"population"]
[{"$nulls":4},"conditions sociales"]
[{"$nulls":4},"XVIIIe siècle"]
[{"$nulls":4},"moeurs et coutumes"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Communauté habile et ingénieuse, multitude licencieuse, naïve et bornée, foule dangereuse et subversive : aux yeux de ses commentateurs, le peuple de Paris semble soutenir toutes les contradictions. À la fois pluriel et singulier, il constitue une masse aux contours informes, aussi indomptable pour l’administrateur du xviiie siècle qu’insaisissable pour l’observateur du xxie siècle qui, avec la prudente distance du recul historique, chercherait à en tracer le profil. Paris et ses peuples fait écho à l’ouvrage programmatique de Daniel Roche qui annonçait, en 1981, un important renouvellement de l’histoire socioculturelle sur la capitale. En recentrant l’analyse sur les gestes quotidiens et les maux ordinaires de ses classes laborieuses, l’auteur du Peuple de Paris inaugurait un chantier aux multiples avenues, invitant un foisonnement historiographique dont ce livre se fait en partie témoin. À travers dix-huit nouvelles perspectives, celui-ci propose de croiser les regards sur l’espace parisien pour appréhender la diversité de ses acteurs, l’enchevêtrement de ses réseaux de sociabilités, et les discours antagonistes qui le représentent et l’encadrent. Sur les terrains du travail, de la consommation, des régulations sociales, du voisinage, des circulations urbaines ou des mobilisations politiques, la relation entre Paris et ses peuples fournit le "]
[{"$nulls":4},"cadre de ruptures et de continuités historiques qui traversent l’Ancien Régime et la Révolution."]