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[null,"1.","Record Nr.",null,"UNINA9910566500503321"]
[null,null,"Autore",null,"Barbet Alix"]
[null,null,"Titolo",null,"La peinture murale antique : Restitution et iconographie / / Alix Barbet"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions de la Maison des sciences de l’homme, 2021"]
[null,null,"ISBN",null,"2-7351-2057-0"]
[null,null,"Descrizione fisica",null,"1 online resource (97 p.)"]
[null,null,"Collana",null,"Documents d’archéologie française"]
[null,null,"Soggetti",null,"Archaeology"]
[{"$nulls":4},"iconographie"]
[{"$nulls":4},"peinture murale"]
[{"$nulls":4},"Antiquité"]
[{"$nulls":4},"fresque"]
[{"$nulls":4},"Jardin du Luxembourg"]
[{"$nulls":4},"Nizy-le-Comte"]
[{"$nulls":4},"peinture maya"]
[{"$nulls":4},"restitution graphique"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Ce volume présente les actes du IXe séminaire de l’Association française pour la peinture murale antique (A.F.P.M.A.) dont un des thèmes majeurs concerne les restitutions graphiques des peintures fragmentaires, les relevés graphiques et le rendu des couleurs, problèmes communs à d’autres disciplines de l‘archéologie. Les restitutions, liées aux restaurations, doivent être effectuées selon des principes très stricts, dans un total respect de ce qui subsiste de l’original. Le dialogue fructueux entre archéologues et restaurateurs est ici bien apparent avec des exposés des uns et des autres sur les mêmes peintures, souvent inédites. Le deuxième thème concerne l’iconographie car les restitutions font largement usage d’une connaissance des thèmes décoratifs ou figurés et varient en fonction des interprétations possibles. Archéologues comme restaurateurs professionnels trouveront dans cet ouvrage matière â réflexion pour la pratique quotidienne de leur métier.  This volume includes the Acts of the IXth Conference of the A.F.P.M.A. (French Antique Wall Paintings Association), one of the majorthemes of which is the graphic restitution "]
[{"$nulls":4},"of fragmentary paintings, tracings and colour rendering, problems which are common to other sectors of archaeology. These restitutions, which are linked to restorations, must be came out in accordance with very strict principles, which respect completely what is left of the original work. The advantages of exchanges between archaeologists and restorers are here made obvious, with reports from both professions on the same, often unpublished, paintings. The second theme concerns the iconography, as a reconstitution calls on a knowledge of the various decorative and figurative themes employed and which vary in accordance with the possible interpretations. Both archaeologists and restorers will find this publication offers food for thought in the daily details of their work."]