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[null,"1.","Record Nr.",null,"UNISALENTO991003134349707536"]
[null,null,"Autore",null,"Proba, Faltonia Petita"]
[null,null,"Titolo",null,"The golden bough, the oaken cross : the Virgilian Cento of Faltonia Betitia Proba / Elizabeth A. Clark and Diane F. Hatch"]
[null,null,"Pubbl/distr/stampa",null,"Ann Arbor, Michigan : American Academy of Religion, c1981"]
[null,null,"Descrizione fisica",null,"249 p. ; 23 cm."]
[null,null,"Collana",null,"Texts and translations series ; 5"]
[null,null,"Soggetti",null,"Letteratura cristiana - Autori latini"]
[{"$nulls":4},"Proba"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Testo latino con trad. inglese a fronte."]
[null,"2.","Record Nr.",null,"UNINA9910516004403321"]
[null,null,"Autore",null,"Class Olivier"]
[null,null,"Titolo",null,"Théâtre musical (xxe et xxie siècles) : Formes et représentations politiques / / Muriel Plana, Nathalie Vincent-Arnaud, Frédéric SOUNAC, Ludovic FLORIN"]
[null,null,"Pubbl/distr/stampa",null,"Besançon, : Presses universitaires de Franche-Comté, 2021"]
[null,null,"ISBN",null,"2-84867-879-8"]
[null,null,"Descrizione fisica",null,"1 online resource (228 p.)"]
[null,null,"Collana",null,"Annales littéraires"]
[null,null,"Soggetti",null,"Architecture"]
[{"$nulls":4},"théâtre"]
[{"$nulls":4},"esthétique"]
[{"$nulls":4},"politique"]
[{"$nulls":4},"musique"]
[{"$nulls":4},"art de la scène"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Cet ouvrage se veut une étude pluridisciplinaire du théâtre musical au XXe et XXIe siècles dans ses dimensions esthétique et politique. Il réunit des approches variées qui mettent l’accent sur les principaux dispositifs et enjeux expressifs et performatifs de cette forme artistique hybride. Interrogeant tout à la fois les mécanismes en jeu dans la création et l’interprétation, il propose une redéfinition de ce que peuvent être et faire les relations entre musique et théâtre contemporaines."]