{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":17,"n_cols":5,"rows_kept":17,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[11,2,11,3],[12,2,12,3],[15,2,15,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910563175803321"]
[null,null,"Autore",null,"Tietze-Conrat E"]
[null,null,"Titolo",null,"Erica Tietze-Conrat : Tagebücher / / Alexandra Caruso [editor] mit Geleitworten von Edward Timms und David Rosand"]
[null,null,"Pubbl/distr/stampa",null,"Böhlau, 2015"]
[{"$nulls":4},"Germany : , : Böhlau Verlag, , 2015"]
[null,null,"Descrizione fisica",null,"1 online resource (150 pages) : digital, PDF file(s)"]
[null,null,"Soggetti",null,"Art historians - Austria"]
[{"$nulls":4},"Women art historians - Austria"]
[{"$nulls":4},"Visual Arts"]
[{"$nulls":4},"Art, Architecture & Applied Arts"]
[{"$nulls":4},"Visual Arts - General"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Band 1. Der Wiener Vasari (1923-1926) -- Band 2. Mit den Mitteln der Disziplin (1937-1938) -- Band 3. Register und Anhang."]
[null,null,null,"Sommario/riassunto","In her early diaries the art historian Erica Tietze-Conrat describes her eventful life in Vienna in the 1920's, were she had been in touch with all the important art circles of the time.. In 1937 and 1938 her journals give an interesting view of the networks between museums, art dealers, art scholars and artists just before the outbreak of World War II."]