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[null,"1.","Record Nr.",null,"UNINA9910715620903321"]
[null,null,"Titolo",null,"Message from the President of the United States to the two Houses of Congress, at the commencement of the second session of the Twenty-seventh Congress. December 7, 1841. Read, and ordered to be printed with the accompanying documents; and that 3,500 additional copies of the message, and 1,500 additional copies of the message and documents, be furnished for the use of the Senate"]
[null,null,"Pubbl/distr/stampa",null,"[Washington, D.C.] : , : [publisher not identified], , 1841"]
[null,null,"Descrizione fisica",null,"1 online resource (494 pages) : illustrations, maps, tables"]
[null,null,"Collana",null,"Senate document / 27th Congress, 2nd session. Senate ; ; no. 1"]
[{"$nulls":4},"[United States congressional serial set] ; ; [serial no. 395]"]
[null,null,"Soggetti",null,"Armed Forces"]
[{"$nulls":4},"Arsenals"]
[{"$nulls":4},"Armories"]
[{"$nulls":4},"Budget"]
[{"$nulls":4},"Coast defenses"]
[{"$nulls":4},"Currency convertibility"]
[{"$nulls":4},"Armed Forces - Appropriations and expenditures"]
[{"$nulls":4},"Diplomatic documents"]
[{"$nulls":4},"Revenue"]
[{"$nulls":4},"Factory and trade waste"]
[{"$nulls":4},"Indians of North America - Government relations"]
[{"$nulls":4},"Foreign trade promotion"]
[{"$nulls":4},"Foreign trade and employment"]
[{"$nulls":4},"Foundries"]
[{"$nulls":4},"Harbors"]
[{"$nulls":4},"Indian Removal, 1813-1903"]
[{"$nulls":4},"Indian Removal, 1813-1903, in art"]
[{"$nulls":4},"Indians of North America - Wars"]
[{"$nulls":4},"Buildings - Repair and reconstruction"]
[{"$nulls":4},"International relations"]
[{"$nulls":4},"Military bases"]
[{"$nulls":4},"Construction, Military"]
[{"$nulls":4},"Construction industry - Military aspects"]
[{"$nulls":4},"Military art and science"]
[{"$nulls":4},"Military pensions"]
[{"$nulls":4},"National banks (United States)"]
[{"$nulls":4},"Military readiness"]
[{"$nulls":4},"Sea control"]
[{"$nulls":4},"Paper money"]
[{"$nulls":4},"Patronage, Political"]
[{"$nulls":4},"Postal service"]
[{"$nulls":4},"Public contracts"]
[{"$nulls":4},"Rice"]
[{"$nulls":4},"Roads - Design and construction"]
[{"$nulls":4},"Seizure of vessels and cargoes"]
[{"$nulls":4},"Enslaved persons"]
[{"$nulls":4},"Slavery"]
[{"$nulls":4},"Species"]
[{"$nulls":4},"Money"]
[{"$nulls":4},"Presidents - United States"]
[{"$nulls":4},"Tariff"]
[{"$nulls":4},"Seminole War, 2nd, 1835-1842"]
[{"$nulls":4},"Seminole Indians - Wars"]
[{"$nulls":4},"Financial statements"]
[{"$nulls":4},"Legislative materials."]
[{"$nulls":4},"United States Appropriations and expenditures"]
[{"$nulls":4},"United States Armed Forces Appropriations and expenditures"]
[{"$nulls":4},"Canada History Rebellion, 1837-1838 Campaigns"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Report of the Secretary of War, p. 59."]
[{"$nulls":4},"Report of the Major General Commanding the Army, p. 77."]
[{"$nulls":4},"Report of the Officer in Charge of the Ordnance Department, p. 100."]
[{"$nulls":4},"Report of the Quartermaster General, p. 107."]
[{"$nulls":4},"Report of the Chief Engineer, p. 114."]
[{"$nulls":4},"Report of the Chief of the Bureau of Topographical Engineers, p. 167."]
[{"$nulls":4},"Report of the Paymaster General, p. 215."]
[{"$nulls":4},"Report of the Surgeon General, p. 218."]
[{"$nulls":4},"Report of the Commissary of Purchases, p. 220."]
[{"$nulls":4},"Report of the Commissary of General Subsistence, p. 239."]
[{"$nulls":4},"Report of the Commissioner of Pensions, p. 240."]
[{"$nulls":4},"Report of the Commissioner of Indian Affairs, p. 251."]
[{"$nulls":4},"Report on the subject of a national foundry for cannon, p. 359."]
[{"$nulls":4},"Report on the subject of a depot for gunpowder, p. 363."]
[{"$nulls":4},"Report of the Secretary of the Navy, p. 367."]
[{"$nulls":4},"Report of the Postmaster General, p. 457."]
[{"$nulls":4},"Batch processed record: Metadata reviewed, not verified. Some fields updated by batch processes."]
[{"$nulls":4},"FDLP item number not assigned."]
[null,"2.","Record Nr.",null,"UNINA9910553081903321"]
[null,null,"Autore",null,"Bischof Margrit"]
[null,null,"Titolo",null,"Sinn und Sinne im Tanz : Perspektiven aus Kunst und Wissenschaft. Jahrbuch TanzForschung 2020"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2020"]
[{"$nulls":4},"Bielefeld : , : transcript, , 2022"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"9783839453407"]
[{"$nulls":4},"3839453402"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (333 pages)"]
[null,null,"Collana",null,"TanzForschung"]
[null,null,"Disciplina",null,"792"]
[null,null,"Soggetti",null,"PERFORMING ARTS / Dance / General"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Inhalt -- Milk it &amp -- Move it. Ein Grußwort -- Sinn und Sinne - Sensationen im Tanz -- Erzählen/Archivieren -- Erinnerungen erzählen. Mit Oral History auf den Spuren der Tanzenden -- Archiv in Bewegung. Das Schweizer Archiv der Darstellenden Künste (SAPA) als Living Archive -- Choreografien rekonstruieren. Studierende tanzen Fumi Matsudas FlächenHaft -- Performative Tanzarchive. Ein Zugang zu tänzerischen Praktiken inmitten von (Im)Materialitäten -- Sketch of Togetherness - Episteme temporärer Begegnungen -- How We Narrate Dance -- Betrachten/Übersetzen -- Dancing on the Threshold of Sense. Four Practices and Two Conclusions -- Braucht der Tanz das sehende Auge? Wie ein nicht-sehendes Publikum Tanz erlebt und was der Tanz dadurch gewinnt -- Situiertes Wissen und Berührung. Eine (Auto)Ethnografie im zeitgenössischen Tanz -- Sinnhaftigkeit in fluiden Zeiten. Künstlerische Recherche zur Relation zwischen Sinneswahrnehmung und Bewegungsqualität -- Beyond Motor Imagery for Cognitive Choreography -- Immersion in/of the Skin. The Potential of the Skin in Creative Practice: Theoretical and Practical Perspectives -- Erkenntnis zwischen Erfühlen, Intuition und Anschauung -- Kreieren/Kommunizieren -- EchoRaum SAL SENS(e)ATION. EchoPerformance -- The Listening Body. (Stimm-)Klang in Bewegung und Bewegung als Klang -- Urban Touch -- COME [and play] AWAY. Das Spielfeld als Ausgangslage choreografischer Strukturen -- Potato Print Dance - Kartoffeldrucktanz -- Vermitteln/Erinnern -- How Do We "]
[{"$nulls":4},"Learn to (Make) Sense in Dance (Classes)? Kritische und methodische Überlegungen zu Umgang und Erforschung von Sinnlichkeit in tanzvermittelnden Praktiken -- Tanzen - Berühren - Wissen. Der Tastsinn als Wissensvermittler in tänzerischen Interaktionen."]
[{"$nulls":4},"ZU-GÄNGE - Welche Wissensarten kann Tanzvermittlung generieren? Reflexion des Vermittlungskonzepts TANZSCOUT anhand eines Forschungsdesigns -- MALU - Kinder in Bewegung. Bewegung zwischen Tanz und Lernen -- Body-Mind Centering® als tanzkünstlerische Arbeitsweise. Ein Workshop in der Reflexion -- Vom Mouthing zur Mündigkeit im Tanz. Tanzerleben und somatische Ästhetik -- Sens(e)ations of Touch. Phänomenologische und machtkritische Analysen am Beispiel von Kontaktimprovisation -- Dancing with Women in Niqāb. Contact Improvisation: Politik des Kulturellen oder weiße Hegemonie? -- Dokumentieren/Darstellen -- Groove Sens(e)ations - mit und über Empfindungen forschen -- HAMONIM - Was die Masse bewegt. Was kann eine Tanzproduktion bewegen? -- Das Rieseln des Sandes. Langsamkeit des plötzlichen Ereignens -- Fallen Fühlen. Emergenz, Vitalität und Latenz des Nicht-Menschlichen in Nick Steurs A Piece of 2 -- Biografien/Biographies."]
[null,null,null,"Sommario/riassunto","Ähnlich und doch verschieden: Sinn und Sinne im Tanz. Sinn steht für Sinnhaftes, für Einsicht und Vernunft - und mit Sinne wird alles Sinnliche, wird Erfahrung und Wahrnehmung verbunden. Tanz macht Sinn, Tanz ist Sinnlichkeit. Aus der Reibung dieser beiden Pole entstehen für den künstlerischen Tanz wie auch für deren Erforschung neuartige Ansätze. Das im Körper gespeicherte Wissen spielt dabei eine bedeutende Rolle. Aus der Perspektive unterschiedlicher Autor*innen aus Kunst und Wissenschaft werden Wege aufgezeigt, wie aus verschiedenen Situationen neuartige Zugänge zu künstlerischer, forschender und vermittelnder Praxis entspringen können.Dieses gtf-Jahrbuch entstand in Zusammenarbeit mit dem Institute for the Performing Arts and Film (IPF) der Zürcher Hochschule der Künste und erscheint als Band 20 der Reihe subTexte."]