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[null,"1.","Record Nr.",null,"UNINA9910508302703321"]
[null,null,"Autore",null,"Kapferer Bruce"]
[null,null,"Titolo",null,"Legends of People, Myths of State : Violence, Intolerance, and Political Culture in Sri Lanka and Australia"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY : , : Berghahn Books, Incorporated, , 2011"]
[{"$nulls":4},"©2012"]
[null,null,"ISBN",null,"0-85745-517-6"]
[null,null,"Edizione",null,"[2nd ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (444 pages)"]
[null,null,"Disciplina",null,"320.54095493"]
[null,null,"Soggetti",null,"Nationalism--Case studies"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Legends of People, Myths of State -- Contents -- Preface to the New and Revised Edition -- Preface to the Papeback Reissue -- Introduction -- Chapter 1. Cultures of Nationalism -- Part I. Evil and the State -- Chapter 2. Ethnic Violence and the Force of History in Legend -- Chapter 3. Evil, Power, and the State -- Chapter 4. Ideological Practice, Ethnic Nationalism, and the Passions -- Part 2. People against the State -- Chapter 5. When the World Crumbles and the Heavens Fall in -- Chapter 6. But the Band Played \"Waltzing Matilda -- Chapter 7. Ethnicity and Intolerance -- Chapter 8. Nationalism, Tradition, and Political Culture -- Notes -- References -- Appendices: Legends of People, Myths of State and the Current Context -- Appendix 1. In the Wake of Legends -- Appendix 2. Violence, Evil, and the State in Sri Lanka -- Appendix 3. Empty Spaces and the Multiple Modernities of Nationalism -- Appendix 4. The Social Genesis of Anzac Nationalism -- Appendix 5. The Australian Society of the State -- Index."]
[null,null,null,"Sommario/riassunto","The civil war in Sri Lanka and the part that nationalism seemed to play in it inspired the writing of this book some twenty-three years ago. The argument was developed through a comparative analysis of nationalism in Sri Lanka with the author's native Australia. At the time this constituted an innovative approach to comparison in anthropology, as well as to nationalism and its possibilities. It was not based on differences but on the way in which perspectives from within the two nationalisms, when seen side-by-side, could present an understanding of their implication in producing the violence of war, racism, and social "]
[{"$nulls":4},"exclusion. The book has lost none of its importance and urgency as proven by the chapters in the Appendix, written by top scholars working in Sri Lanka and in Australia. These contributions bring together new material and critically explore the book's themes and their continued relevance to the various trajectories in nationalist processes since the first publication of the book."]
[null,"2.","Record Nr.",null,"UNINA9910483569203321"]
[null,null,"Autore",null,"Bader Rolf <1969->"]
[null,null,"Titolo",null,"How music works : a physical culture theory / / Rolf Bader"]
[null,null,"Pubbl/distr/stampa",null,"Cham, Switzerland : , : Springer, , [2021]"]
[{"$nulls":4},"©2021"]
[null,null,"ISBN",null,"3-030-67155-0"]
[null,null,"Descrizione fisica",null,"1 online resource (305 pages)"]
[null,null,"Disciplina",null,"781.1"]
[null,null,"Soggetti",null,"Music - Acoustics and physics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- Introduction -- Contents -- Part I -- Some Fundamentals of Musical Acoustics -- Play It Loud! -- The Mysterious Sound of Friction -- Linear Math and Nonlinear Nature -- Hermann von Helmholtz -- The First Synthesizers -- Voice from Impulses -- Unexpected Harmonicity -- Why Are Musical Instruments Such Complex Boxes? -- Who Wins the Game? -- Eigenmodes Versus Forced Oscillations -- What Makes a Musical Instrument Playable? -- Damping Is a Feature, Determining Who Wins the Game -- Synchronization as Output -- Some Fundamentals of Music Psychology -- Musical Instruments Treating the Psyche -- Music and Trance -- Aristoteles and the Beginning of Psychology -- Transcendental Aesthetic -- Transfer Effects of Music and Freedom of Will -- Music and Politics -- The Creation of Creativity -- Brain Activities -- The Split Between Hard and Soft Sciences -- Fusion of Senses -- Psychoacoustics -- Some Fundamentals of Comparative Musicology -- Music, DNA, and Sexulality -- Diversity and Change -- The Beginning of Comparative Musicology -- Ethnomusicology and Music Archiving -- Computational Music and Sound Archiving -- Part II -- Impulses -- What Is a Frequency? -- How to Deal with Many Frequencies: The Fourier Theorem -- Beyond Sinusoidals -- Damping -- Dispersion -- Linearity or Nonlinearity -- Impulse Pattern Formulation (IPF) -- Environmental Noise -- Musical Noise -- Initial Transients -- Information in Music -- Turbulence -- Turbulent and Laminar Flow -- Navier-Stokes Equation -- What Does Turbulence Lead To? -- Saxophone -- Saxophone Pitches Are Not Self-evident -- Blowing in a Saxophone -- Blowing Out of Normal Range -- Multiphonics -- Modeling Saxophones with Impulse "]
[{"$nulls":4},"Pattern Formulation -- The Beginning of the Tone -- The Saxophone Reed -- More Wind Instruments -- Recorder and Transverse Flute -- Free Reed Instruments."]
[{"$nulls":4},"Shawms, Oboes, Double-Reed Instruments -- Brass Instruments -- Articulation and Noise with Wind Instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- Practical Consequences for Guitar Acoustics -- The Human Voice -- Neurophysiology of Music -- Self-organizing Models of the Brain -- Music and Consciousness -- Reconstructing Impulses-The Ear and the Auditory Pathway -- Transfer of Acoustic Electricity into Neural Electricity:  The Inner Ear -- How Do We Hear a Pitch -- A Spatio-Temporal Pitch Theory -- How Do Tonal Systems Come into Place -- Loops in the Auditory Pathway -- Other Nerve Loops in the Auditory Pathway -- Models of Music Perception -- Timbre -- Multidimensionality of Timbre -- Music as Physical Adaption -- IPF Comparison of Bowed and Wind Instruments -- Neural Network Models of Timbre -- Rhythm, Musical Form, and Memory -- Neurophysiology of Time -- Musical Form as Tension -- Fractal Dimensions as Musical Density -- Musical Form as Neural Synchronization -- Efficient Coding -- Brain Interactions in Music Therapy -- Perception-by-Production as Self-organizing Process -- *-20pt  Part III -- Music, Meaning, and Emotion -- Freedom! Jazz! Dance! Yeah! -- Slave to the Rhythm -- Politics and Philosophy -- Logic of Music -- Physical Culture Theory -- Predicting Culture -- Physical Modeling or Artificial Intelligence? -- Notions as Spatio-Temporal Patterns -- The Musical System -- Is Culture Conscious? -- Appendix  Notes -- Appendix  Discography -- Appendix  References -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page -- Blank Page."]