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[null,"1.","Record Nr.",null,"UNINA9910588780903321"]
[null,null,"Autore",null,"Chiriac Alexandra"]
[null,null,"Titolo",null,"Performing Modernism : A Jewish Avant-Garde in Bucharest"]
[null,null,"Pubbl/distr/stampa",null,"Berlin/Boston, : De Gruyter, 2022"]
[{"$nulls":4},"Berlin/Boston : , : Walter de Gruyter GmbH, , 2022"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"9783110765687"]
[{"$nulls":4},"3110765683"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (232 pages)"]
[null,null,"Disciplina",null,"792.094982"]
[null,null,"Soggetti",null,"History of art & design styles: from c 1900 -"]
[{"$nulls":4},"Decorative arts"]
[{"$nulls":4},"The arts: general issues"]
[{"$nulls":4},"Art forms"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of Contents -- ACKNOWLEDGEMENTS -- PREFACE: A DE-CONSTRUCTIVIST NARRATIVE OF THE BUCHAREST AVANT-GARDE -- INTRODUCTION -- MYTH, MAKING AND MODERNITY: VESPREMIE, MAXY AND THE ACADEMY OF DECORATIVE ARTS -- THE WORKSHOPS OF THE ACADEMY OF DECORATIVE ARTS -- THE COMMERCIAL SECTION OF THE ACADEMY OF DECORATIVE ARTS -- INTERMISSION: PERFORMING MODERNISM -- THE VILNA TROUPE IN ROMANIA: RECONSTRUCTING AVANT-GARDE PERFORMANCE -- BETWEEN THE MAGICAL AND THE MECHANICAL: THE THEATRE COMPANIES OF DIDA SOLOMON AND IACOB STERNBERG -- CONCLUDING REMARKS -- BIOGRAPHICAL NOTES -- APPENDICES -- BIBLIOGRAPHY -- CREDITS"]
[null,null,null,"Sommario/riassunto","This volume constitutes the first in-depth study of modernism in design and performance in interwar Romania, covering the period 1924 to 1934. It focuses on Jewish avant-garde artists and cultural producers, as well as design educators, arts patrons, and women entrepreneurs. Based on extensive research in Romania, Latvia, Germany, and the United States, it highlights the transnational impact of Jewish cultural production and its contribution to avant-garde movements across Europe and further afield. It shows how Bucharest "]
[{"$nulls":4},"was connected to places such as Berlin, Paris, Riga and Chicago through modern design and experimental Yiddish theatre, and argues that the Schule Reimann was more influential in Romania than the Bauhaus. Drawing on scholarship from the fields of performance studies, design history, and art history, this volume makes a valuable new contribution to histories of modernism and avant-garde."]