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[null,null,"Titolo",null,"What Will Be Already Exists : Temporalities of Cold War Archives in East-Central Europe and Beyond / Emese Kürti, Zsuzsa László"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2021"]
[null,null,"ISBN",null,"9783839458235"]
[{"$nulls":4},"3839458234"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (198 p.) : 1391 MB 12 SW-Abbildungen, 26 Farbabbildungen"]
[null,null,"Collana",null,"Image"]
[null,null,"Disciplina",null,"700.411"]
[null,null,"Soggetti",null,"(Artist) Archives"]
[{"$nulls":4},"Cold-War"]
[{"$nulls":4},"Neo-Avant-Garde"]
[{"$nulls":4},"Eastern Europe"]
[{"$nulls":4},"Historicization"]
[{"$nulls":4},"Memory Culture"]
[{"$nulls":4},"Society"]
[{"$nulls":4},"Cultural History"]
[{"$nulls":4},"Art History"]
[{"$nulls":4},"Art History of the 20th Century"]
[{"$nulls":4},"Cultural Management"]
[{"$nulls":4},"Museum Management"]
[{"$nulls":4},"Fine Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Contents -- Acknowledgments -- Introduction -- Collecting the Future -- \"Destroy, She Said\" -- Active Gaps and Absences in Artist Archives -- The New Sectarianism -- Self-Historicization -- Collaborative Actions, Continued Omissions -- Expansive Underground -- The Alternative Official? -- The Life and Afterlife of the Archive -- artpool.hu: a user's guide -- Biographies."]
[null,null,null,"Sommario/riassunto","How do artist archives survive and stay authentic in radically changed contexts? The volume addresses the challenge of continuity, sustainability, and institutionalization of archives established by Eastern European artists. At its center stands the 40th anniversary of the Artpool Art Research Center founded in 1979 in Budapest as an "]
[{"$nulls":4},"underground institution based on György Galántai's »Active Archive« concept. Ten internationally renowned scholars propose contemporary interpretations of this concept and frame artist archives not as mere sources of art history but as models of self-historicization. The contributions give knowledgeable insights into the transition of Cold War art networks and institutional landscapes."]