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[null,null,"Autore",null,"Smith Matthew"]
[null,null,"Titolo",null,"The Child in British Cinema / / by Matthew Smith"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022"]
[null,null,"ISBN",null,"9783031059698"]
[{"$nulls":4},"9783031059681"]
[null,null,"Edizione",null,"[1st ed. 2022.]"]
[null,null,"Descrizione fisica",null,"1 online resource (224 pages)"]
[null,null,"Disciplina",null,"737"]
[{"$nulls":4},"791.436523"]
[null,null,"Soggetti",null,"Motion pictures - Great Britain"]
[{"$nulls":4},"Communication"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"British Film and TV"]
[{"$nulls":4},"Media Reception and Media Effects"]
[{"$nulls":4},"Close Readings in Film and TV"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Chapter 1: Writing the Child -- Chapter 2: Watching the Child -- Chapter 3: The Child and the City: The Urban Adventurer in Post-War Britain -- Chapter 4: Girlhood: Mobility, Stasis, and Change -- Chapter 5: Other Children: Migrant, Refugee, Other -- Chapter 6: Harry Potter: The British."]
[null,null,null,"Sommario/riassunto","This book argues that over the twentieth and twenty-first centuries, the cinema in Britain became the site on which childhood was projected, examined, and understood. Through an analysis of these projections; via case studies that encompass early cinema, pre and post-war film, and contemporary cinema; this book interprets the child in British cinema as a device through which to reflect upon issues of national culture, race, empire, class, and gender. Beginning with a discussion of early cinematic depictions of the child in Britain, this book examines cultural expressions of nationhood produced via non-commercial cinemas for children. It considers the way cinema encroaches on the moral edification of the child and the ostensible vibrancy and vitality of the British boy in post-war cinema. The author explores the representational and instrumental differences between depictions of "]
[{"$nulls":4},"boys and girls before extending this discussion to investigate the treatment of migrant, refugee, andimmigrant children in British cinema. It ends by recapitulating these arguments through a discussion of internationally successful British blockbuster cinema. The child in this study is a mobile figure, deployed across generic boundaries, throughout the history of British cinema and embodying a range of discourses regarding the health and wellbeing of the nation. Matthew Smith is a Film Studies scholar based in North West England. He has previously worked at the University of Liverpool, UK, and the University of Lancaster, UK, from which he received his PhD."]