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[null,"1.","Record Nr.",null,"UNINA9910978250303321"]
[null,null,"Autore",null,"Steigerwald Ille Megan <1987->"]
[null,null,"Titolo",null,"Opera for everyone : the industry's experiments with American opera in the digital age / / Megan Steigerwald Ille"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor, Michigan : , : University of Michigan Press, , 2024"]
[{"$nulls":4},"©2024"]
[null,null,"ISBN",null,"9780472904303"]
[{"$nulls":4},"0472904302"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (1 volume : illustrations)"]
[null,null,"Classificazione",null,"MUS028000PER000000"]
[null,null,"Disciplina",null,"782.109794/94"]
[null,null,"Soggetti",null,"Operas - Performances - Social aspects - United States"]
[{"$nulls":4},"Opera - Production and direction"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from eBook information screen.."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 259-273) and index."]
[null,null,"Nota di contenuto",null,"Opera as Mobile Music : Invisible Cities -- Operatic Economics : Liveness and Labor in Hopscotch -- Experiments with Institutionality : Galileo, War of the Worlds, and ATLAS -- \"What You Remember Doesn't Matter\" : Toward an Anticolonial Opera."]
[null,null,null,"Sommario/riassunto","Opera for Everyone: The Industry's Experiments with American Opera in the Digital Age draws on seven years of multi-sited ethnography to examine the acclaimed experimental productions of Los Angeles-based opera company The Industry. Steigerwald Ille understands The Industry's productions as part of an emerging wave of U.S. operas that integrate new media and interactive performance through means such as site-specificity and simulcast video, and then traces the company's path from Crescent City (2012), the company's first production, to Sweet Land (2020), the company's final production before switching to a new production model. Steigerwald Ille argues that by moving opera outside of the opera house, The Industry's productions expose the economic and aesthetic structures key to the circulation of operatic performance at the same time that they deploy opera as a tool for digital listening, community engagement, popular entertainment, and commentary on systemic racism and settler colonialism. Through ethnographic work with The Industry's creators and performers, and close examination of the company's first decade of work, this book reveals how The Industry paradoxically provides both a roadmap and boundary line for experimental and traditional companies trying to find "]
[{"$nulls":4},"new ways to approach operatic performance in the twenty-first century United States."]
[null,"2.","Record Nr.",null,"UNINA9910554203403321"]
[null,null,"Autore",null,"Kosok Felix <p>Felix Kosok, German International University Berlin, Deutschland </p>"]
[null,null,"Titolo"]
[{"$nulls":4},"Form, Funktion und Freiheit : Über die ästhetisch-politische Dimension des Designs / Felix Kosok"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2021"]
[null,null,"ISBN",null,"9783839456101"]
[{"$nulls":4},"383945610X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (398 p.)"]
[null,null,"Collana",null,"Medien- und Gestaltungsästhetik"]
[null,null,"Disciplina",null,"001.09"]
[null,null,"Soggetti",null,"Design"]
[{"$nulls":4},"Demokratie"]
[{"$nulls":4},"Democracy"]
[{"$nulls":4},"Ästhetik"]
[{"$nulls":4},"Aesthetics"]
[{"$nulls":4},"Politik"]
[{"$nulls":4},"Politics"]
[{"$nulls":4},"Kritische Theorie"]
[{"$nulls":4},"Critical Theory"]
[{"$nulls":4},"Postdemokratie"]
[{"$nulls":4},"Post-democracy"]
[{"$nulls":4},"Form"]
[{"$nulls":4},"Gestaltung"]
[{"$nulls":4},"Shaping"]
[{"$nulls":4},"Art"]
[{"$nulls":4},"Kunst"]
[{"$nulls":4},"Politische Theorie"]
[{"$nulls":4},"Political Theory"]
[{"$nulls":4},"Kunsttheorie"]
[{"$nulls":4},"Theory of Art"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Inhaltsverzeichnis -- Einleitung -- 1 Von der Gestaltbarkeit der Welt -- 2 Das Rätsel der Funktion -- 3 Die Freiheit der Form -- 4 Die Differenz des Designs -- 5 Design und "]
[{"$nulls":4},"Postdemokratie -- 6 Design und Demokratie -- Anhang -- Danksagung"]
[null,null,null,"Sommario/riassunto","Das Verhältnis von Design und Demokratie ist nicht nur eine Sache der effizienten, transparenten oder partizipativen Gestaltung politischer Institutionen und ihrer Prozesse. Design muss vielmehr in seiner Wechselwirkung mit der für die Demokratie konstitutiven Kultur der Freiheit bestimmt werden. Felix Kosok legt dar, wie sich die Verhandlung der politischen Dimension des Designs auf eine grundsätzliche Ebene verlagert: Dem Design selbst kommt eine politische Bedeutung zu, die von seiner ästhetischen Dimension nicht zu trennen ist. In der produktiven Freiheit zu den Zwecken zeigt sich die prinzipielle Gestaltbarkeit der Dinge, die von einer kritischen Theorie des Designs bewusst gehalten werden muss."]
[{"$nulls":4},"Besprochen in:https://www.hfg-offenbach.de, 3 (2021)https://www.arcguide.de, 04.11.2021PAGE, 9 (2022)https://tgm-online.de/blog, 27.11.2023, Rudolf Paulus Gorbach"]