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[null,"1.","Record Nr.",null,"UNINA9910483632103321"]
[null,null,"Autore",null,"Merriman Victor"]
[null,null,"Titolo",null,"Austerity and the Public Role of Drama : Performing Lives-in-Common / / by Victor Merriman"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2019"]
[null,null,"ISBN",null,"9783030032609"]
[{"$nulls":4},"3030032604"]
[null,null,"Edizione",null,"[1st ed. 2019.]"]
[null,null,"Descrizione fisica",null,"1 online resource (176 pages)"]
[null,null,"Collana",null,"Palgrave pivot"]
[null,null,"Disciplina",null,"792"]
[{"$nulls":4},"306.484"]
[null,null,"Soggetti",null,"Theater - History"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Performing arts"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"National and Regional Theatre and Performance"]
[{"$nulls":4},"Theatre and Performance Arts"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Part I Neo-liberalism's Political and Moral Economic Project: The End of Public Life? -- 1. Introduction: Austerity and Drama's Public Role -- 2. The Public World: an idea under pressure -- 3. Drama in Public Worlds. -Part II Performance, the Academy, and the Politics of Austerity -- 4. Drama Worlds As Public Worlds -- 5. Confronting Corporate Neo-liberalism in Jim Nolan's Johnny I Hardly Knew Ye (2016) -- 6. (Re)Public Worlds: Drama as Ethical Encounter -- 7. Beyond Deficit Culture: Conceptualising Collectives -- 8. Beyond Repair: A Critical Performance Manifesto. ."]
[null,null,null,"Sommario/riassunto","This book asks what, if any, public role drama might play under Project Austerity - an intensification phase of contemporary liberal political economy. It investigates the erosion of public life in liberal democracies, and critiques the attention economy of deficit culture, by which austerity erodes life-in-common in favour of narcissistic performances of life-in-public. It argues for a social order committed to human flourishing and deliberative democracy, as a counterweight to the political economy of austerity. It demonstrates, using examples from England, Ireland, Italy, and the USA, that drama and the academy "]
[{"$nulls":4},"pursue shared humane concerns; the one, a critical art form, the other, a social enabler of critical thought and progressive ideas. A need for dialogue with emergent forms of collective consciousness, new democratic practices and institutions, shapes a manifesto for critical performance, which invites universities and cultural workers to join other social actors in imaginingand enabling ethical lives-in-common."]