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[null,"1.","Record Nr.",null,"UNINA9910554221703321"]
[null,null,"Autore",null,"Mangini Elizabeth"]
[null,null,"Titolo",null,"Seeing Through Closed Eyelids : Giuseppe Penone and the Nature of Sculpture"]
[null,null,"Pubbl/distr/stampa",null,"Toronto : , : University of Toronto Press, , 2021"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"1-4875-3693-3"]
[{"$nulls":4},"1-4875-1134-5"]
[null,null,"Descrizione fisica",null,"1 online resource (238 pages)"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Classificazione",null,"cci1icc"]
[null,null,"Disciplina",null,"709.2"]
[null,null,"Soggetti",null,"ART / Individual Artists / Monographs"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction: His Being in the Twenty-Second Year of Life at a Fantastic Hour -- Presentness and Trace -- An Artist Turned Inside Out -- Radical Reciprocity: Passive Sculptor/Active Material -- Tempus Arborus (Tree Time) -- Conclusion: An Ontology of Sculpture – Form, Process, and Palimpsest"]
[null,null,null,"Sommario/riassunto","\"Can a work of art help us know our world differently? In this first scholarly study of Giuseppe Penone, art historian Elizabeth Mangini argues that the Italian artist's engagement of the body's multiple senses constitutes a new theory of sculpture as a means to connect with and know the phenomenal world. Through close readings of signal works across Penone's five-decade career--from his emergence in the context of 1960s Arte Povera to his position as a preeminent contemporary artist today--Mangini demonstrates that Penone refuses modernist opticality, recasts artistic labour, and emphasizes a non-anthropocentric concept of time. This approach challenges viewers to broaden their sensory and temporal perceptions, creating structurally significant new ways to understand human experience. Giuseppe Penone is best known for his engagement with trees, which he employs as raw material, imagery, and an active force in the creative process. Seeing Through Closed Eyelids suggests that such works materialize the perceptible tensions between any organism and its environment. By locating Penone's art in its social context and connecting it to broader discourses about art's status, theories of phenomenology, and the anthropocene, this book offers an original reading of Penone's work, as "]
[{"$nulls":4},"well as a wider view to the artistic generation for whom sculpture was a means to probe the nature of experience itself at the dawn of postmodernism.\"--"]
[null,"2.","Record Nr.",null,"UNINA9910793952903321"]
[null,null,"Autore",null,"Marshall Victoria J."]
[null,null,"Titolo",null,"Patch Atlas : Integrating Design Practices and Ecological Knowledge for Cities as Complex Systems / / Victoria J. Marshall, Mary L. Cadenasso, Brian P. McGrath"]
[null,null,"Pubbl/distr/stampa",null,"New Haven, CT : , : Yale University Press, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"0-300-24939-X"]
[null,null,"Descrizione fisica",null,"1 online resource (129 pages)"]
[null,null,"Disciplina",null,"307.1216"]
[null,null,"Soggetti",null,"City planning - Computer simulation"]
[{"$nulls":4},"Classification"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Preface: Four Themes for an Atlas -- Acknowledgments -- Chapter 1. Motivations for Characterizing the Hybrid, Social-Ecological City -- Chapter 2. Unravelling Homogeneity: One Predominant Land Cover Element with Constrained Potential for Mixture -- Chapter 3. Heterogeneity as Outcome of Urban Transformation: One Predominant Land Cover Element with Greater Potential for Mixture -- Chapter 4. Regularity Within Patches as a Characteristic of Heterogeneity: Two Co-Dominant Land Cover Elements and Repeated Pairs -- Chapter 5. The Case of Patch Plurality as a Lesson for Urban Mutability: Three to Five Co-Dominant Land Cover Elements and the Potential for Recombination -- Chapter 6. Speculating on Urban Futures -- For Further Reading"]
[null,null,null,"Sommario/riassunto","A new tool for mapping urban land cover that integrates design principles and ecological knowledge for understanding cities as complex, patchy and dynamic systems Using a new, hybrid approach to urban land cover classification as an impetus to bring ecologists and urban designers together, this atlas is a unique conceptual tool to describe and analyze cities as complex systems. It brings together over a decade of shared knowledge from the Baltimore Ecosystem Study to inspire ecologically motivated design practice.   The atlas displays maps and tables depicting land cover classes and the relationships between them; information on how the specific cover arrangements evolved over time; and speculations on how they might change through design, "]
[{"$nulls":4},"disturbance, or succession. Rather than separating human-constructed spaces from predominantly biological and geological ones, this book integrates social and ecological structures and shows how this can contribute to the scholarship of ecology and the practice of design. Interdisciplinary and strikingly illustrated, the atlas is a new way to study, measure, and view cities with a more effective interaction of scientific understanding and design practice."]