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[null,"1.","Record Nr.",null,"UNINA9910725081703321"]
[null,null,"Autore",null,"Wang Shuang"]
[null,null,"Titolo",null,"From Stage to Screen : The Legacy of Traditional Chinese Theatre in Chinese Martial Arts Cinema Soundtracks / / by Shuang Wang"]
[null,null,"Pubbl/distr/stampa",null,"Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2023"]
[null,null,"ISBN",null,"9789811970375"]
[{"$nulls":4},"9789811970368"]
[null,null,"Edizione",null,"[1st ed. 2023.]"]
[null,null,"Descrizione fisica",null,"1 online resource (166 pages)"]
[null,null,"Disciplina",null,"781.5420951"]
[null,null,"Soggetti",null,"Motion pictures—Asia"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Theater—History"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Music—Philosophy and aesthetics"]
[{"$nulls":4},"Asian Film and TV"]
[{"$nulls":4},"Theatre History"]
[{"$nulls":4},"Film Theory"]
[{"$nulls":4},"Philosophy of Music"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction -- Chapter 1: Musicking The Chinese Martial Arts Cinema -- Chapter 2: Hearing the Theatre Through Four Moods -- Chapter 3: The Politics of Bodily Rhythm in Raining in the Mountain -- Chapter 4: The Drum Beat and its Diegetic Contextualization in Red Cliff II -- Chapter 5: Music and Slow Motion in the Banquet -- Chapter 6: Conclusion."]
[null,null,null,"Sommario/riassunto","Chinese martial arts cinema is held to be a synthesis drawing on artistic conventions of traditional Chinese theatre. Film sound and music perform as the legitimate heirs of some of the aesthetic ideas and norms of traditional Chinese theatre. This book critically examines the history of this under-explored field of inquiry from a theoretically comparative perspective, demonstrating that the musical codes drawn from traditional theatre are a constantly changing component integral to Chinese martial arts cinema. It explores the interaction between traditional Chinese theatre and Chinese martial arts cinema in how the musical codes of the former have shaped the aesthetics of the latter "]
[{"$nulls":4},"uniquely. This departs from conventional existing studies that focus on “adaptation.” The book’s historical and theoretical approach connects film, theatre and music, and re-defines the status of distinctive domains of filmic expression, grounding theatre as the pivot – or “hinge” – of film aesthetics. The book proffers this unique angle of research to rethink and re-imagine film sound and audiovisual synchronisation. Primarily intended for scholars in Chinese cinema, film music, Chinese theatre and visual culture, this monograph also presents introductory and comprehensive material for undergraduate and graduate-level courses in film and media studies, film music, Chinese cinema, and Chinese theatre."]
[null,"2.","Record Nr.",null,"UNINA9910554282303321"]
[null,null,"Autore",null,"Wandtke Artur-Axel"]
[null,null,"Titolo",null,"Copyright law : = Urheberrecht / Artur-Axel Wandtke und Saskia Ostendorff"]
[null,null,"Pubbl/distr/stampa",null,"[Berlin], : degruyter, 2021"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-11-072250-X"]
[null,null,"Edizione",null,"[8th ed.]"]
[null,null,"Descrizione fisica",null,"1 Online-Ressource (602 pages)"]
[null,null,"Collana",null,"De Gruyter Studium"]
[null,null,"Classificazione",null,"PE 743"]
[null,null,"Soggetti",null,"Copyright - Germany"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Vorwort zur 8. Auflage -- Inhaltsverzeichnis -- 1. Kapitel Grundlagen -- 2. Kapitel Schutzvoraussetzungen -- 3. Kapitel Der Urheber und seine Rechte -- 4. Kapitel Urhebervertragsrecht -- 5. Kapitel Schranken des Urheberrechts -- 6. Kapitel Das Recht der Verwertungsgesellschaften -- 7. Kapitel Verwandte Schutzrechte -- 8. Kapitel Durchsetzung des Urheberrechts -- 9. Kapitel Einigungsvertrag -- 10. Kapitel Internationales Urheberrecht -- 11. Kapitel Schnittstelle zwischen Urheberrecht und anderen Rechtsgebieten -- 12. Kapitel Urheberrecht und neue Technologien -- Anhang -- Verzeichnis der abgekürzten Literatur -- Stichwortverzeichnis"]
[null,null,null,"Sommario/riassunto","Das Lehrbuch richtet sich in erster Linie an Studierende, die das 1. Staatsexamen im Schwerpunktbereich auf dem Gebiet des Urheber-und Medienrechts zu absolvieren haben. Methodisch ist das Lehrbuch so aufgebaut, dass die Studierenden ihr Wissen anhand von Fragen und Antworten am Ende eines Abschnittes vertiefen können. Im Anhang werden die wichtigsten Entscheidungen des BGH, des BVerfG und des EuGH sowie des EGMR zum Urheberrecht genannt. Außerdem bietet es Rechtsanwälten, die eine Masterausbildung abschließen wollen, eine solide Grundlage für die urheber-und medienrechtliche Ausbildung. In der 8. Auflage des Lehrbuchs werden die umfassenden Reformen des Urheberrechts 2020 und 2021 berücksichtigt. Das Lehrbuch behandelt die neuen unionsrechtlichen Vergütungsregelungen, die Bildungs- und Wissenschaftsschranken, erlaubte Nutzungen von Kunstformen, die Verlegerbeteiligung, das Leistungsschutzrecht der Presseverleger, Regelungen über Mediation, das völlig neue Sanktionssystem durch das Diensteanbieterdurchsetzungsgesetz und Änderungen des "]
[{"$nulls":4},"Verwertungsgesellschaftengesetzes. Außerdem werden das Gesetz zur Umsetzung der Marrakesch-Richtlinie und die Portabilitätsverordnung dargestellt. Neu ist die Aufnahme eines Schwerpunktes, der die Schnittstellen zwischen Urheberrecht und anderen Gesetzen darstellt, einschließlich Verfahrensstrategien für Rechtsanwälte."]
[{"$nulls":4},"This textbook targets students and lawyers specializing in copyright and media law. The new edition takes into account current reforms from 2020 and 2021 implementing the Directive on Copyright in the Digital Single Market and the Satellite and Cable Directive, and recent rulings by the German Federal Court of Justice and Federal Constitutional Court, the CJEU and the ECHR. It finishes with review questions and an appendix of high court rulings."]