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[null,"1.","Record Nr.",null,"UNINA9910781600403321"]
[null,null,"Autore",null,"Foster James C (James Carl)"]
[null,null,"Titolo",null,"BONG HiTS 4 JESUS [[electronic resource] ] : a perfect constitutional storm in Alaska's capital / / James C. Foster"]
[null,null,"Pubbl/distr/stampa",null,"Fairbanks, : University of Alaska Press, c2010"]
[null,null,"ISBN",null,"1-60223-090-0"]
[null,null,"Descrizione fisica",null,"1 online resource (384 p.)"]
[null,null,"Disciplina",null,"342.7308/53"]
[null,null,"Soggetti",null,"Freedom of speech - United States"]
[{"$nulls":4},"High school students - Legal status, laws, etc - Alaska"]
[{"$nulls":4},"High school students - Legal status, laws, etc - United States"]
[{"$nulls":4},"High school students - Civil rights - Alaska"]
[{"$nulls":4},"High school students - Civil rights - United States"]
[{"$nulls":4},"United States"]
[{"$nulls":4},"Alaska"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Harmonic convergence in Juneau : [in]famous for fifteen minutes -- The tentative tinker rule -- From black armbands to colliding tubas -- A new century, a different court -- The Ninth Circuit weighs in -- No-so-brief battles, not such odd bedfellows -- \"Up in smoke at the high court\" -- Five takes on a single event -- Lost opportunities and failure of imagination."]
[null,null,null,"Sommario/riassunto","In January 2002, for the first time, the Olympic Torch Relay visited Alaska on its way to the Winter Games. When the relay runner and accompanying camera cars passed Juneau-Douglas High School, senior Joseph Frederick and several friends unfurled a fourteen-foot banner reading \"\"BONG HiTS 4 JESUS.\"\" An in-depth look at student rights within a public high school, this book chronicles the events that followed: Frederick's suspension, the subsequent suit against the school district, and, ultimately, the escalation of a local conflict into a federal case. Brought to life through interviews with th."]
[null,"2.","Record Nr.",null,"UNINA9910595096003321"]
[null,null,"Autore",null,"Büttner Clemens"]
[null,null,"Titolo",null,"Symphonic Concert Life and Concert Venues in Tokyo 1868-1945 / Clemens Büttner"]
[null,null,"Pubbl/distr/stampa",null,"Berlin, : Logos Verlag Berlin, 2022"]
[{"$nulls":4},"[s.l.] : , : Logos Verlag Berlin, , 2022"]
[null,null,"Descrizione fisica",null,"1 electronic resource (241 p.)"]
[null,null,"Soggetti",null,"History of art / art & design styles"]
[{"$nulls":4},"Public buildings: civic, commercial, industrial, etc"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"History: specific events & topics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","In this survey, the development of the public concert life in Tokyo from the beginning of the Meiji Era in 1868 to the end of the Second World War is examined, based on an analysis of performance venues for symphonic concerts. It will be shown that the analysis of the architectural and acoustic conditions of performance and reception of symphonic music contribute to the understanding of the social and cultural conditions of the time. The specific preconditions as well as apparent references to European or American prototypes regarding the performance venues will be identified. This survey intends to document all venues that have been used for symphonic concerts before 1945 in Tokyo, regarding their form, size, capacity and acoustics. For the investigation of the acoustic conditions, a set of room acoustic parameters are employed. Since most of the relevant rooms do not exist anymore in their original condition, CAD models are generated as input for a room acoustics simulation software to derive the room acoustic parameters for the unoccupied and the occupied cases. The size of the orchestras are investigated based on historical sources to describe the relationship of sound source, enclosure and audience."]