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[null,"1.","Record Nr.",null,"UNINA9910699918303321"]
[null,null,"Autore",null,"Juhasz Albert J"]
[null,null,"Titolo",null,"A mass computation model for lightweight Brayton cycle regenerator heat exchangers [[electronic resource] /] / Albert J. Juhasz ; prepared for the 8th International Energy Conversion Engineering Conference (IECEC) sponsored by the American Institute of Aeronautics and Astronautics, Nashville, Tennessee, July 25-28, 2010"]
[null,null,"Pubbl/distr/stampa",null,"Cleveland, Ohio : , : National Aeronautics and Space Administration, Glenn Research Center, , [2010]"]
[null,null,"Descrizione fisica",null,"1 online resource (13 pages) : illustrations (some color)"]
[null,null,"Collana",null,"NASA/TM ; ; 2010-216799"]
[null,null,"Soggetti",null,"Heat exchangers"]
[{"$nulls":4},"Temperature effects"]
[{"$nulls":4},"Brayton cycle"]
[{"$nulls":4},"Convective heat transfer"]
[{"$nulls":4},"Gas-gas interactions"]
[{"$nulls":4},"Thermodynamic efficiency"]
[{"$nulls":4},"Closed cycles"]
[{"$nulls":4},"Regenerators"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from title screen (viewed on April 28, 2011)."]
[{"$nulls":4},"\"September 2010.\""]
[{"$nulls":4},"\"AIAA-2010-7087.\""]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (page 13)."]
[null,"2.","Record Nr.",null,"UNINA9910137016503321"]
[null,null,"Autore",null,"Benoît Jean-Louis"]
[null,null,"Titolo",null,"Les clefs des textes médiévaux : Pouvoir, savoir et interprétation / / Fabienne Pomel"]
[null,null,"Pubbl/distr/stampa",null,"Rennes, : Presses universitaires de Rennes, 2016"]
[null,null,"ISBN",null,"2-7535-4634-7"]
[null,null,"Descrizione fisica",null,"1 online resource (376 p.)"]
[null,null,"Soggetti",null,"Medieval &amp; Renaissance Studies"]
[{"$nulls":4},"Literature (General)"]
[{"$nulls":4},"clé"]
[{"$nulls":4},"littérature"]
[{"$nulls":4},"littérature médiévale"]
[{"$nulls":4},"métaphore"]
[{"$nulls":4},"littérature française"]
[{"$nulls":4},"Moyen Âge"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Après l’ouvrage consacré aux Miroirs et jeux de miroirs paru en 2003, voici un livre tourné vers un autre objet du quotidien, intéressant tant pour l’histoire des mentalités que pour sa symbolique : la clef. La clef met en effet en œuvre des structures d’opposition entre espace clos et ouvert, intérieur et extérieur, masculin et féminin, mais aussi entre visible et caché, permis ou interdit, dont l’enjeu est souvent le pouvoir et le savoir. Cet objet banal et assez discret dans les textes du Moyen Âge, se fait aussi l’emblème possible d’une démarche d’interprétation et de lecture sous la forme d’un décryptage, qu’elle concerne le récit merveilleux, le texte allégorique, biblique ou prophétique, ou encore la transcription musicale. Le recueil, articulé en cinq sections et ponctué d’extraits de textes médiévaux, propose une exploration des emplois métaphoriques, symboliques et initiatiques des clefs mais aussi une réflexion sur la question de l’interprétation à travers un corpus varié : romans arthuriens ou non, récit de voyage dans l’au-delà, écrits allégoriques de Christine de Pizan, chansons de geste, nouvelles, pièces de théâtre, textes bibliques ou prophéties de Merlin."]
[null,"3.","Record Nr.",null,"UNINA9910795816603321"]
[null,null,"Autore",null,"Pavlović Tatjana"]
[null,null,"Titolo",null,"100 Years of Spanish Cinema"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken : , : John Wiley & Sons, Incorporated, , 2008"]
[{"$nulls":4},"©2009"]
[null,null,"ISBN",null,"9781444304800"]
[{"$nulls":4},"9781405184199"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (296 pages)"]
[null,null,"Disciplina",null,"791.430946"]
[null,null,"Soggetti",null,"Motion pictures -- Spain -- History"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- Figures -- About the Authors -- Acknowledgments -- Preface -- 1 Silent Cinema and its Pioneers (1906-1930) -- 1 El ciego de aldea (Ángel García Cardona, 1906) -- 2 Amor que mata (Fructuós Gelabert, 1909) -- 3 Don Pedro el Cruel (Ricardo Baños, Albert Marro, 1911) -- 4 La aldea maldita (Florián Rey, 1930) -- 2 Surrealism (1924-1930) and the Advent of Sound (the Second Republic: 1931-1936) -- 1 Un chien andalou (Luis Buñuel, 1929) -- 2 Tierra sin pan (Luis Buñuel, 1933) -- 3 Spanish Civil War (1936-1939) -- 1 Suspiros de España (Benito Perojo, 1938) -- 2 Canciones para después de una guerra (Basilio Martín Patino, 1971) -- 4 The Autarky: Papier-Mâché Cinema (1939-1950) -- 1 Raza (José Luis Sáenz de Heredia, 1941) -- 2 Locura de amor (Juan de Orduña, 1948) -- 5 Neorealism: Status Quo and Dissent (1951-1961) -- 1 El cochecito (Marco Ferreri, 1960) -- 2 Viridiana (Luis Buñuel, 1961) -- 6 The \"Liberal\" Dictatorship and its Agony (1962-1975) -- 1 El verdugo (Luis García Berlanga, 1963) -- 2 El jardín de las delicias (Carlos Saura, 1970) -- 7 Cinema of the Transition: The Period of Disenchantment (1975-1979) -- 1 El desencanto (Jaime Chávarri, 1976) -- 2 El crimen de Cuenca (Pilar Miró, 1979) -- 8 Post-Franco Spain: The Pedro Almodóvar Phenomenon (1980-1991) -- 1 Pepi, Luci, Bom y otras chicas del montón (Pedro Almodóvar, 1980) -- 2 ¿Qué he hecho yo para merecer esto! (Pedro Almodóvar, 1984) -- 9 Contemporary Trends (1992 to the Present) -- 1 Vacas (Julio Medem, 1992) -- 2 Carícies (Ventura Pons, 1997) -- 3 Flores de otro mundo (Icíar Bollaín, 1999) -- 4 The Secret Life of Words (La vida secreta de las "]
[{"$nulls":4},"palabras) (Isabel Coixet, 2005) -- Glossary of Film Terms -- Historical Chronology -- Notes -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","100 Years of Spanish Cinema provides an in-depth look at the most important movements, films, and directors of twentieth-century Spain from the silent era to the present day.  A glossary of film terms provides definitions of essential technical, aesthetic, and historical terms Features a visual portfolio illustrating key points of many of the films analyzed Includes a clear, concise timeline to help students quickly place films and genres in Spain's political, economical, and historical contexts Discusses over 20 films including Amor Que Mata, Un Chien Andalou, Viridana, El Verdugo, El Crimen de Cuenca, and  Pepi, Luci, Born."]
[null,"4.","Record Nr.",null,"UNINA9910490720203321"]
[null,null,"Autore",null,"Vorburger-Bossart Esther"]
[null,null,"Titolo",null,"Lebensgeschichten von religiösen Frauen im 20. Jahrhundert : Eine Analyse identitätsgeschichtlicher Themen / Esther Vorburger-Bossart"]
[null,null,"Pubbl/distr/stampa",null,"Zürich, : TVZ Theologischer Verlag Zürich, 2020"]
[null,null,"ISBN",null,"3-290-18345-9"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (204 p.)"]
[null,null,"Soggetti",null,"Ordensschwestern"]
[{"$nulls":4},"Oral History"]
[{"$nulls":4},"Subjektforschung"]
[{"$nulls":4},"Genderforschung"]
[{"$nulls":4},"Konfessionelle Frauengeschichte"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Selbstzeugnisse von religiösen Frauen können einen wichtigen Beitrag zur Subjektforschung in der Kirchengeschichte leisten. Doch sind sie in schriftlichen Archivbeständen nur spärlich vorhanden. Esther Vorburger-Bossart hat über 50 Ordensschwestern aus acht religiösen Gemeinschaften der Schweiz zu ihren Lebensläufen befragt und individuelle Denk- und Handlungsmuster mit der Methode von Oral History erforscht. Sie analysiert dabei insbesondere die Erzählstrukturen und «unerzählten» Elemente der Lebensgeschichten, zu denen vor allem das Erzählen über Religion gehört. Die identitätsgeschichtlichen Themen der erzählten Leben – Herkunftsfamilie, Wahlfamilie Kloster, Konfession und Profession – werden herausgearbeitet und Einblicke in die individuelle wie kollektive Gestaltung von weiblichem Ordensleben an konkreten Lebensgeschichten ermöglicht."]