{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":25,"n_cols":5,"rows_kept":25,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[9,4,9,5],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[14,2,14,3],[15,2,15,3],[16,2,16,3],[17,2,17,3],[18,2,18,3],[19,2,19,3],[20,2,20,3],[22,2,22,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA990006198320403321"]
[null,null,"Autore",null,"Carlos, M."]
[null,null,"Titolo",null,"Em congressos culturais a' Luz da Filosofia universal : solucao de problemas sociais / M. Carlos."]
[null,null,"Pubbl/distr/stampa",null,"Rio de Janeiro : A. Leite, 1956"]
[null,null,"Descrizione fisica",null,"74 p. ; 24 cm"]
[null,null,"Disciplina",null,"100"]
[null,null,"Lingua di pubblicazione",null,"Non definito"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910554280703321"]
[null,null,"Autore",null,"Vidler Anthony"]
[null,null,"Titolo",null,"Claude-Nicolas Ledoux : Architektur und Utopie Im Zeitalter der Französischen Revolution. Zweite und Erweiterte Ausgabe"]
[null,null,"Pubbl/distr/stampa",null,"Basel/Berlin/Boston : , : Walter de Gruyter GmbH, , 2021"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-0356-2084-9"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (184 pages)"]
[null,null,"Disciplina",null,"720.92"]
[null,null,"Soggetti",null,"ARCHITECTURE / Individual Architects & Firms / General"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- INHALT -- VORWORT -- EINFÜHRUNG -- TEIL I: LA CARRIÉRE OUVERTE AU TALENT, 1760–1789 -- 1. KLASSISCHE MAXIMEN -- 2. EMBLEME DES ADELS -- 3. ERSTE ÖFFENTLICHE AUFGABEN -- 4. DIE ARCHITEKTUR DER PRODUKTION -- 5. DIE SPRACHE DER CHARAKTERE -- 6. DIE ANTIKE IN FRANKREICH -- 7. VISIONEN DES THEATERS -- 8. MONUMENTE DER GERECHTIGKEIT -- 9. DIE PROPYLÄEN VON PARIS -- TEIL II: VON DER NEUEN STADT NACH UTOPIA, 1776– 1806 -- 10. ENTWICKLUNG DER REGION -- 11. LÄNDLICHE ARCHITEKTUR -- 12. TEMPEL DER GEMEINSCHAFT -- 13. UTOPIE ODER REVOLUTION -- SCHLUSS: L’ARCHITECTE MAUDIT -- ANMERKUNGEN -- CHRONOLOGIE -- BIBLIOGRAPHIE -- PERSONENREGISTER -- REGISTER DER ORTE UND PROJEKTE -- ÜBER DEN AUTOR -- BILDNACHWEIS"]
[null,null,null,"Sommario/riassunto","Claude-Nicolas Ledoux (1736-1806) gilt heute als Hauptvertreter der französischen Revolutionsarchitektur. Sein vielgestaltiger Erfindungsreichtum griff die Architekturideale seiner Zeit auf und entwickelte daraus kühne Utopien. Dieses Buch stellt Ledoux‘ Bauten und Projekte in ihrer ästhetischen wie historischen Bedeutung dar. An seinen Werken – die königlichen Salinen von Arc-et-Senans, das Zollgebäude von Paris, die Idealstadt von Chaux – zeigt sich, wie diese Architektur aus der Antike und der Renaissance schöpft, aber auch eine ganz eigene Formensprache findet. Mit der Revolution war Ledoux‘ bauliches Schaffen beendet, da er den Zeitgenossen als Architekt des Königs galt. Er widmete sich nun der theoretischen Arbeit und entfaltete seine Vision des modernen Architekten."]
[{"$nulls":4},"Claude-Nicolas Ledoux (1736-1806) is today regarded as chief representative of French revolutionary architecture. With his extraordinary inventiveness he projected the architectural ideals of his era. Ledoux’s influential buildings and projects are presented and interpreted both aesthetically and historically in this book. His best-known projects – the Royal Saltwords of Arc-et-Senans, the tollgates of Paris, the ideal city of Chaux – reveal the architect’s allegiance to the principles of antiquity and Renaissance but also illustrate the evolution of his own utopian language. With the French Revolution, Ledoux ceased building as his contemporaries perceived him as a royal architect. He focused on the development of his architectural theory and redefined the vision of the modern architect."]