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[null,"1.","Record Nr.",null,"UNINA9910483682403321"]
[null,null,"Titolo",null,"Art and Archaeology : Collaborations, Conversations, Criticisms / / edited by Ian Alden Russell, Andrew Cochrane"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY : , : Springer New York : , : Imprint : Springer, , 2014"]
[null,null,"ISBN",null,"1-4614-8990-3"]
[null,null,"Edizione",null,"[1st ed. 2014.]"]
[null,null,"Descrizione fisica",null,"1 online resource (250 p.)"]
[null,null,"Collana",null,"One World Archaeology, , 2625-8641 ; ; 11"]
[null,null,"Classificazione",null,"20.07"]
[null,null,"Disciplina",null,"306.47"]
[{"$nulls":4},"701/.03"]
[null,null,"Soggetti",null,"Anthropology"]
[{"$nulls":4},"Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Contributors; About the Editor; Chapter 1 Introduction; So How are Things?; Structure and Summary; References; Part I Exploration and Experimentation; Chapter 2 Colin Renfrew: A Conversation; Chapter 3 The Cave and the Mind: Towards a Sculptural and Experimental Approach to Upper Palaeolithic Art; Acts of Discovery; Experimenting with Form; Found Objects; The Instability of Matter; Miniaturisation and Scale; Mark Making, Repetition and Animation; Discussion; References; Chapter 4 Joining Forces: Neuroaesthetics, Contemporary Visual art and Archaeological Interpretation of the Past"]
[{"$nulls":4},"Introduction Neuroaesthetics; The Body as a Visual Art Object; Then; Now; Now and Then; Then Once More; Material Culture; Discussion; Summary; References; Chapter 5 Interface I: Day of the Figurines; References; Part II Curatorial Practice; Chapter 6 Art and Archaeology: The Ábhar agus Meon Exhibition Series; Ábhar agus Meon; The Project's Design; Recalibrating Heritage Spaces: Chronoscope, Newman House, 85--86 St Stephen's Green; Undercutting Lines Between Art and Heritage: The You That Is In It, Irish Museum of Modern Art"]
[{"$nulls":4},"Critiquing Concepts and Conventions: Glass House Stone, Health Sciences Gallery, UCD After thoughts; References; Chapter 7 Art and Kilmainham Gaol: Negotiating Art's Critical Intervention in the Heritage Site; Introduction; Arts and Heritage Discourses: A Review; Escaping the Prison of the White Cube; Post-Cubist Heritage; Kilmainham Gaol: A Case Study of Arts Practice in the Heritage Site; Rules of Engagement: Arts Practice and Policy at Kilmainham Gaol; Conclusion; References; Chapter 8 Another Proof of the Preceding Theory: Film, Materialities "]
[{"$nulls":4},"and Stonehenge"]
[{"$nulls":4},"Archaeology and the Materialities of FilmPil and Galia Kollectiv at the Stonehenge Riverside Project; Stonehenge 2008; The Art of Stonehenge; Another Proof of the Preceding Theory; Conclusion; References; Chapter 9 Home: An Installation for Living In; Introduction; Inhabiting an Installation Space; Friday, 22 February 2013; Saturday, 23 February 2013; Sunday, 24 January 2013; References; Part III Application and Exchange; Chapter 10 Dust and Debitage: An Archaeology of Francis Bacon's Studio; References; Chapter 11 Creating Contexts: Between the Archaeological Site and Art Gallery"]
[{"$nulls":4},"Introduction The Ness of Brodgar; Test Trenches Part 1: Ness of Brodgar, August 2010; Test Trenches Part 2: Pier Arts Centre, January 2011; Discussion; References; Chapter 12 Artists Connecting Archaeologists: Encountering the Third Kind; Introduction; Connecting Archaeology with Contemporary Art; Connecting Practices: Parallel Field Activities; Archaeologists Interested Into Contemporary Artistic Practices; Contemporary Artists Interested Into the Field of Archaeology; Relation to Past and Memory Through Material Culture and Ruins"]
[{"$nulls":4},"`Mock Sciences' Approaches and Challenging Institutions and the Public Awareness"]
[null,null,null,"Sommario/riassunto","This volume presents a collection of collaborations and conversations between archaeological, contemporary art, and heritage practitioners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and Ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theories to the practice of archaeology. Art and Archaeology: Collaborations, Conversations, Criticisms encourages the creative interplay of various approaches to ‘art’ and ‘archaeology’ as contributions to how we interpret and understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside treatments of modern and contemporary drawing, installation art, performance art, photography, sculpture, and video art. Here, the parallel roles of artists as makers of worlds and archaeologists as makers of pasts are brought together in an appreciation of human creativity."]