{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":29,"n_cols":5,"rows_kept":29,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[8,2,8,3],[9,2,9,3],[12,2,12,3],[12,4,12,5],[13,2,13,3],[13,4,13,5],[14,2,14,3],[14,4,14,5],[15,2,15,3],[16,2,16,3],[17,2,17,3],[18,2,18,3],[19,2,19,3],[24,2,24,3],[25,2,25,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISALENTO991001670279707536"]
[null,null,"Titolo",null,"Direito administrativo e integração regional: Anais do 5. Congresso da Associação de Direito Pùblico do Mercosul e do 10. Congresso Paranaensa de Direito Administrativo / Romeu Felipe Bacellar Filho, Guilherme Amintas Pazinato da Silva coordenadores ; prefácio Emerson Gabardo"]
[null,null,"Pubbl/distr/stampa",null,"Belo Horizonte : Editora Forum, 2010"]
[null,null,"ISBN",null,"9788577003440"]
[null,null,"Descrizione fisica",null,"314 p. : ill. ; 24 cm"]
[null,null,"Disciplina",null,"342.80"]
[null,null,"Soggetti",null,"Diritto amministrativo - America meridionale"]
[{"$nulls":4},"Relazioni internazionali - America meridionale"]
[null,null,"Lingua di pubblicazione",null,"Portoghese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Contiene riferimenti bibliografici"]
[null,"2.","Record Nr.",null,"UNINA9910496042903321"]
[null,null,"Autore",null,"Sureda-Cagliani Sylvie"]
[null,null,"Titolo",null,"Victimes et bourreaux dans le théâtre de Griselda Gambaro : De “El desatino” (1965) à Antígona furiosa (1986) / / Sylvie Sureda-Cagliani"]
[null,null,"Pubbl/distr/stampa",null,"Perpignan, : Presses universitaires de Perpignan, 2020"]
[null,null,"ISBN",null,"2-35412-408-2"]
[null,null,"Descrizione fisica",null,"1 online resource (341 p.)"]
[null,null,"Collana",null,"Études"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"littérature"]
[{"$nulls":4},"victime"]
[{"$nulls":4},"théâtre argentin"]
[{"$nulls":4},"bourreau"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Ce travail se propose d’approfondir le contexte culturel, historique et social qui sert de toile de fond au théâtre de Griselda Gambaro dès les années soixante.  En Argentine, durant les années de répression, d’abord avec la dictature de Juan Carlos Onganía (1966] puis avec celle de Rafael Videla (1976), le théâtre est un espace qui sert d’exutoire, ainsi qu’un moyen d’expression qui met en scène les moeurs et les comportements humains.  Les pièces analysées dans ce travail dénoncent la perversion de la dictature, ainsi que les exactions infligées par les tortionnaires sur leurs victimes. Dans un contexte politique et social déterminé, le thème de « la victime et du bourreau » est une constante dans ce théâtre qui met l’accent sur les dangers de la coercition et de l’arbitraire exercés par un pouvoir tyrannique.  This studying attemps to go more deeply into the cultural, historical and social context which is the backdrop to Griselda Gambaro’s theatrical world from the 1960s onwards.  In Argentina during the years of repression, first under the dictatorship of Juan Carlos Onganía (1966) then that of Rafael Videla (1976), the theatre was a form of escapism, yet at the same time a means of expression staging human mores and behaviour.  The plays analysed here denounce the perversion of dictatorship as well as the suffering inflicted on victims by their torturers. In this specific political and social context, the theme of "]
[{"$nulls":4},"\"victim and torturer\" is a constant in these theatrical works, which underline the dangers of coercion and arbitrary decisions exercised by tyrannical power."]