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[null,"1.","Record Nr.",null,"UNINA9910568193503321"]
[null,null,"Autore",null,"Andrade Pimentel Davi"]
[null,null,"Titolo",null,"Défi de lecture : Thomas l’obscur de Maurice Blanchot / / Anca Călin, Alain Milon"]
[null,null,"Pubbl/distr/stampa",null,"Nanterre, : Presses universitaires de Paris Nanterre, 2021"]
[null,null,"ISBN",null,"2-84016-418-3"]
[null,null,"Descrizione fisica",null,"1 online resource (232 p.)"]
[null,null,"Collana",null,"Résonances de Maurice Blanchot"]
[null,null,"Soggetti",null,"Literature (General)"]
[{"$nulls":4},"littérature"]
[{"$nulls":4},"langue"]
[{"$nulls":4},"stylistique"]
[{"$nulls":4},"analyse critique"]
[{"$nulls":4},"Blanchot"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La question de Thomas l’Obscur est bien celle de la nature du langage. Thierry Maulnier la pose à plat quand il fait l’un des premiers commentaires du roman de Maurice Blanchot le 28 janvier 1942 dans L’Action Française : « Le premier roman de M. Maurice Blanchot constitue à n’en pas douter une des expériences les plus subtiles et les plus audacieuses qui aient été faites depuis longtemps pour faire dire aux mots plus ou autre chose que ce qu’ils ont coutume de dire dans leur emploi habituel. » Avant lui, Jean Paulhan avait la même intuition lorsqu’il écrivait, le 7 avril 1941, dans sa fiche de lecture pour le comité Gallimard à propos de Thomas l’Obscur : « Je ne sais trop si son roman est beaucoup plus qu’une “tentative ingénieuse et hardie”. Je ne crois pas qu’il trouve beaucoup de lecteurs. Mais il mérite certainement d’être publié. Il se lit, une fois accepté, avec passion. » En fait, pour lire Thomas l’Obscur, il faut d’abord l’accepter, mais surtout accepter d’entrer dans un combat sans refondation avec ou contre la langue.  Lire Thomas l’Obscur, dans sa première ou seconde version peu importe, pour toucher l’intime du mot et exprimer sans mot le sens des mots…"]
[null,"2.","Record Nr.",null,"UNINA9910155116503321"]
[null,null,"Autore",null,"Gronlund Melissa"]
[null,null,"Titolo",null,"Contemporary art and digital culture / / Melissa Gronlund"]
[null,null,"Pubbl/distr/stampa",null,"Milton Park, Abingdon : , : Taylor & Francis Ltd, , 2016"]
[{"$nulls":4},"London : , : Bloomsbury Publishing (UK), , 2025"]
[null,null,"ISBN",null,"9781315676852"]
[{"$nulls":4},"1315676850"]
[{"$nulls":4},"9781317386421"]
[{"$nulls":4},"1317386426"]
[{"$nulls":4},"9781317386414"]
[{"$nulls":4},"1317386418"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (247 pages) : illustrations"]
[null,null,"Disciplina",null,"701/.03"]
[{"$nulls":4},"701.03"]
[null,null,"Soggetti",null,"Art and the Internet"]
[{"$nulls":4},"Arts and society"]
[{"$nulls":4},"Digital media - Social aspects"]
[{"$nulls":4},"Technology and the arts"]
[{"$nulls":4},"Art & design styles: from c 1960"]
[{"$nulls":4},"Internet: general works"]
[{"$nulls":4},"Media studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Introduction: beyond the visible image -- Reproducibility and appropriation in the twentieth century: precursors to the digital age -- Cybernetics and the posthuman: the emergence of art systems -- Challenges to immateriality: posthumanist thought and digitality -- Violence and the surveilled internet -- Identity, language and the body online -- The art world infrastructure post-internet."]
[null,null,null,"Sommario/riassunto","Contemporary Art and Digital Culture/ analyses the impact of the internet and digital technologies upon art today. Art over the last fifteen years has been deeply inflected by the rise of the internet as a mass cultural and socio-political medium, while also responding to urgent economic and political events, from the financial crisis of 2008 to the ongoing conflicts in the Middle East.This book looks at how "]
[{"$nulls":4},"contemporary art addresses digitality, circulation, privacy, and globalisation, and suggests how feminism and gender binaries have been shifted by new mediations of identity. It situates current artistic practice both in canonical art history and in technological predecessors such as cybernetics and net.art, and takes stock of how the art-world infrastructure has reacted to the internet's promises of democratisation. An invaluable resource for undergraduate and postgraduate students of contemporary art - especially those studying history of art and art practice and theory - as well as those working in film, media, curation, or art education.Melissa Gronlund is a writer and lecturer on contemporary art, specialising in the moving image. From 2007-2015, she was co-editor of the journal Afterall, and her writing has appeared there and in Artforum, e-flux journal, frieze, the NewYorker.com, and many other places."]