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[null,"1.","Record Nr.",null,"UNISALENTO991002630609707536"]
[null,null,"Autore",null,"Library of Congress : Policy and Standards Division : Library Services"]
[null,null,"Titolo",null,"Library of Congress subject headings / prepared by the Policy and Standards division, Library Services"]
[null,null,"Pubbl/distr/stampa",null,"Washington : Library of Congress, Cataloging Distribution Service, 2009"]
[null,null,"Edizione",null,"[31st ed.]"]
[null,null,"Descrizione fisica",null,"5 v. ; 31 cm"]
[null,null,"Classificazione",null,"LC Z695.Z8"]
[{"$nulls":4},"02"]
[null,null,"Disciplina",null,"025.49"]
[null,null,"Soggetti",null,"Subject headings, Library of Congress"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Vol. 1. A-C. - Vol. 2. D-H. - Vol. 3. I-M. - Vol. 4. N-R. - Vol. 5. S-Z"]
[null,"2.","Record Nr.",null,"UNINA9910795929703321"]
[null,null,"Autore",null,"Patyk Lynn Ellen"]
[null,null,"Titolo",null,"Written in blood : revolutionary terrorism and Russian literary culture, 1861-1881 / / Lynn Ellen Patyk"]
[null,null,"Pubbl/distr/stampa",null,"Madison, Wisconsin : , : The University of Wisconsin Press, , [2017]"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"9780299312237 (electronic book)"]
[{"$nulls":4},"0-299-31223-2"]
[null,null,"Descrizione fisica",null,"1 online resource (349 pages)"]
[null,null,"Disciplina",null,"891.70935847081"]
[null,null,"Soggetti",null,"Russian literature - Political aspects"]
[{"$nulls":4},"Terrorism - Russia - History - 19th century"]
[{"$nulls":4},"Terrorism in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Prologue: \"Just You Wait! (Uzho tebe!)\" -- Part 1: Enigmas of A-synchrony. What do Nihilists do? ; \"Very dangerous!\" ; Extraordinary men and gloomy monsters ; \"Daring and original things\" (Assez causé!) ; \"Vous trouvez que l'assassinat est grandeur d'âme?\" ; Spoiling one idea to save another ; A gloomier catechism -- Part 2: Apparitional terrorism in demons. \"Again, like before\" ; \"The only possible explanation of all these wonders\" ; Tarantulas with a heart? ; Dostoevsky's counterterrorism : \"The first step\" ; Dostoevsky's counterterrorism (Continued) : Laughter through fear ; The unity of all terrorism(s) -- Part 3: \"The little devil sitting in your heart\". A change of heart ; An original pan ; Emotions on trial : witness testimony and the prosecution ; Emotions on trial II : the defense ; Whose rebellion? ; False Christs and little devils ; \"That is the whole answer\" ; The Khokhlakova Principle : Russian society in the mirror of revolutionary terrorism ; Again, like before (again) -- Part 4: The beautiful dead (Deed). Writing in blood ; An icon with death ; Celebrity icons ; Terror in search of a face -- Epilogue: \"All of Europe thrills to the horror.\""]
[null,null,null,"Sommario/riassunto","\"Written in Blood offers a fundamentally new interpretation of the emergence of modern terrorism, arguing that it formed in the Russian literary imagination well before any shot was fired or bomb exploded. In March 1881, Russia stunned the world when a small band of revolutionaries calling themselves'terrorists'assassinated the Tsar-"]
[{"$nulls":4},"Liberator, Alexander II. Horrified Russians blamed the influence of European political and social ideas, while shocked Europeans perceived something new and distinctly Russian in a strategy of political violence that became known the world over as'terrorism'or'the Russian method.'Lynn Ellen Patyk contends that the prototype for the terrorist was the Russian writer, whose seditious word was interpreted as an audacious deed—and a violent assault on autocratic authority. The interplay and interchangeability of word and deed, Patyk argues, laid the semiotic groundwork for the symbolic act of violence at the center of revolutionary terrorism. While demonstrating how literary culture fostered the ethos, pathos, and image of the revolutionary terrorist and terrorism, she spotlights Fyodor Dostoevsky and his'terrorism trilogy'—Crime and Punishment (1866), Demons (1870–73), and The Brothers Karamazov (1878–80)—as novels that uniquely illuminate terrorism's methods and trajectory. Deftly combining riveting historical narrative with penetrating literary analysis of major and minor works, Patyk's groundbreaking book reveals the power of the word to spawn deeds and the power of literature to usher new realities into the world.\"--"]
[null,"3.","Record Nr.",null,"UNINA9910495923403321"]
[null,null,"Autore",null,"Blum Jean-Christophe"]
[null,null,"Titolo",null,"Passé présent : Le Moyen Âge dans les fictions contemporaines / / Nathalie Koble, Mireille Séguy"]
[null,null,"Pubbl/distr/stampa",null,"Paris, : Éditions Rue d'Ulm, 2009"]
[{"$nulls":4},"Paris : , : Éditions Rue d’Ulm, , 2013"]
[null,null,"ISBN",null,"9782728836994"]
[{"$nulls":4},"272883699X"]
[null,null,"Descrizione fisica",null,"1 online resource (252 pages)"]
[null,null,"Collana",null,"Æsthetica"]
[null,null,"Soggetti",null,"Middle Ages in literature"]
[{"$nulls":4},"French literature - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Que penser de l'ampleur des résurgences actuelles du Moyen Âge ? Pourquoi sont-elles souvent le fait d’œuvres expérimentales ? En explorant les domaines du récit littéraire, du théâtre et du cinéma, cet ouvrage analyse comment, tout en revendiquant le brouillage des références et la discontinuité de leurs emprunts, des œuvres de fiction contemporaines exaltent les caractéristiques majeures de la poétique médiévale : reprises par variation et combinaisons formelles, vibration de la voix et du corps, souffre d'une langue jeune, puissance inventive de la mémoire. Réunissant commentaires sur des œuvres et entretiens avec des écrivains d'aujourd'hui (Valère Novarina, Florence Delay, Jacques Roubaud), Passé présent nous fait comprendre la force des formes, leur rôle dans la création, et nous éclaire sur ce qui lie l'innovation à la tradition, les époques antérieures à l'invention artistique. Nous sommes ainsi invités à nous interroger sur ce qui, du Moyen Âge, nous importe ici et maintenant, et contribue à dessiner l'espace de notre « contemporain »."]