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[null,"1.","Record Nr.",null,"UNINA9910154297603321"]
[null,null,"Autore",null,"Keenan-Bolger Andrew"]
[null,null,"Titolo",null,"Act 3"]
[null,null,"Pubbl/distr/stampa",null,", : Penguin Young Readers Group, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"Descrizione fisica",null,"1 online resource (142 pages)"]
[null,null,"Collana",null,"Jack and Louisa ; ; v.3"]
[null,null,"Disciplina",null,"[Fic]"]
[null,null,"Soggetti",null,"Ohio Juvenile fiction"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Two weeks at Camp Curtain-Up is just what Jack and Louisa need to fuel their passion for theater: Broadway musical sing-alongs, outdoor rehearsals, and tons of new MTNs (musical theater nerds) to meet... maybe even a special someone. It almost feels like fate when the two friends return home to find local auditions for The Sound of Music. But as Louisa fantasizes about frolicking in the Alps, Jack gets tempted by a student-run drama competition that would reunite the two with their camp friends. Will Jack get Louisa to skip an audition? Can Lou handle Jack as her director? And will someone finally get a big, Broadway happy ending?"]
[null,"2.","Record Nr.",null,"UNINA9910495876403321"]
[null,null,"Autore",null,"Stewart Garrett"]
[null,null,"Titolo",null,"Reading voices : literature and the phonotext / / Garrett Stewart"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, CA : , : University of California Press, , [1990]"]
[{"$nulls":4},"©1990"]
[null,null,"ISBN",null,"9780520342682"]
[{"$nulls":4},"0520342682"]
[{"$nulls":4},"9780520910249"]
[{"$nulls":4},"0520910249"]
[{"$nulls":4},"9780585340708"]
[{"$nulls":4},"0585340706"]
[null,null,"Edizione",null,"[Reprint 2019]"]
[null,null,"Descrizione fisica",null,"1 online resource (352 p.) : 2 plates"]
[null,null,"Disciplina",null,"820.9/0001"]
[null,null,"Soggetti",null,"English literature - Theory, etc - History and criticism"]
[{"$nulls":4},"English literature - History and criticism"]
[{"$nulls":4},"English language - Discourse analysis"]
[{"$nulls":4},"Reader-response criticism"]
[{"$nulls":4},"Phonemics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Acknowledgments -- Prologue: Silence Speaking Words -- 1. \"To Hear With Eyes\" Shakespeare as Proof Text -- 2. Rhymed Treason A Microlinguistic Test Case -- 3. The Ear Heretical -- 4. Graphonic Tension in English Poetry -- 5. Evocalizing Prose -- 6. \"An Earsighted View\" -- 7. Catching the Drift -- Epilogos: The Decentered Word -- Notes -- Index"]
[null,null,null,"Sommario/riassunto","\"At last, a scrupulous and sustained--'earsighted'--study of that shadowy yet vital intersection of sound and sense without which literary reading remains a disembodied exercise.... Stewart immerses us brilliantly in the poststructural method of a 'phonemic' analysis.\" --Geoffrey H. Hartman, author of Saving the Text \"Stunningly articulate.... Alongside brilliant exegeses of passsages from the major English poets, Stewart offers new and dazzling interpretations of the 'poetics of prose' in such novelists as Dickens, Lawrence, Joyce, and Woolf. The book is a tour de force, no doubt about it. In my opinion, Reading Voices will have not only a wide but a lasting reception.\" --Hayden "]
[{"$nulls":4},"White, author of Metahistory \"This is exciting, virtuoso work in a playfully imaginative hermeneutic mode. Stewart's ear hears fascinating and compelling things, things which have a delightfully rich and thematically complex bearing on much larger textual issues.\" --Paul Fry, author of The Reach of Criticism \"A truly original book.... The first work in years to bring together linguistically informed criticism with more philosophically oriented literary theory. The resulting vision of literature is odd, personal, passionate, even outlandish. Not only is Stewart himself and extraordinary stylist, but his work suggests a breakthrough in stylistic criticism so radical as to revitalize the entire field.\" --Jay Clayton, author of Romantic Vision and the Novel \"At last, a scrupulous and sustained--'earsighted'--study of that shadowy yet vital intersection of sound and sense without which literary reading remains a disembodied exercise.... Stewart immerses us brilliantly in the poststructural method of a 'pho"]