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[null,"1.","Record Nr.",null,"UNINA9910508506303321"]
[null,null,"Autore",null,"Sieradz Małgorzata"]
[null,null,"Titolo",null,"The beginnings of polish musicology / / Małgorzata Sieradz ; translated by Lindsay Davidson"]
[null,null,"Pubbl/distr/stampa",null,"Bern, : Peter Lang International Academic Publishing Group, 2020"]
[{"$nulls":4},"Berlin : , : Peter Lang, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"3-631-82378-9"]
[{"$nulls":4},"3-631-82377-0"]
[null,null,"Descrizione fisica",null,"1 online resource (578 pages)"]
[null,null,"Collana",null,"Eastern European studies in musicology ; ; Volume 20"]
[null,null,"Disciplina",null,"780.720"]
[null,null,"Soggetti",null,"Musicology - History"]
[{"$nulls":4},"History"]
[{"$nulls":4},"Poland"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover -- Copyright information -- Contents -- Introduction -- I. Socio-institutional contexts of the establishment of Kwartalnik Muzyczn y -- 1. Panorama of Polish musicological journalism until 1910 -- Roman Chojnacki's Młoda Muzyka and Przegląd Muzyczny -- WTM and Henryk Opieński's Kwartalnik Muzyczny (1911-14) -- collaboration with Adolf Chybiński -- clarification of the concept of a musicological quarterly -- university series"]
[{"$nulls":4},"2. Societies, associations, institutes of the interwar period: 'Club of professional music press' -- Polish Society for Contemporary Music -- Polish Musicological Society -- Frederic Chopin Institute -- Association of Early Music Lovers and Publishing Society -- 3. Music magazines of the interwar period: Lwowskie Wiadomości Muzyczne i Literackie, Poznań's Przegląd Muzyczny, Mateusz Gliński's Muzyka -- other environmental and local musical magazines -- controversies over the model of an expert journal of the milieu"]
[{"$nulls":4},"1. Panorama of Polish musicological journalism until 1910 -- Roman Chojnacki's M ł oda Muzyka and Przegl ą d Muzyczny -- WTM and Henryk Opieński's Kwartalnik Muzyczny (1911-14) -- collaboration with Adolf Chybi ń ski -- clarification of the concept of a -- II. Hopes of Polish musicology -- Kwartalnik Muzyczny in the years 1928-1933 -- 1. The idea of publishing a musicological quarterly -- preparatory work "]
[{"$nulls":4},"-- establishing Kwartalnik Muzyczny : the periodical's concept -- programme assumptions: the first editorial -- reactions of the milieu"]
[{"$nulls":4},"2. Musicological circles in Poland (Lviv, Cracow, Poznań, Warsaw) as addresses of the Kwartalnik -- socio-scientific contexts: ideas about the functioning of the musicological environment -- main topics of interest -- other possibilities of publishing musicological studies: academic publishing -- 3. Musicology among academic disciplines in the interwar period -- systematics, discussions -- III. Difficult years -- Kwartalnik Muzyczny in the years 1948-1950 -- 1. New context of the functioning of the academic milieu and their publications -- 'bourgeoisie musicology'"]
[{"$nulls":4},"2. Ideologisation of learning about music -- conferences, conventions, congresses -- Marxist musicology -- Państwowy Instytut Sztuki -- gradual radicalisation in academia -- 3. An attempt to continue the formula of the magazine -- Adolf Chybiński and his collaborators (Zofia Lissa, Tadeusz Ochlewski, Józef M. Chomiński -- scope of cooperation and organisation of editorial work) -- new organisation of publishing work (PWM, PIS)"]
[{"$nulls":4},"4. Authors and subjects as well as concepts, problems and work methods -- continuation of the pre-war work -- around the current issues of musical socialist realism -- thematic projects"]
[null,null,null,"Sommario/riassunto","The book presents the history of the only strictly scientific Polish musicological periodical Kwartalnik Muzyczny. It shows how the editorial board of the periodi-cal met with true approval and harsh criticism. The subject allows the author to present the beginnings of Polish musicology and its evolution through three epochs: the late partitioning period, the interwar period of Poland’s independ-ence, and the early years after the Second World War"]