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[null,"1.","Record Nr.",null,"UNISALENTO991003203499707536"]
[null,null,"Autore",null,"Diderot, Denis"]
[null,null,"Titolo",null,"Dialoghi filosofici : Colloquio fra D'Alembert e Diderot, Sogno di D'Alembert, Seguito del colloquio / Denis Diderot ; studio introduttivo, traduzione e note di Luigi Quattrocchi"]
[null,null,"Pubbl/distr/stampa",null,"Treviso : Canova, 1953"]
[null,null,"Descrizione fisica",null,"180 p. ; 21 cm."]
[null,null,"Collana",null,"Testi filosofici commentati"]
[null,null,"Disciplina",null,"194"]
[null,null,"Soggetti",null,"Filosofia francese"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910484697803321"]
[null,null,"Autore",null,"Swain Rachael"]
[null,null,"Titolo",null,"Dance in Contested Land : New Intercultural Dramaturgies / / by Rachael Swain"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030465513"]
[{"$nulls":4},"3030465519"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XXV, 157 p. 1 illus.)"]
[null,null,"Collana",null,"New World Choreographies, , 2730-9274"]
[null,null,"Disciplina",null,"346.9404320899915"]
[{"$nulls":4},"792.8099414"]
[null,null,"Soggetti",null,"Dance"]
[{"$nulls":4},"Performing arts"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Cultural industries"]
[{"$nulls":4},"Theatre and Performance Arts"]
[{"$nulls":4},"Global and International Theatre and Performance"]
[{"$nulls":4},"National and Regional Theatre and Performance"]
[{"$nulls":4},"Theatre Industry"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Chapter One: Introduction -- 2. Chapter Two: The Dramaturgies of Listening to Country -- 3. Chapter Three: Gudirr Gudirr-Culturally Situated Neo-Expressionism -- 4. Chapter Four: Cut the Sky-Dramaturgies to disrupt the Anthropocene."]
[null,null,null,"Sommario/riassunto","This book traces an engagement between intercultural dance company Marrugeku and unceded lands of the Yawuru, Bunuba, and Nyikina in the north west of Australia. In the face of colonial legacies and extractive capitalism, it examines how Indigenous ontologies bring ecological thought to dance through an entangled web of attachments to people, species, geologies, political histories, and land. Following choreographic interactions across the multiple subject positions of Indigenous, settler, and European artists during a period of intense choreographic development for the company between 2012-2016 the book closely examines projects such as Yawuru/Bardi dancer and choreographer Dalisa Pigram's solo Gudirr Gudirr (2013) and the "]
[{"$nulls":4},"multimedia work Cut the Sky (2015). Dance in Contested Land reveals how emergent intercultural dramaturgies can mediate dance and land to revision and reorientate kinetics, emotion, and responsibilities through sites of Indigenous resurgence and experimentation."]
[null,"3.","Record Nr.",null,"UNINA9910633946703321"]
[null,null,"Autore",null,"Kalb Martin"]
[null,null,"Titolo",null,"Coming of Age : Constructing and Controlling Youth in Munich, 1942-1973 / / Martin Kalb"]
[null,null,"Pubbl/distr/stampa",null,"Berghahn Books, 2016"]
[{"$nulls":4},"[s.l.] : , : Berghahn Books, , 2016"]
[null,null,"ISBN",null,"9781789209594"]
[{"$nulls":4},"1789209595"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"364.360943/3640904"]
[null,null,"Soggetti",null,"Biography & Autobiography"]
[{"$nulls":4},"Biographies."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","In the lean and anxious years following World War II, Munich society became obsessed with the moral condition of its youth. Initially born of the economic and social disruption of the war years, a preoccupation with juvenile delinquency progressed into a full-blown panic over the hypothetical threat that young men and women posed to postwar stability. As Martin Kalb shows in this fascinating study, constructs like the rowdy young boy and the sexually deviant girl served as proxies for the diffuse fears of adult society, while allowing authorities ranging from local institutions to the U.S. military government to strengthen forms of social control."]