{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":45,"n_cols":5,"rows_kept":45,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[14,2,14,3],[15,2,15,3],[18,2,18,3],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[24,2,24,3],[29,2,29,3],[30,2,30,3],[31,2,31,3],[32,2,32,3],[34,2,34,3],[35,2,35,3],[39,2,39,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910493716803321"]
[null,null,"Titolo",null,"The explicit material : inquiries on the intersection of curatorial and conservation cultures / / edited by Hanna B. Hölling, Francesca G. Bewer, Katharina Ammann"]
[null,null,"Pubbl/distr/stampa",null,"Leiden Boston : , : BRILL, , 2019"]
[null,null,"ISBN",null,"90-04-39685-3"]
[null,null,"Descrizione fisica",null,"1 online resource (308 pages)"]
[null,null,"Collana",null,"Studies in Art & Materiality; ; volume1"]
[null,null,"Disciplina",null,"069/.5"]
[null,null,"Soggetti",null,"Museums - Collection management - Philosophy"]
[{"$nulls":4},"Museums - Curatorship - Philosophy"]
[{"$nulls":4},"Museum conservation methods - Philosophy"]
[{"$nulls":4},"Art - Conservation and restoration"]
[{"$nulls":4},"Antiquities - Collection and preservation"]
[{"$nulls":4},"Material culture - Philosophy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front Matter -- Copyright page -- Dedication -- Preface / Hanna B. Hölling -- Figures -- Contributors -- Material Encounters / Hanna B. Hölling, Francesca G. Bewer and Katharina Ammann -- Time and Change in Material and Object Inquiries -- A Sea-Change Rich and Strange / David Lowenthal -- The Present, the Past, and the Material Object / Paul Eggert -- Engaging with Materials / Elizabeth Pye -- Explicating the Performative: Material, Medium, Object -- The ‘Extended Life’ of Performance / Judit Bodor -- Framing Intention / Katharina Ammann -- Out of the Box / Anna Schäffler -- The Louvre on Celluloid / Birgit Cleppe -- The Making and Unmaking of Objects and Myths -- The Material Forms of the Past and the ‘Afterlives’ of the Compositiones variae / Thea Burns -- Would You Like That With or Without Mayo? / Dawn V. Rogala -- Transitions -- Materials, Objects, Transitions -- Back Matter -- Index."]
[null,null,null,"Sommario/riassunto","The Explicit Material gathers varied perspectives from the discourses of conservation, curation and humanities disciplines to focus on aspects of heritage transmission and material transitions. The authors observe and explicate the myriad transformations that works of different kinds - manuscripts, archaeological artefacts, video art, installations, "]
[{"$nulls":4},"performances, film, and built heritage - may undergo: changing contexts, changing matter, changing interpretations and display. Focusing on the vibrant materiality of artworks and artefacts, The Explicit Material puts an emphasis on objects as complex constructs of material relations. By so doing, it announces a shift in sensibilities and understandings of the significance of objects and the materials they are made of, and on the increasingly blurred boundaries between the practices of conservation and curation."]
[null,"2.","Record Nr.",null,"UNINA9910785383903321"]
[null,null,"Titolo",null,"Tourist experience : contemporary perspectives / / edited by Richard Sharpley and Philip R. Stone"]
[null,null,"Pubbl/distr/stampa",null,"Milton Park, Abingdon, Oxon, [England] ; ; New York : , : Routledge, , 2011"]
[null,null,"ISBN",null,"1-135-14669-1"]
[{"$nulls":4},"1-135-14670-5"]
[{"$nulls":4},"1-282-91909-1"]
[{"$nulls":4},"9786612919091"]
[{"$nulls":4},"0-203-85594-9"]
[null,null,"Descrizione fisica",null,"1 online resource (304 p.)"]
[null,null,"Collana",null,"Routledge advances in tourism ; ; 19"]
[null,null,"Disciplina",null,"338.4/791"]
[null,null,"Soggetti",null,"Tourism"]
[{"$nulls":4},"Tourists"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Copyright; Contents; List of figures; List of tables; Contributors; Introduction: Thinking about the tourist experience; 1 Ways of conceptualising the tourist experience: a review of literature; Section 1 Dark tourism experiences: mediating between life and death; 2 Exploring the conceptual and analytical framing of dark tourism: from darkness to intentionality; 3 Thanatourism and the commodification of space in post-war Croatia and Bosnia; Section 2 Experiencing poor places"]
[{"$nulls":4},"4 Slumming - empirical results and observational-theoretical considerations on the backgrounds of township, favela and slum tourism5 Rights-based tourism - tourist engagement in social change, globalised social movements and endogenous development in Cuba; 6 Tourists' photographic gaze: the case of Rio de Janeiro favelas; Section 3 Sport tourism experiences; 7 'Sporting' new attractions? The commodification of the sleeping stadium; 8 Understanding sport tourism experiences: exploring the participant-spectator nexus; 9 We are family: IGLFA World Championships, London 2008"]
[{"$nulls":4},"Section 4 Writing the tourist experience10 Creating your own Shetland: tourist narratives from travelogues to blogs; 11 Narrating travel experiences: the role of new media; 12 Learning from travel "]
[{"$nulls":4},"experiences: a system for analysing reflective learning in journals; Section 5 Researching tourist experiences: methodological approaches; 13 Qualitative method research and the 'tourism experience': a methodological perspective applied in a heritage setting; 14 Exploring space, the senses and sensitivities: spatial knowing; 15 Kohlberg's Stages: informing responsible tourist behaviour; Bibliography"]
[{"$nulls":4},"Index"]
[null,null,null,"Sommario/riassunto","To consume tourism is to consume experiences. An understanding of the ways in which tourists experience the places and people they visit is therefore fundamental to the study of the consumption of tourism. Consequently, it is not surprising that attention has long been paid in the tourism literature to particular perspectives on the tourist experience, including demand factors, tourist motivation, typologies of tourists and issues related to authenticity, commodification, image and perception. However, as tourism has continued to expand in both scale and scope, and as tourists' needs and ex"]