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[null,"1.","Record Nr.",null,"UNINA9910495737203321"]
[null,null,"Autore",null,"Barry Brunehilde"]
[null,null,"Titolo",null,"La réparation en nature / Brunehilde Barry"]
[null,null,"Pubbl/distr/stampa",null,"Toulouse, : Presses de l’Université Toulouse 1 Capitole, 2018"]
[null,null,"ISBN",null,"2-37928-050-9"]
[null,null,"Descrizione fisica",null,"1 online resource (629 p.)"]
[null,null,"Soggetti",null,"Compensation (Law)"]
[{"$nulls":4},"Liability (Law)"]
[{"$nulls":4},"Damages"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Dans le silence de la loi, la réparation du préjudice prend, le plus souvent, la forme d'une réparation pécuniaire. Pourtant, la jurisprudence accepte depuis longtemps d'ordonner la réparation en nature. La doctrine encourage fortement cette orientation et en déduit parfois sa prééminence, voyant dans ce procédé l'émanation de la restitutio in integrum qui fonde le droit de la responsabilité civile. Or, ce postulat est nuancé à l'aune d'une étude approfondie de la notion de réparation en nature et de sa mise en œuvre. Positivement perçue comme une notion compréhensive, la réparation en nature attire à elle d'autres sanctions en nature voisines mais d'une essence juridique différente, telles que l'exécution forcée et la cessation de l'illicite, avec lesquelles elle est le plus souvent confondue. Aussi, une définition stricte et claire de la réparation en nature, mise en exergue par un travail de distinction, doit permettre de cerner son contenu propre. L'étude de la réparation en nature conduit, ensuite, à dégager les conditions présidant à son prononcé, tant en termes de possibilité que d'opportunité.  Elle mène également à confronter la teneur du pouvoir du juge au regard de ce même prononcé, lorsque sa souveraineté se heurte à l'intérêt prépondérant de la victime ou à un certain type de dommage tel que le dommage écologique."]
[null,"2.","Record Nr.",null,"UNIORUON00040411"]
[null,null,"Autore",null,"ALI BEY"]
[null,null,"Titolo",null,"Travels of Ali Bey in Morocco, Tripoli, Cyprus, Egypt, Arabia, Syria, and Turkey, between the years 1803 and 1807 written by himself and illustrated by maps and numerous plates"]
[null,null,"Pubbl/distr/stampa",null,"Farnborough, : Gregg International Publishers, 1970"]
[null,null,"ISBN",null,"05-7603-580-7"]
[null,null,"Edizione",null,"[Reprint]"]
[null,null,"Descrizione fisica",null,"2 v., 83 c. di tav. ; 26 c"]
[null,null,"Classificazione",null,"VO VIII B"]
[null,null,"Soggetti",null,"VIAGGIATORI TURCHI - AFRICA SETTENTRIONALE - SEC. XIX"]
[{"$nulls":4},"VIAGGIATORI TURCHI - MEDIO ORIENTE - SEC. XIX"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reprint dell'edizione di Londra : Printed for Longman, Hurst, Rees, Orme, and Brown, 1816"]
[null,"3.","Record Nr.",null,"UNISA996248172803316"]
[null,null,"Autore",null,"Peraino Judith Ann"]
[null,null,"Titolo",null,"Listening to the sirens : musical technologies of queer identity from Homer to Hedwig / / Judith A. Peraino"]
[null,null,"Pubbl/distr/stampa",null,"Berkeley, : University of California Press, 2005"]
[null,null,"ISBN",null,"1-282-35643-7"]
[{"$nulls":4},"9786612356438"]
[{"$nulls":4},"0-520-92174-7"]
[{"$nulls":4},"1-4237-1728-7"]
[{"$nulls":4},"1-59875-584-6"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (370 p.)"]
[null,null,"Disciplina",null,"780/.86/64"]
[null,null,"Soggetti",null,"Gender identity in music"]
[{"$nulls":4},"Homosexuality and music"]
[{"$nulls":4},"Music and literature"]
[{"$nulls":4},"Music - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Illustrations -- Acknowledgments -- Introduction -- 1. Songs of the Sirens -- 2. A Music of One's Own -- 3. Queer Ears and Icons -- 4. Homomusical Communities -- 5. Flights of Fancy -- Notes -- Works Cited -- Index"]
[null,null,null,"Sommario/riassunto","In this fresh and innovative study, Judith A. Peraino investigates how music has been used throughout history to call into question norms of gender and sexuality. Beginning with a close examination of the mythology surrounding the sirens-whose music seduced Ulysses into a state of mind in which he would gladly sacrifice everything for the illicit pleasures promised in their song-Peraino goes on to consider the musical creatures, musical gods and demigods, musical humans, and music-addled listeners who have been associated with behavior that breaches social conventions. She deftly employs a sophisticated reading of Foucault as an organizational principle as well as a philosophical focus to survey seductive and transgressive queerness in music from the Greeks through the Middle Ages and to the contemporary period. Listening to the Sirens analyzes the musical ways in which queer individuals express and discipline their desire, represent "]
[{"$nulls":4},"themselves, build communities, and subvert heterosexual expectations. It covers a wide range of music including medieval songs, works by Handel, Tchaikovsky and Britten, women's music and disco, performers such as Judy Garland, Melissa Etheridge, Madonna, and Marilyn Manson, and the movies The Rocky Horror Picture Show and Hedwig and the Angry Inch."]