{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":25,"n_cols":5,"rows_kept":25,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[18,2,18,3],[19,2,19,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910552765803321"]
[null,null,"Autore",null,"Alexander Craft Renee <1973->"]
[null,null,"Titolo",null,"When the Devil Knocks : The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama / / Renee Alexander Craft"]
[null,null,"Pubbl/distr/stampa",null,"Columbus : , : Ohio State University Press, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"0-8142-7372-6"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Black performance and cultural criticism"]
[null,null,"Classificazione",null,"LIT004100"]
[null,null,"Disciplina",null,"305.80097287"]
[null,null,"Soggetti",null,"LITERARY CRITICISM / Caribbean & Latin American"]
[{"$nulls":4},"Carnival - Social aspects - Panama"]
[{"$nulls":4},"Black people - Panama - Ethnic identity"]
[{"$nulls":4},"Black people - Panama - Rites and ceremonies"]
[{"$nulls":4},"Congos (Panamanian people) - Ethnic identity"]
[{"$nulls":4},"Congos (Panamanian people) - Rites and ceremonies"]
[{"$nulls":4},"Electronic books."]
[{"$nulls":4},"Portobelo (Panama) Social life and customs"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","\"Despite its long history of encounters with colonialism, slavery, and neocolonialism, Panama continues to be an under-researched site of African Diaspora identity, culture, and performance. To address this void, Renee Alexander Craft examines an Afro-Latin Carnival performance tradition called \"Congo\" as it is enacted in the town of Portobelo, Panama-the nexus of trade in the Spanish colonial world. In When the Devil Knocks: The Congo Tradition and the Politics of Blackness in Twentieth-Century Panama, Alexander Craft draws on over a decade of critical ethnographic research to argue that Congo traditions tell the story of cimarronaje, charting self-liberated Africans' triumph over enslavement, their parody of the Spanish Crown and Catholic Church, their central values of communalism and self-determination, and their hard-won victories toward national inclusion and belonging.  When the Devil Knocks analyzes the Congo tradition as a dynamic cultural, ritual, and identity performance that tells an important story about a Black cultural past while continuing to create "]
[{"$nulls":4},"itself in a Black cultural present. This book examines \"Congo\" within the history of twentieth century Panamanian etnia negra culture, politics, and representation, including its circulation within the political economy of contemporary tourism\"--"]