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[null,"1.","Record Nr.",null,"UNICAMPANIASUN0101359"]
[null,null,"Autore",null,"Ambrosetti, Antonio"]
[null,null,"Titolo",null,"A primer of nonlinear analysis / Antonio Ambrosetti, Giovanni Prodi"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, : Cambridge university, 1993"]
[null,null,"ISBN",null,"978-05-214-8573-9"]
[null,null,"Descrizione fisica",null,"VIII, 171 p. ; 23 cm."]
[null,null,"Soggetti",null,"47-XX - Operator theory [MSC 2020]"]
[{"$nulls":4},"47J07 - Abstract inverse mapping and implicit function theorems involving nonlinear operators [MSC 2020]"]
[{"$nulls":4},"47J05 - Equations involving nonlinear operators (general) [MSC 220]"]
[{"$nulls":4},"46G05 - Derivatives of functions in infinite-dimensional spaces [MSC 2020]"]
[{"$nulls":4},"58C40 - Spectral theory; eigenvalue problems on manifolds [MSC 2020]"]
[{"$nulls":4},"47J25 - Iterative procedures involving nonlinear operators [MSC 2020]"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910495693403321"]
[null,null,"Autore",null,"Deville Vincent"]
[null,null,"Titolo",null,"Les formes du montage dans le cinéma d’avant-garde / Vincent Deville"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2018"]
[null,null,"ISBN",null,"2-7535-6155-9"]
[null,null,"Descrizione fisica",null,"1 online resource (350 p.)"]
[null,null,"Soggetti",null,"Film  Radio  Television"]
[{"$nulls":4},"cinéma"]
[{"$nulls":4},"montage"]
[{"$nulls":4},"histoire du cinéma"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Aux antipodes du montage transparent élaboré par le cinéma traditionnel, se sont développées dans le champ du cinéma d’avant-garde des formes de montage qui affirment au contraire leur faculté à dissocier plutôt qu’à assembler, se dotant ainsi de vertus critiques à l’égard des totalités classiques.  Nourrie notamment par la réflexion de Theodor W. Adorno sur les concepts de dislocation et de dissonance en art, cette étude se propose d’interroger ces formes en termes de passage d’une esthétique positiviste à une esthétique de la négativité, soit le renversement de la totalité, de l’unité et de la continuité en leur exact contraire : le fragment, l’hétérogène et la discontinuité.  Nous verrons comment les conceptions du montage mises au point dans les années 1920 par Sergueï M. Eisenstein et Dziga Vertov sont repensées et prolongées par les cinéastes d’après 1945 (Stan Brakhage, Jonas Mekas, Paul Sharits, Peter Kubelka, Kurt Kren…) et comment se poursuit leur évolution jusqu’aux années 2000, chez des cinéastes et artistes aux approches aussi riches et variées que celles de Rose Lowder, Cécile Fontaine, Augustin Gimel, Philippe Grandrieux, Ange Leccia ou Peter Tscherkassky.  Avec leurs films, le (dé)montage se propage à toutes les dimensions du cinéma (récit, figuration, structure, dispositif), illimitant les formes pour les ouvrir ainsi aux principes de non-fini et d’infini."]
[null,"3.","Record Nr.",null,"UNINA9910410026503321"]
[null,null,"Autore",null,"Travers Max"]
[null,null,"Titolo",null,"Rethinking Bail : Court Reform or Business as Usual? / / by Max Travers, Emma Colvin, Isabelle Bartkowiak-Théron, Rick Sarre, Andrew Day, Christine Bond"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030448813"]
[{"$nulls":4},"3030448819"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 241 pages) : illustrations"]
[null,null,"Classificazione",null,"346.916"]
[null,null,"Disciplina",null,"345.072"]
[{"$nulls":4},"345"]
[null,null,"Soggetti",null,"Corrections"]
[{"$nulls":4},"Punishment"]
[{"$nulls":4},"Law and the social sciences"]
[{"$nulls":4},"Forensic psychology"]
[{"$nulls":4},"Crime - Sociological aspects"]
[{"$nulls":4},"Criminal law"]
[{"$nulls":4},"Criminology"]
[{"$nulls":4},"Prison and Punishment"]
[{"$nulls":4},"Socio-Legal Studies"]
[{"$nulls":4},"Forensic  Psychology"]
[{"$nulls":4},"Crime and Society"]
[{"$nulls":4},"Criminal Law and Criminal Procedure Law"]
[{"$nulls":4},"Crime Control and Security"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. Bail Reform In Context -- 3. Researching Bail Practices -- 4. Professional Perspectives -- 5. Bail Decision-Making -- 6. Defendants With Vulnerabilities -- 7. Risk Profiles.-8. Pretrial Services -- 9. Prospects For Court Reform -- 10. Conclusion: Rethinking Bail."]
[null,null,null,"Sommario/riassunto","This book arises from a research project funded in Australia by the Criminology Research Council. The topic, bail reform, has attracted attention from criminologists and law reformers over many years. In the "]
[{"$nulls":4},"USA, a reform movement has argued that risk analysis and pre-trial services should replace the bail bond system (the state of California may introduce this system in 2020). In the United Kingdom, Europe and Australia, there have been concerns about tough bail laws that have contributed to a rise in imprisonment rates. The approach in this book is distinctive. The inter-disciplinary authors include criminologists, an academic lawyer and a forensic psychologist together with qualitative researchers with backgrounds in sociology and anthropology. The book advances a policy argument through presenting descriptive statistics, interviews with practitioners and detailed accounts of bail applications and their outcomes. There is discussion of methodological issues throughout the book, including the challenges of obtaining data from the courts."]