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[null,"1.","Record Nr.",null,"UNINA9910524880903321"]
[null,null,"Autore",null,"Bunye Maria Victoria R."]
[null,null,"Titolo",null,"Cebuano for beginners / / Maria Victoria R. Bunye, Elsa Paula Yap"]
[null,null,"Pubbl/distr/stampa",null,"Hawaii : , : University of Hawaii Press, , [2018]"]
[{"$nulls":4},"©2018"]
[null,null,"Descrizione fisica",null,"1 online resource (243 pages)"]
[null,null,"Disciplina",null,"499.21"]
[null,null,"Soggetti",null,"Cebuano literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910777722703321"]
[null,null,"Autore",null,"Plasketes George"]
[null,null,"Titolo",null,"B-sides, undercurrents and overtones [[electronic resource] ] : peripheries to popular in music, 1960 to the present / / George Plasketes"]
[null,null,"Pubbl/distr/stampa",null,"Farnham, England ; ; Burlington, VT, : Ashgate, c2009"]
[null,null,"ISBN",null,"1-317-17113-6"]
[{"$nulls":4},"1-315-57040-8"]
[{"$nulls":4},"1-317-17112-8"]
[{"$nulls":4},"1-282-24339-X"]
[{"$nulls":4},"9786612243394"]
[{"$nulls":4},"0-7546-9382-1"]
[null,null,"Descrizione fisica",null,"1 online resource (222 p.)"]
[null,null,"Collana",null,"Ashgate popular and folk music series"]
[null,null,"Disciplina",null,"781.640973/09045"]
[null,null,"Soggetti",null,"Popular music - United States - History and criticism"]
[{"$nulls":4},"Music - United States - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [195]-201) and index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; General Editor's Preface; Preface: My Back Pages; Acknowledgements; Introduction: The Flip Side: Let It B; 1 Get Your 45's On: Terry Melcher, Lost in the Surf and Sun of the 1960's Sound Waves; 2 How the Midwest Was Won: The Chicago Suburbs Seven, a Mid-1960's Regional Rotation; 3 Covering Outside the Lines: Hans Fenger and the Langley Schools Music Project; 4 Geffen Records v. Neil Young: The Battle of the Brands; 5 Music and Movie Mutuality: Ry Cooder, the Involved Bystander; 6 World Music Missionaries: Cross Cultural Convergences"]
[{"$nulls":4},"7 The Vital Visual Voice of the Videotape Editor: Seamlessly Sculpting Graceland: The African Concert 8 Rock Around the Cop: Bochco's Broadway Blue Print as Television Musical Muse and Martyr; 9 Must Sing TV: Pop Rock Sitcom Cameo Obscuras; 10 Umbilical Musical Chords: Lineage, Legacy and Mom and Pop Pedigree; 11 Die Another Day: Warren Zevon's Desperado \"Deteriorata\"; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique "]
[{"$nulls":4},"conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that..."]