{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":31,"n_cols":5,"rows_kept":31,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[24,2,24,3],[25,2,25,3],[28,2,28,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910484152903321"]
[null,null,"Autore",null,"Marsh Cynthia"]
[null,null,"Titolo",null,"Translated and Visiting Russian Theatre in Britain, 1945-2015 : A \"Russia of the Theatrical Mind\"? / / by Cynthia Marsh"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030443337"]
[{"$nulls":4},"3030443337"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xvi, 392 pages) : illustrations"]
[null,null,"Disciplina",null,"801.950947"]
[{"$nulls":4},"301"]
[null,null,"Soggetti",null,"Performing arts"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Russia - History"]
[{"$nulls":4},"Europe, Eastern - History"]
[{"$nulls":4},"Soviet Union - History"]
[{"$nulls":4},"Theater - History"]
[{"$nulls":4},"Cultural industries"]
[{"$nulls":4},"Adaptation (Literary, artistic, etc.)"]
[{"$nulls":4},"Theatre and Performance Arts"]
[{"$nulls":4},"Russian, Soviet, and East European History"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"Global and International Theatre and Performance"]
[{"$nulls":4},"Theatre Industry"]
[{"$nulls":4},"Adaptation Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Setting the Scene -- 2. Gogol's Russia -- 3. From Merchant to Gentry Russia -- 4. Exposing Cultural Transfer -- 5. Confronting Modern Russias -- 6. Staging Russian Prose -- ."]
[null,null,null,"Sommario/riassunto","This book tackles questions about the reception and production of translated and untranslated Russian theatre in post-WW2 Britain: why in British minds is Russia viewed almost as a run-of-the-mill production of a Chekhov play. Is it because Chekhov is so dominant in British theatre culture? What about all those other Russian writers? "]
[{"$nulls":4},"Many of them are very different from Chekhov. A key question was formulated, thanks to a review by Susannah Clapp of Turgenev's A Month in the Country: have the British staged a 'Russia of the theatrical mind'?"]