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[null,"1.","Record Nr.",null,"UNINA9910450837503321"]
[null,null,"Titolo",null,"The Revelation of the Name YHWH to Moses : Perspectives from Judaism, the Pagan Graeco-Roman World, and Early Christianity / / edited by George H. van Kooten"]
[null,null,"Pubbl/distr/stampa",null,"Leiden; ; Boston : , : BRILL, , 2006"]
[null,null,"ISBN",null,"1-281-40065-3"]
[{"$nulls":4},"9786611400651"]
[{"$nulls":4},"90-474-1103-X"]
[null,null,"Descrizione fisica",null,"1 online resource (280 p.)"]
[null,null,"Collana",null,"Themes in Biblical Narrative ; ; 9"]
[null,null,"Disciplina",null,"201/.11"]
[null,null,"Soggetti",null,"God - Name"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Greece Religion"]
[{"$nulls":4},"Rome Religion"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"\"CONTENTS\"\"; \"\"INTRODUCTION\"\"; \"\"CONTRIBUTORS\"\"; \"\"PART I THE NAME IN THE OLD TESTAMENT AND EARLY JUDAISM\"\"; \"\"WHATâ€?S IN THE DIVINE NAME? EXODUS 3 IN BIBLICAL AND RABBINIC TRADITION --- Wout Jac. van Bekkum\"\"; \"\"BARE FEET AND HOLY GROUND: EXCURSIVE REMARKS ON EXODUS 3:5 AND ITS RECEPTION --- Eibert Tigchelaar\"\"; \"\"YHWHâ€?S NAME IN THE AARONIC BLESSING (NUM 6:22â€?27) --- Horst Seebass\"\"; \"\"THE NAME IN KINGS AND CHRONICLES --- Eep Talstra\"\"; \"\"A BURNING BUSH ON THE STAGE: THE REWRITING OF EXODUS 3:1â€?4:17 IN EZEKIEL TRAGICUS, EXAGOGE 90â€?131 --- Jacques T.A.G.M. van Ruiten\"\""]
[{"$nulls":4},"\"\"â€?GOD TEMPTED MOSES FOR SEVEN DAYSâ€?: THE BUSH REVELATION IN RABBINIC LITERATURE --- Ronit Nikolsky\"\"\"\"PART II THE NAME IN THE PAGAN GRAECO-ROMAN WORLD\"\"; \"\"MOSES/MUSAEUS/MOCHOS AND HIS GOD YAHWEH, IAO, AND SABAOTH, SEEN FROM A GRAECO-ROMAN PERSPECTIVE --- George H. van Kooten\"\"; \"\"PLATONISM IN THE BIBLE: NUMENIUS OF APAMEA ON EXODUS AND ETERNITY --- M.F. Burnyeat\"\"; \"\"DOES IT MATTER TO CALL GOD ZEUS? ORIGEN, CONTRA CELSUM I 24â€?25 AGAINST THE GREEK INTELLECTUALS ON DIVINE NAMES --- Robbert M. van den Berg\"\"; \"\"PART III THE NAME IN THE NEW TESTAMENT AND EARLY CHRISTIANITY\"\""]
[{"$nulls":4},"\"\"THE NAME ABOVE ALL NAMES (PHILIPPIANS 2:9) --- Bert-Jan Lietaert Peerbolte\"\"\"\"JESUS AND THE DIVINE NAME IN THE GOSPEL OF JOHN --- Riemer Roukema\"\"; \"\"PHILO OF ALEXANDRIA AND GREGORY OF NYSSA ON MOSES AT THE BURNING BUSH --- Albert C. Geljon\"\"; \"\"THE REVELATION OF THE UNKNOWABLE GOD IN COPTIC GNOSTIC TEXTS --- Gerard P. Luttikhuizen\"\"; \"\"INDEX OF ANCIENT TEXTS\"\"; \"\"I. Ancient Near Eastern Texts\"\"; \"\"II. Jewish Texts\"\"; \"\"1. Hebrew Bible\"\"; \"\"2. Apocrypha and Septuagint\"\"; \"\"3. Pseudepigrapha and other Jewish Texts\"\"; \"\"4. Dead Sea Scrolls and Related Texts\"\"; \"\"5. Philo of Alexandria\"\""]
[{"$nulls":4},"\"\"6. Flavius Josephus\"\"\"\"7. Targumim\"\"; \"\"8. Rabbinic and later Jewish Texts\"\"; \"\"III. Greek and Latin Pagan Texts\"\"; \"\"1. Authors\"\"; \"\"2. FGrH & FHG\"\"; \"\"3. Menahem Stern, Greek and Latin Authors on Jews and Judaism \"\"; \"\"4. SVF\"\"; \"\"5. Papyri\"\"; \"\"IV. Christian Texts\"\"; \"\"1. New Testament\"\"; \"\"2. Patristic and other Christian Writings\"\"; \"\"3. Gnostic writings\"\"; \"\"V. Koran\"\""]
[null,null,null,"Sommario/riassunto","The revelation of YHWH's name to Moses is a momentous event according to the Old Testament. The name 'Yahweh' is of central importance in Judaism, and 'Yahwism' became tantamount to Jewish monotheism. As such, this designation of God also attracted the attention of pagan writers in the Graeco-Roman period. And early Christians had to deal with this divine name as well. These three perspectives on YHWH constitute the framework for this volume. It appears that the Name of God and its revelation to Moses constitute a major theme which runs from the book of Exodus through the Old Testament, early Judaism, and early Christianity. It also attracted pagan philosophical interest, both positive and negative. The Name of God was not only perceived from an insider's perspective, but also provoked a reaction from outsiders. The combined perspectives show the fundamental importance of the divine Name for the formation of Jewish and Christian identities."]
[null,"2.","Record Nr.",null,"UNINA9910554204203321"]
[null,null,"Titolo",null,"Prints as agents of global exchange, 1500-1800 / / editor, Heather Madar"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : Amsterdam University Press, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"90-485-4001-1"]
[null,null,"Descrizione fisica",null,"1 online resource (322 pages) : illustrations; digital, PDF file(s)"]
[null,null,"Collana",null,"Visual and material culture, 1300-1700"]
[null,null,"Disciplina",null,"769.9"]
[null,null,"Soggetti",null,"Prints - History"]
[{"$nulls":4},"Prints - Technique - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 16 Dec 2021)."]
[null,null,"Nota di contenuto",null,"Figure 4 The Martyrdom of Saint Cecilia, a close copy of an engraving by Jerome [Hieronymus] Wierix (Netherlandish, c. 1553-1619). Artist: Nini. South Asia, Mughal, first half of the 17th century. Opaque watercolor and gold on paper.  Victoria and Albert -- Figure 5 The Annunciation, from a Mirror of Holiness (Mir'at al-quds) of Father Jerome Xavier, made for Prince Salim (later the emperor Jahangir). South Asia, Mughal, 1602-1604. Opaque watercolor and gold on paper -- page: 26.2 × 15.4 cm (10 5/16 × 6 1/16 i"]
[{"$nulls":4},"Figure 2 Pietas Regia, the second title page from the first volume of Plantiin Biblia Sacra (also known as the Polyglot Bible). Printed by Christopher Plantiin in Antwerp between 1568-72. Newberry Digital Collections (Newberry Library) -- Figure 3 A female figure standing in a landscape holding a four-stringed \"khuuchir\" and a lotus, South Asia, Mughal, late 16th century (c. 1590). Opaque watercolor with gold on paper, mounted with borders of gold-decorated cream and blue paper -- page: 31.6"]
[{"$nulls":4},"List of illustrations -- 1 Concealing and Revealing the Female Body in EuropeanPrints and Mughal Paintings -- Figure 1 A Celestial Woman Attendant with a Vina (Stringed Instrument). Artist/maker unknown. 956-973, Sandstone, 25 1/8 × 10 1/2 × 7 1/4 inches (63.8 × 26.7 × 18.4 cm). Philadelphia Museum of Art, Purchased from the Stella Kramrisch Collection with funds"]
[{"$nulls":4},"5. The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties -- Yoshimi Orii -- 6 .(Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial "]
[{"$nulls":4},"Devotions in Creating the Virgin -- Raphaele Preisinger -- 7. Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valades' Cross Cultural Exchange -- Linda Báez and Emilie Carreón -- 8. The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru -- Alexandre Ragazzi -- 9. Ink and Feathers: Prints, Printed Books, and Mexican Featherwork -- Corinna T. Gallori -- Index"]
[{"$nulls":4},"Cover -- Table of Contents -- Introduction -- Heather Madar -- 1. Concealing and Revealing the Female Body in European Prints and Mughal Paintings -- Saleema Waraich -- 2. The Sultan's Face Looks East and West: European Prints and Ottoman Sultan Portraiture -- Heather Madar -- .3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter -- Kristel Smentek -- 4. The Dissemination of Western European Prints Eastward: The Armenian Case -- Sylvie L. Merian"]
[null,null,null,"Sommario/riassunto","The significance of the media and communications revolution occasioned by printmaking was profound. Less a part of the standard narrative of printmaking's significance is recognition of the frequency with which the widespread dissemination of printed works also occurred beyond the borders of Europe and consideration of the impact of this broader movement of printed objects. Within a decade of the invention of the printing press, European prints began to move globally. Over the course of the fifteenth to the eighteenth centuries, numerous prints produced in Europe traveled to areas as varied as Turkey, India, Persia, Ethiopia, China, Japan and the Americas, where they were taken by missionaries, artists, travelers, merchants and diplomats. This collection of essays explores the transmission of knowledge, both written and visual, between Europe and the rest of the world by means of prints in the Early Modern period."]