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[null,"1.","Record Nr.",null,"UNISA990000318280203316"]
[null,null,"Autore",null,"CHOW, Weng W."]
[null,null,"Titolo",null,"Semiconductor - Laser Physics / Weng W. Chow, Stephan W. Koch, Murray Sargent III"]
[null,null,"Pubbl/distr/stampa",null,"Berlin <etc.> : Springer, c1994"]
[null,null,"ISBN",null,"3-540-57614-2"]
[null,null,"Descrizione fisica",null,"xii, 497 p. : ill ; 24 cm"]
[null,null,"Disciplina",null,"621.3661"]
[null,null,"Soggetti",null,"Laser a semiconduttore"]
[null,null,"Collocazione",null,"621.366 1 CHO"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA996389739103316"]
[null,null,"Autore",null,"Lawson George <d. 1678.>"]
[null,null,"Titolo",null,"An examination of the political part of Mr. Hobbs his Leviathan [[electronic resource] /] / By George Lawson, rector of More in the county of Salop"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed by R. White, for Francis Tyton at the three Daggers in Fleet-street, near the Inner-Temple Gate, anno Dom. 1657"]
[null,null,"Descrizione fisica",null,"[8], 214 p"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Annotation on Thomason copy E.1591[3]: \"May 31\"; on Thomason copy E.1723[2]: \"May\", also the last number of the date has been altered to an \"8\"."]
[{"$nulls":4},"Reproductions of the originals in the British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"3.","Record Nr.",null,"UNISA996211125103316"]
[null,null,"Titolo",null,"Kōtuitui : New Zealand journal of social sciences online"]
[null,null,"Pubbl/distr/stampa",null,"Wellington, : Royal Society of New Zealand, 2006-"]
[{"$nulls":4},"[London?] : , : Taylor & Francis"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"300/.5"]
[{"$nulls":4},"300.99305"]
[null,null,"Soggetti",null,"Social sciences"]
[{"$nulls":4},"Social sciences - New Zealand"]
[{"$nulls":4},"New Zealand periodicals"]
[{"$nulls":4},"Periodicals."]
[{"$nulls":4},"New Zealand"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Periodico"]
[null,null,null,"Note generali","Refereed/Peer-reviewed"]
[null,"4.","Record Nr.",null,"UNINA9910586694803321"]
[null,null,"Autore",null,"Estève Pierre"]
[null,null,"Titolo",null,"Pierre Estève : Nouvelle découverte du principe de l’harmonie avec un examen de ce que M. Rameau a publié sous le titre de Démonstration de ce principe, 1752 / / Pierre Estève"]
[null,null,"Pubbl/distr/stampa",null,"Lyon, : ENS Éditions, 2021"]
[null,null,"ISBN",null,"979-1-03-620362-6"]
[null,null,"Descrizione fisica",null,"1 online resource (88 p.)"]
[null,null,"Collana",null,"Theoria"]
[null,null,"Soggetti",null,"Music"]
[{"$nulls":4},"Philosophy"]
[{"$nulls":4},"musique"]
[{"$nulls":4},"philosophie"]
[{"$nulls":4},"harmonie (musique)"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","On considère généralement que les ouvrages de Pierre Estève occupent une place importante dans l’histoire des théories des beaux-arts au XVIIIe siècle : ils contribuent en effet au développement d’une esthétique « sensualiste » qui, peu à peu. remet en cause l’application du principe de l’imitation en musique. Dans cette perspective, la Nouvelle découverte du principe de l’harmonie, dont nous fournissons ici la première réédition depuis 1752, s’applique à développer une explication physique du phénomène des consonances, qui s’inscrit dans le projet d’une « histoire naturelle » des émotions de l’âme. Cette tentative mérite d’être connue, pour des raisons internes mais aussi historiques. D’une part, le principe élaboré par Pierre Estève représente la première version d’une théorie qui, jusqu’à présent, était attribuée à Helmholtz : la Nouvelle découverte est ainsi le premier texte qui explique les consonances par la superposition des sons harmoniques. D’autre part, nous établissons dans cette édition que cet ouvrage constitue une source notable de la doctrine définitive de Rousseau en matière de théorie musicale. En particulier, c’est après la lecture de Pierre Estève que Rousseau entreprend de critiquer l’hypothèse de Diderot, sur la perception des rapports en musique."]