{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":3,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":62,"n_cols":5,"rows_kept":62,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[13,2,13,3],[14,2,14,3],[18,2,18,3],[18,4,18,5],[19,2,19,3],[19,4,19,5],[20,2,20,3],[21,2,21,3],[25,2,25,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[30,2,30,3],[31,2,31,3],[35,2,35,3],[40,2,40,3],[40,4,40,5],[41,2,41,3],[41,4,41,5],[42,2,42,3],[42,4,42,5],[43,2,43,3],[45,2,45,3],[47,2,47,3],[48,2,48,3],[49,2,49,3],[50,2,50,3],[56,2,56,3],[57,2,57,3],[60,2,60,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910495993303321"]
[null,null,"Autore",null,"Llasera Margaret"]
[null,null,"Titolo",null,"Représentations scientifiques et images poétiques en Angleterre au XVIIe siècle : À la recherche de l’invisible / / Margaret Llasera"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : CNRS Éditions, 2020"]
[null,null,"ISBN",null,"2-271-12828-5"]
[null,null,"Descrizione fisica",null,"1 online resource (304 p.)"]
[null,null,"Collana",null,"CNRS Littérature"]
[null,null,"Soggetti",null,"Literature&#44; Romance"]
[{"$nulls":4},"poésie"]
[{"$nulls":4},"métaphysique"]
[{"$nulls":4},"science"]
[{"$nulls":4},"Angleterre"]
[{"$nulls":4},"XVIIe siècle"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","L’explosion scientifique des XVIe et XVIIe siècles, qui est à l’origine de la science moderne, a profondément marqué la culture et les esprits de l’époque, notamment en Angleterre où elle constitue une importante source d’inspiration poétique. La période 1600-1660, de Shakespeare à Milton, voit fleurir les métaphores scientifiques, forgées à partir des représentations mentales des savants. Ces derniers recourent en effet à l’analogie pour se figurer la puissance de l’aimant, la nature de la lumière ou l’organisation du cosmos. Chez John Donne ou Henry Vaughan, par exemple, les représentations de la passion amoureuse, de la quête de Dieu, de l’attente de la mort, s’alimentent aux théories élaborées par Copernic, Gilbert, Kepler ou Paracelse.  L’ouvrage nous invite à un voyage au cœur du « concert », métaphore audacieuse, extravagante ou subtile des poètes « métaphysiques » anglais. Il éclaire une poésie complexe où se manifeste une connaissance intime des sciences qui sondent les secrets du microcosme et du macrocosme.  Margaret Llasera croise étude des sciences et critique littéraire : chaque chapitre retrace l’histoire de l’une des sciences retenues – le magnétisme, l’optique, l’astronomie, la météorologie, l’alchimie et la médecine – et analyse les figures poétiques qu’elle a suscitées. C’est tout l’imaginaire d’une époque où se confondaient encore les « deux "]
[{"$nulls":4},"cultures » qui est ainsi restitué."]
[null,"2.","Record Nr.",null,"UNINA9910786531303321"]
[null,null,"Titolo",null,"The Brontes / / edited and introduced by Patricia Ingham"]
[null,null,"Pubbl/distr/stampa",null,"London : , : Routledge, , 2014, c2003"]
[null,null,"ISBN",null,"1-317-88162-1"]
[{"$nulls":4},"1-138-16699-5"]
[{"$nulls":4},"1-315-84002-2"]
[{"$nulls":4},"1-317-88163-X"]
[null,null,"Descrizione fisica",null,"1 online resource (513 p.)"]
[null,null,"Collana",null,"Longman Critical Readers"]
[null,null,"Disciplina",null,"823/.709"]
[null,null,"Soggetti",null,"English fiction - 19th century - History and criticism"]
[{"$nulls":4},"English fiction - Women authors - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","First published 2003 by Pearson Education Limited."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Half Title; Title Page; Copyright Page; Table of Contents; Acknowledgements; Dedication; Introduction; 1. Wuthering Heights; Notes; 2. A Dialogue of Self and Soul: Plain Jane's Progress; Notes; 3. The Sultan and the Slave: Feminist Orientalism and the Structure of Jane Eyre; Notes; References; 4. Shirley; 'The Toad in the Block of Marble'; 'Capsized by the Patriarch Bull' (p. 245); 'The Famished and Furious Mass' (p. 344); Notes; 5. Villette: 'The Surveillance of a Sleepless Eye'; Notes; 6. Words on 'Great Vulgar Sheets': Writing and Social Resistance in Anne Brontë's Agnes Grey (1847)"]
[{"$nulls":4},"NotesWorks Cited; 7. The Profession of the Author: Abstraction, Advertising, and Jane Eyre; I; II; Notes; Works Cited; 8. Gothic Desire in Charlotte Brontë's Villette; Notes; 9. The Other Case: Gender and Narration in Charlotte Brontë's The Professor; Notes; Works Cited; 10. Edward Rochester and the Margins of Masculinity in Jane Eyre and Wide Sargasso Sea; Works Cited; 11. Gender and Layered Narrative in Wuthering Heights and The Tenant of Wildfell Hall; Notes; Works Cited; 12. Siblings and Suitors in the Narrative Architecture of The Tenant of Wildfell Hall; I; II; Notes"]
[{"$nulls":4},"13. Diaries and Displacement in Wuthering HeightsNotes; Further Reading; Index"]
[null,null,null,"Sommario/riassunto","The novels of Charlotte and Emily Bronte have become canonical texts for the application of twentieth century literary and cultural theory. Along with the work of their sister, Anne, their texts are regarded as a "]
[{"$nulls":4},"sources of diversity in themselves, full of conflictual material which different schools of criticism have analysed and interpreted. This book shows how the Brontes writings engage with the major issues which dominate twentieth century theoretical work. The essays are grouped under broad schools of theory- biographical; feminist; marxist; psychoanalytical and postcolonial."]
[null,"3.","Record Nr.",null,"UNINA9910822444903321"]
[null,null,"Autore",null,"Bagley Caitlin A."]
[null,null,"Titolo",null,"Makerspaces : top trailblazing projects / / Caitlin A. Bagley"]
[null,null,"Pubbl/distr/stampa",null,"Chicago, Illinois : , : ALA TechSource, , 2014"]
[{"$nulls":4},"©2014"]
[null,null,"ISBN",null,"1-55570-992-3"]
[{"$nulls":4},"1-55570-991-5"]
[null,null,"Descrizione fisica",null,"1 online resource (129 p.)"]
[null,null,"Collana",null,"LITA Guide"]
[null,null,"Disciplina",null,"027"]
[null,null,"Soggetti",null,"Libraries - Activity programs - United States"]
[{"$nulls":4},"Do-it-yourself work"]
[{"$nulls":4},"Workshops"]
[{"$nulls":4},"Public services (Libraries) - United States"]
[{"$nulls":4},"Libraries and continuing education - United States"]
[{"$nulls":4},"Libraries and community - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Makerspaces: Top Trailblazing Projects; Contents; Introduction; About Makerspaces: Concerns and Considerations; Library Makerspace Profiles; Anchorage Public Library; Brooklyn Public Library; Carnegie Public Library; Cleveland Public Library; Georgia Institute of Technology; Mesa Public Library-Red Mountain; Michigan Makers Group; Urbana Free Library; Val dosta State University, Odom Library; Conclusion; APPENDIXES; Appendix A: Resources; Appendix B: Makerspaces for Libraries Survey; Index"]
[null,null,null,"Sommario/riassunto","Bagley examines nine makerspaces in public, academic, and school libraries, describing their design and technical decisions in depth and showing how each is doing something unique and different, under a wide range of budgets and project offerings."]