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[null,"1.","Record Nr.",null,"UNINA9910511792903321"]
[null,null,"Autore",null,"Chambers Eddie"]
[null,null,"Titolo",null,"Black Artists in British Art [[electronic resource] ] : A History since the 1950s"]
[null,null,"Pubbl/distr/stampa",null,"London, : I.B.Tauris, 2014"]
[null,null,"ISBN",null,"9780857736086"]
[{"$nulls":4},"0-85773-608-6"]
[null,null,"Descrizione fisica",null,"1 online resource (426 p.)"]
[null,null,"Disciplina",null,"758.1"]
[null,null,"Soggetti",null,"Art, British -- 19th century -- Exhibitions"]
[{"$nulls":4},"Art, British -- 20th century -- Exhibitions"]
[{"$nulls":4},"Blacks in art -- Exhibitions"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Cover; About the Author; Title Page; Dedication; Copyright; Contents; List of Illustrations; Note; Acknowledgements; Foreword: Celebrating Nelson's Ships; Introduction; Chapter 1: The Pioneering Generation of Caribbean Artists; Chapter 2: Early Contributions by South Asian Artists; Chapter 3: The Significance of the 1970s; Chapter 4: Uzo Egonu and Contemporary African Art in Britain; Chapter 5: The Earliest Black-British Practitioners; Chapter 6: South Asian Stories; Chapter 7: The 'Black Art' Generation and the 1980s; Chapter 8: The Rise and Fall of The Black-Art Gallery"]
[{"$nulls":4},"Chapter 9: The Emergence of Black Women Artists: Arguments and OpinionsChapter 10: Sonia Boyce and Other Black Women Artists; Chapter 11: Substantial Sculpture: The work of Sokari Douglas Camp, Veronica Ryan, and Permindar Kaur.; Chapter 12: Black Artists of the 1990s Generation; Chapter 13: The Triumphant Triumvirate: Yinka Shonibare, Chris Ofili, and Steve McQueen.; Epilogue: The New Generation; Notes; Bibliography"]
[null,null,null,"Sommario/riassunto","Black artists have been making major contributions to the British art scene for decades, since at least the middle of the 20th century. Sometimes, these artists - with backgrounds in the countries of Africa, the Caribbean, and South Asia - were regarded and embraced as British practitioners of note and merit. At other times, particularly during the 1970s and 1980s, they were not. In response, on occasion, Britain's "]
[{"$nulls":4},"black artists came together and made their own exhibitions or created their own gallery spaces. In this book, Eddie Chambers tells the story of Britain's black artists, from the 195"]