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[null,"1.","Record Nr.",null,"UNINA9910495815803321"]
[null,null,"Autore",null,"Agard Olivier"]
[null,null,"Titolo",null,"La RDA et la société postsocialiste dans le cinéma allemand après 1989 / Hélène Camarade, Elizabeth Guilhamon, Matthias Steinle, Hélène Yèche"]
[null,null,"Pubbl/distr/stampa",null,"Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2019"]
[null,null,"ISBN",null,"2-7574-2063-1"]
[null,null,"Descrizione fisica",null,"1 online resource (358 p.)"]
[null,null,"Soggetti",null,"Germany (East) - In motion pictures - History"]
[{"$nulls":4},"Motion pictures - Germany - History"]
[{"$nulls":4},"Post-communism"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Près de trente ans après sa disparition, la RDA est toujours présente au cinéma et à la télévision, notamment grâce à Good Bye, Lenin! et La vie des autres qui ont profondément marqué l'image que l’on se fait de la chute du mur de Berlin et de l’Allemagne communiste. Et pourtant ces succès internationaux n’ont jamais fait l’unanimité auprès de la population de l’ex-RDA. Comment alors expliquer qu’ils aient cristallisé la mémoire filmique et conduit à occulter une production tout aussi importante que variée ? Que nous disent aujourd’hui ces fictions, documentaires ou séries à propos des débats identitaires et mémoriels qui animent l’Allemagne depuis l’unification ? Comment certains films échappent-ils aux images figées et quasi iconiques de la RDA et de la société postsocialiste ? Cet ouvrage, qui propose une approche franco-allemande et donne la parole à des chercheurs et des professionnels, dresse le premier bilan en langue française sur la nature et l’évolution de cette production.  After almost three decades since the collapse of the GDR, the image of East Germany is still present in television and film, mainly thanks to productions such as Good Bye, Lenin! and The Lives of Others that have deeply influenced our perception of the fall of the Berlin Wall and of life under communism. The primary scope of this book is to not only question this image butto also critically address other issues of concern in the audiovisual productions dealing with aspects of post-socialist society. How did these fictions, documentaries "]
[{"$nulls":4},"and TV-series with historical subject matter become media of the collective memory in present-day Germany post unification?"]