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[null,"1.","Record Nr.",null,"UNISA996385663803316"]
[null,null,"Autore",null,"Cowley Abraham <1618-1667.>"]
[null,null,"Titolo",null,"An heroick poem upon the late horrid rebellion [[electronic resource] ] : his Majesties happy restauration: and the magnanimity and valour of his Royal Highness James Duke of York, in the late Dutch VVar wherein he exposed his royal person to the greatest dangers, for the safety and interest of this nation"]
[null,null,"Pubbl/distr/stampa",null,"London, : Printed for T. D., 1683"]
[null,null,"Descrizione fisica",null,"[5], 45 p"]
[null,null,"Soggetti",null,"Great Britain History Charles II, 1660-1685 Poetry Early works to 1800"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","From preface: \"This little poem I have collected and translated from the sixth book of Mr. Cowley's Plantarum ...\""]
[{"$nulls":4},"Errata: bottom of p. 45."]
[{"$nulls":4},"Imperfect: print show-through with slight loss of text."]
[{"$nulls":4},"Reproduction of original in: British Library."]
[null,null,null,"Sommario/riassunto","eebo-0018"]
[null,"2.","Record Nr.",null,"UNINA9910585943203321"]
[null,null,"Autore",null,"Doğantan-Dack Mine"]
[null,null,"Titolo",null,"The Chamber Musician in the Twenty-First Century"]
[null,null,"Pubbl/distr/stampa",null,"Basel, : MDPI - Multidisciplinary Digital Publishing Institute, 2022"]
[{"$nulls":4},"Basel : , : MDPI AG, , 2022"]
[{"$nulls":4},"©2022"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 electronic resource (334 p.)"]
[null,null,"Soggetti",null,"The arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","In recent research, there has been growing emphasis on the collaborative, social, and collective nature of musical behaviour and practices. Among the emerging hypotheses in this connection are the idea that listening to music is always listening together and being with the other; that music making is a matter of intercorporeality, mutuality, and emphatic attunement; and that creative agency in musical practices is fundamentally a distributed phenomenon. Chamber music provides an ideal context for the testing and actualization of these notions. This Special Issue on chamber music and the chamber musician aims to explore the psychological, social, cultural, historical, and artistic issues in the practice of classical chamber music in the twenty-first century. Contributions are invited on any of these aspects and issues involved in being a contemporary classical chamber musician. Authors are encouraged to contextualise their research by reference to the recent literature on collaborative musicking, and among the topics they may choose to address are the cultural and musical demands chamber musicians face and the implications of these demands for their artistic practice, the ways the twenty-first-century chamber musicians engage with historical practices, the newly emerging musical identities and artistic roles available to them, and expressivity in current chamber music practices."]