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[null,"1.","Record Nr.",null,"UNINA990003020340403321"]
[null,null,"Titolo",null,"Britain's Productivity Gap / Stephen Davies and Richard E. Caves."]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : Cambridge University Press, 1987"]
[null,null,"ISBN",null,"0-521-33464"]
[null,null,"Edizione",null,"[1.st ed.]"]
[null,null,"Descrizione fisica",null,"XIV, 131 p. ; 22 cm"]
[null,null,"Collana",null,"National Institute of Economic and Social Research : Occasional Paper ; 40"]
[null,null,"Disciplina",null,"F/1.221"]
[{"$nulls":4},"F/1.402"]
[{"$nulls":4},"H/2.113"]
[null,null,"Locazione",null,"SES"]
[null,null,"Collocazione",null,"F/1402 DAV"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910495689803321"]
[null,null,"Autore",null,"César Aline"]
[null,null,"Titolo",null,"La photographie au théâtre, XIXe-XXIe siècles / Brigitte Joinnault"]
[null,null,"Pubbl/distr/stampa",null,"Villeneuve d'Ascq, : Presses universitaires du Septentrion, 2021"]
[null,null,"ISBN",null,"2-7574-3321-0"]
[null,null,"Descrizione fisica",null,"1 online resource (314 p.)"]
[null,null,"Soggetti",null,"Theater"]
[{"$nulls":4},"théâtre"]
[{"$nulls":4},"photographie"]
[{"$nulls":4},"média"]
[{"$nulls":4},"revues"]
[{"$nulls":4},"archives"]
[{"$nulls":4},"intermédialité"]
[{"$nulls":4},"histoire des arts"]
[{"$nulls":4},"esthétique"]
[{"$nulls":4},"dramaturgie"]
[{"$nulls":4},"mise en scène"]
[{"$nulls":4},"acteur"]
[{"$nulls":4},"mime"]
[{"$nulls":4},"scénographie"]
[{"$nulls":4},"historiographie"]
[{"$nulls":4},"recherche-création"]
[{"$nulls":4},"le théâtre du Radeau"]
[{"$nulls":4},"Galea"]
[{"$nulls":4},"gruppo nanou"]
[{"$nulls":4},"Anagoor"]
[{"$nulls":4},"Motus"]
[{"$nulls":4},"Citta di Elba"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","La Photographie au théâtre montre que les esthétiques et les imaginaires théâtraux ne cessent, depuis près de cent cinquante ans, d’"]
[{"$nulls":4},"être profondément travaillés par la photographie, avec ses techniques, ses appareils, ses processus de production, ses images, leurs usages et leurs circulations. Au fil de réflexions théoriques, d’analyses d’archives du dix-neuvième et de la première moitié du vingtième siècle, d’études de pratiques des années 1960 à nos jours, de récits d’expériences de recherche-création et de témoignages d’artistes, le couple théâtre-photographie apparaît comme un objet exemplaire aussi bien pour interroger les interactions entre nouveaux et anciens médias que pour revisiter l’histoire du théâtre moderne et contemporain.  La Photographie au théâtre proves that theatrical aesthetics have never ceased, for nearly 150 years, to be deeply influenced by the very existence of the photographic media, with its apparatus, its production processes, the flow of its images, its uses and techniques."]