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[null,"1.","Record Nr.",null,"UNINA990006153790403321"]
[null,null,"Autore",null,"Giampieri, Alberto"]
[null,null,"Titolo",null,"Il credito documentario : profili di autonomia e causalità / Alberto Giampieri"]
[null,null,"Pubbl/distr/stampa",null,"Padova : Cedam, 1993"]
[null,null,"ISBN",null,"88-13-18006-3"]
[null,null,"Descrizione fisica",null,"IX, 277 p. ; 24 cm"]
[null,null,"Collana",null,"Pubblicazioni dell'Istituto di diritto privato dell'Università di Roma La Sapienza ; 45"]
[null,null,"Disciplina",null,"346.02"]
[{"$nulls":4},"346.07"]
[{"$nulls":4},"346.08"]
[null,null,"Locazione",null,"FGBC"]
[{"$nulls":4},"DDRC"]
[{"$nulls":4},"DDCP"]
[null,null,"Collocazione",null,"UNIVERSITÀ 79 (45)"]
[{"$nulls":4},"A-IV-H-35"]
[{"$nulls":4},"21-CB-612"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNISA990002899840203316"]
[null,null,"Autore",null,"TARASCO, Antonio Leo"]
[null,null,"Titolo",null,"La redditività del patrimonio culturale / efficienza aziendale e promozione culturale ; Antonio Leo Tarasco"]
[null,null,"Pubbl/distr/stampa",null,"Torino : Giappichelli, copyr. 2006"]
[null,null,"ISBN",null,"88-348-6629-0"]
[null,null,"Descrizione fisica",null,"XIV, 265 p. ; 245 cm"]
[null,null,"Collana",null,"Diritto dell'economia ; 12"]
[null,null,"Disciplina",null,"344.094"]
[null,null,"Soggetti",null,"Patrimonio culturale - Tutela"]
[null,null,"Collocazione",null,"XXX.B. Coll. 87/ 12 (COLL. HTG 12)"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910495695603321"]
[null,null,"Autore",null,"Kallel Monia"]
[null,null,"Titolo",null,"Flaubert et Sand : Le roman d’une correspondance / / Monia Kallel"]
[null,null,"Pubbl/distr/stampa",null,"Aix-en-Provence, : Presses universitaires de Provence, 2020"]
[{"$nulls":4},"Aix-en-Provence : , : Presses universitaires de Provence, , 2012"]
[null,null,"ISBN",null,"979-1-03-656123-8"]
[null,null,"Descrizione fisica",null,"184 pages ; ; 24 cm"]
[null,null,"Collana",null,"Textuelles. Univers littéraires"]
[null,null,"Soggetti",null,"Literary Reviews"]
[{"$nulls":4},"littérature française"]
[{"$nulls":4},"XIXe siècle"]
[{"$nulls":4},"Flaubert"]
[{"$nulls":4},"Sand"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 177-181)."]
[null,null,null,"Sommario/riassunto","Sand et Flaubert, deux écrivains que tout sépare… En effet, en cette deuxième moitié du XIXe siècle qui assiste au déclin de la rhétorique classique, et qui, par réaction au subjectivisme débridé (initié par Rousseau), se fait le « policier » de la langue, Sand et Flaubert n´ont ni les mêmes rapports au monde ni les mêmes projets artistiques. Pourtant, tous deux se sont livrés, au fil des années, à une correspondance régulière et pressante à travers laquelle ils testent diverses stratégies, et que les outils de la pragmatique mettent particulièrement en évidence.  L’un et l’autre lecteurs de Platon, pour qui le véritable dialogue va de soi à soi, Sand et Flaubert surchargent leurs lettres de méta-discours légitimant (et contre-légitimant) dans un mouvement qui se veut à la fois extérieur et intérieur, objectif et subjectif.  Journaliste de son état, convaincue de l’utilité de l´écriture et de la lecture, Sand va dans le sens de la doxa en légitimant le lien entre discours social et discours littéraire. Flaubert, lui, qui s’abstient de participer au débat public, transforme la Correspondance en un espace de réflexions. Les deux écrivains trouvent toutefois dans l’échange épistolier un moyen pour dire, et en même temps, résorber leurs contradictions."]
[null,"4.","Record Nr.",null,"UNINA9910784944103321"]
[null,null,"Autore",null,"Jordan Julia, Dr"]
[null,null,"Titolo",null,"Chance and the modern British novel : from Henry Green to Iris Murdoch / Julia Jordan"]
[null,null,"Pubbl/distr/stampa",null,"London ; New York, : Continuum, 2011"]
[null,null,"ISBN",null,"1-4725-4230-4"]
[{"$nulls":4},"1-282-65501-9"]
[{"$nulls":4},"9786612655012"]
[{"$nulls":4},"1-4411-0971-4"]
[null,null,"Edizione",null,"[Pbk. edition.]"]
[null,null,"Descrizione fisica",null,"1 online resource (186 p.)"]
[null,null,"Collana",null,"Continuum literary studies"]
[null,null,"Disciplina",null,"823/.91409"]
[null,null,"Soggetti",null,"English fiction - 20th century - History and criticism"]
[{"$nulls":4},"Chance in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [152]-168) and index"]
[null,null,"Nota di contenuto",null,"A fine thing: a history of chance -- Swear to tell me everything that goes wrong: Henry Green and free will in the novel -- I admire the will to welcome everything, the stupid violence of chance: Samuel Beckett and the representation of possibility -- Let's celebrate the accidental: B.S. Johnson, the aleatory and the radical generation -- The incomprehensible operation of grace: mess, contingency, and the example of Iris Murdoch"]
[{"$nulls":4},"Acknowledgements -- Preface -- Introduction -- 1. A Fine Thing: A History of Chance -- 2. 'Swear to tell me everything that goes wrong': Henry Green and Free Will in the Novel -- 3. 'I admire the will to welcome everything - the stupid violence of chance': Samuel Beckett and the Representation of Possibility -- 4. 'Let's Celebrate the Accidental': B.S. Johnson, the Aleatory and the Radical Generation. -- 5. 'The incomprehensible operation of grace': Mess, Contingency, and the Example of Iris Murdoch.  -- Conclusion -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","Chance, and its representation in literature, has a long and problematic history. It is a vital aspect of the way we experience the world, and yet its function is frequently marginalised and downplayed.  Offering a new reading of the development of the novel during the mid-twentieth century, Jordan argues that this simple novelistic paradox became more pressing during a period in which chance became a cultural, scientific and literary preoccupation - through scientific developments such as "]
[{"$nulls":4},"quantum mechanics and the uncertainty principle, the influence of existential philosophy, the growth of gambling, and the uncertainty provoked by the Second World War. In tracing the novel's representation of chance during this crucial period, we see both the development of the novel, and draw wider conclusions about the relationship between narrative and the contingent, the arbitrary and the uncertain. While the novel had historically rejected, marginalised or undermined chance, during this period it becomes a creative and welcome co-contributor to the novel's development, as writers such as Samuel Beckett, B.S. Johnson, Henry Green and Iris Murdoch show."]