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[null,"1.","Record Nr.",null,"UNINA9910149029503321"]
[null,null,"Autore",null,"Borbely Szilard"]
[null,null,"Titolo",null,"Dispossessed, The : A Novel"]
[null,null,"Pubbl/distr/stampa",null,"HarperCollins"]
[null,null,"ISBN",null,"0-06-264562-5"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Musica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","A literary sensation on its original publication in Hungary, this hypnotic, hauntingly beautiful first novel from the acclaimed, award-winning poet and author Szil rd Borb ly depicts the poverty and cruelty experienced by a partly-Jewish family in a rural village in the late 1960s and early 1970s.\"No one has ever written so beautifully and at the same time so without pity about the suffering in the isolated provincial villages of Hungary...His sentences have a surgical precision, and their sustained rhythm only reinforces the power of what they evoke.\"--Nicole Henneberg, Frankfurter Allgemeine ZeitungIn a tiny village in northeast Hungary, close to the Romanian border, a young, unnamed boy warily observes day-to-day life and chronicles his family's struggles to survive. Like most of the villagers, his family is desperately poor, but their situation is worse than most--they are ostracized because of his father's Jewish heritage and his mother's connections to the Kulaks, who once owned land and supported the fascist Horthy regime before it was toppled by Communists.With unflinching candor, the little boy's observations are related through a variety of narrative voices--crude diatribes from his alcoholic father, evocative and lyrical tales of the past from his grandparents, and his own simple yet potent prose. Together, these accounts reveal not only the history of his family but that of Hungary itself, through the physical and psychic traumas of two World Wars to the country's treatment of Jews, both past and present.Drawing heavily on Borb ly's memories of his own childhood, The Dispossessed is an extraordinarily realistic novel. Raw and often brutal, yet glimmering with hope, it is the crowning achievement of an uncompromising talent."]
[null,"2.","Record Nr.",null,"UNINA9910557517303321"]
[null,null,"Titolo",null,"Women and Fairness : Navigating an Unfair World / / Eva Lambertsson Björk, Jutta Eschenbach, Johanna M. Wagner"]
[null,null,"Pubbl/distr/stampa",null,"Münster, : Waxmann, 2021"]
[null,null,"ISBN",null,"3-8309-9365-X"]
[null,null,"Edizione",null,"[1st, New ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (196 p.)"]
[null,null,"Soggetti",null,"Charlotte Perkins Gilman"]
[{"$nulls":4},"The Yellow Wallpaper"]
[{"$nulls":4},"Houswifization"]
[{"$nulls":4},"Social Reproduction"]
[{"$nulls":4},"Rachilde"]
[{"$nulls":4},"La Jongleuse"]
[{"$nulls":4},"Randa Abdel Fatah"]
[{"$nulls":4},"Does My Head Look Big in This?"]
[{"$nulls":4},"Ecuador"]
[{"$nulls":4},"Comic"]
[{"$nulls":4},"Charlotte Wood"]
[{"$nulls":4},"The Natural Way of Things"]
[{"$nulls":4},"Animal People"]
[{"$nulls":4},"Ecofeminist"]
[{"$nulls":4},"Helen Wells"]
[{"$nulls":4},"Peril over the Airport"]
[{"$nulls":4},"Maxine Hong Kingston"]
[{"$nulls":4},"No Name Woman"]
[{"$nulls":4},"Middle East"]
[{"$nulls":4},"Female Lawyers"]
[{"$nulls":4},"Geschlechterforschung"]
[{"$nulls":4},"Frauen- und Geschlechterforschung"]
[{"$nulls":4},"Anglistik"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Table of Contents  Acknowledgements   Johanna M. Wagner  "]
[{"$nulls":4},"Introduction  Part I. Women in Work: Ways of Doing and Being   Sorcha Gunne Social Reproduction and “Housewifi zation” Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Women and Economics    Guri Ellen Barstad  The Feminist Agenda in Rachilde’s La Jongleuse  The Artist and Her Creative Power  Jane Ekstam “Looking and feeling good on my own terms” Amal’s Hybrid Identity in Randa Abdel-Fattah’s Does My Head Look Big in This?   Part II. Women in Cultural Production: Defining Images   Wladimir Chávez V.  Challenging Gender Stereotypes?  The Representation of Women in Two Ecuadorian Comics   Johanna M. Wagner Sublimity of the New Mother in Gothic Film The Babadook and Goodnight Mommy   Melanie Duckworth  Women, Animals and Fairness An Ecofeminist Reading of Charlotte Wood’s The Natural Way of Things (2015) and Animal People (2011)    Marcus Axelsson Helen Wells’ Peril over the Airport (1953) Norwegian and Swedish Translations of Gender   Part III. Women in the World: Telling Women’s Stories   Deanna Benjamin  Writing Someone Else’s Story Entitlement and Empathy in Maxine Hong Kingston’s “No Name Woman”  Rania Maktabi Female Lawyers in the Middle East after the 2011 Arab Revolts Addressing Family Law and Domestic Violence in State Laws  Eva Lambertsson Björk and Jutta Eschenbach Absolutely happy in myself  Four Women’s Negotiations with Patriarchy   Mathabo Khau Being and Becoming a Woman in Lesotho An Autoethnography of Belonging  About the Editors   About the Contributors"]
[null,null,null,"Sommario/riassunto","This collection brings together scholars from various disciplines to ask fundamental questions concerning how women handle the manifold impediments placed before them as they simply attempt to live full human lives. The collection explores narratives of women – real and fictional – who fight against these barriers, who succumb to them, who remain unaware of them, or choose to ignore them. It explores the ways we read women in cultural production, and how women are read in society. We assert the obstacles constructed into the very fabric of societies against fifty percent of the population are unfair, be they hindrances for women to attain their goals, encumbrances that limit women’s speech and societal participation – communal and artistic – or hindrances that prohibit specific behaviors and images of women."]