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[null,"1.","Record Nr.",null,"UNINA9910557201903321"]
[null,null,"Autore",null,"Schlitte Sune Erik"]
[null,null,"Titolo",null,"Kunst als soziale Praxis : Zur Formierung des künstlerischen Feldes in London und Berlin (1750–1840)"]
[null,null,"Pubbl/distr/stampa",null,"Universitätsverlag Göttingen, 2021"]
[null,null,"Soggetti",null,"History"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","The present paper analyzes the emergence of the modern artistic field as an indicator for the formation of the modern state. The work traces this development by looking at various fields that build on each other both thematically and chronologically. London, as the center of the British Empire, and Berlin, as the emerging metropolis of Prussia, represent two ideal areas for comparison. On the basis of seven selected formations of practice - the art academies, the artist's journey, the exhibition system, art criticism, private art collections, the emergence of the modern art museum, and the funeral ceremonies of famous artists - a comparative cultural history of the emergence of the figure of the artist and the artistic field is sketched."]
[null,"2.","Record Nr.",null,"UNISA996359643103316"]
[null,null,"Autore",null,"Falkenhausen Susanne von (Humboldt-Universität zu Berlin, Deutschland)"]
[null,null,"Titolo"]
[{"$nulls":4},"Beyond the Mirror : Seeing in Art History and Visual Culture Studies / Susanne von Falkenhausen"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (250 p.)"]
[null,null,"Collana",null,"Image ; 182"]
[null,null,"Disciplina",null,"700"]
[null,null,"Soggetti",null,"Art History; Visual Culture; Gaze; Identity; Alterity; Art; Image; Theory of Art; Visual Studies; Cultural Studies; Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter    1  Contents    5  Introduction    7  1. Interpreting Forms of Representation    27  2. Experience and the Visual    43  3. Through the Eyes of the Spectator    65  4. Visual Culture Studies - Concepts and Agendas    93  5. Visual Culture Studies' Foundational Concept    113  6. Visual Culture Studies' Operational Concept    139  7. Seeing as a Political Resource in Visual Culture Studies    157  8. Questions of Ethics    201  Bibliography    227  Index    243"]
[null,null,null,"Sommario/riassunto","Since the late 1980s visibility has become a currency of social recognition, and a political issue. It also brought forth a new discipline, visual culture studies, and a hotly contested debate unfolded between art history and visual culture studies over the interpretation of visual culture, whose impact can still be felt today. In this first comparative study Susanne von Falkenhausen reveals the concepts of seeing as scholarly act that underwrite these competing approaches to visuality and society, along with the agendas of identity politics that motivate them. In close readings of key texts spanning from the early 20th century to the present the author crosses expertly between American, German, and British versions of art history, cultural studies, aesthetics, and film studies."]
[{"$nulls":4},"Besprochen in:  optische fenomenen, 400 (2020)"]