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[null,"1.","Record Nr.",null,"UNISALENTO991001229979707536"]
[null,null,"Autore",null,"Ceresa, Massimo"]
[null,null,"Titolo",null,"Una stamperia nella Roma del primo Seicento : annali tipografici di Guglielmo Facciotti ed eredi, 1592-1640 / Massimo Ceresa"]
[null,null,"Pubbl/distr/stampa",null,"[Roma] : Bulzoni, 2000"]
[null,null,"ISBN",null,"8883194039"]
[null,null,"Descrizione fisica",null,"328 p. : ill. ; 24 cm"]
[null,null,"Collana",null,"Il bibliotecario. N.S. ; 15"]
[null,null,"Disciplina",null,"015.45632044"]
[null,null,"Soggetti",null,"Facciotto, Gugliemo, <tipografia> - Annali tipografici"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910495826303321"]
[null,null,"Autore",null,"Garnier Marie-Dominique"]
[null,null,"Titolo",null,"Cixous sous X : D'un coup le nom / Marie-Dominique Garnier, Joana Masó"]
[null,null,"Pubbl/distr/stampa",null,"Saint-Denis, : Presses universitaires de Vincennes, 2018"]
[null,null,"ISBN",null,"2-84292-750-8"]
[{"$nulls":4},"2-84292-284-0"]
[null,null,"Descrizione fisica",null,"1 online resource (184 p.)"]
[null,null,"Soggetti",null,"Literature&#44; Romance"]
[{"$nulls":4},"Women's Studies"]
[{"$nulls":4},"femme"]
[{"$nulls":4},"autrice"]
[{"$nulls":4},"littérature"]
[{"$nulls":4},"nom"]
[{"$nulls":4},"philosophie"]
[{"$nulls":4},"secret"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Qu’y a-t-il « dans » un nom ou au mi-lieu d’un nom ? Qu’est-ce qu’un mi-lieu ? À partir du x autour duquel s’articule le nom d’Hélène Cixous, les textes du présent ouvrage interrogent la relation transitive que la lettre chiffrée « sous X » entretient avec les grands textes philosophiques contemporains de Jacques Derrida et Gilles Deleuze. Parcourant l’œuvre d’Hélène Cixous de ses commencements aux publications les plus récentes, les analyses ici réunies composent toutes avec le nom. Elles en suivent les formations composites et les familles recomposées : Cixous avec Poe, Sir Thomas Browne, saint Augustin, Olivier de Serres, Beckett, Stendhal, Lispector, Kafka, Mallarmé, Silesius… Plusieurs lectures critiques des correspondances de l’écrivain avec des artistes contemporains tels que Simon Hantaï, Roni Horn et Maria Chevska viennent compléter cet ensemble."]