{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":19,"n_cols":5,"rows_kept":19,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[9,2,9,3],[13,2,13,3],[14,2,14,3],[16,2,16,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910483551703321"]
[null,null,"Titolo",null,"Animation and Memory / / edited by Maarten van Gageldonk, László Munteán, Ali Shobeiri"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"3-030-34888-1"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xvii, 257 pages) : illustrations"]
[null,null,"Collana",null,"Palgrave Animation, , 2523-8094"]
[null,null,"Disciplina",null,"791.4334"]
[{"$nulls":4},"777.7"]
[null,null,"Soggetti",null,"Animated films"]
[{"$nulls":4},"Collective memory"]
[{"$nulls":4},"Animation"]
[{"$nulls":4},"Memory Studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"INTRODUCTION -- László Munteán, Ali Shobeiri, Maarten van Gageldonk -- PART I MEMORY AND MATERIALITY -- 1. Memoria Rerum: Animated Materiality, Memory and Amnesia -- Suzanne Buchan -- 2. Collaging Cultural Memory: Appropriation, Memory and Gender in the Films of Stacey Steers -- Maarten van Gageldonk -- 3. Animating Amnesia: The Materiality of Forgetting in Izabela Plucinska’s Liebling -- László Munteán -- PART II ANIMATION TECHNIQUES AND MEMORY -- 4. A Printing Machine for the Memory’: Stillness, Metamorphosis, and the Poiesis of Memory in Death and the Mother -- Nicholas Andrew Miller -- 5. Drawing on Memory: Layers of Association in Robert Breer’s Animated Films -- Mirriam Harris -- 6. Beyond the Unrepresentable: Animation, Bodies and Holocaust Memory -- Victoria Grace Walden -- PART III TRAUMA AND THE BODY -- 7. Antumbral Memory: A Psychosomatic Phenomenon in the Phantom Limb -- Ali Shobeiri -- 8. Metamorphosis, Memory, and Trauma in Michèle Cournoyer’s The Hat -- Ruth Richards -- 9. Apocalypse, Amnesia, and Acknowledgement: Trauma and Memory in Animated Movies -- Oliver Scheid -- PART IV ANIMATING URBAN PASTS -- 10. Stan Douglas and the Animation of Vancouver’s Urban Past -- Joel McKim -- 11. Cinema Emek, Cinema Labour, Cinema Travail: Revitalization of Istanbul’s Urban Past and the Cultural Memory of Protest -- Cansu Soyupak -- PART V "]
[{"$nulls":4},"DOCUMENTARY AND ANIMATION -- 12. ’However it affects you, it does not have to hold you back’: Animated Personal Accounts in My Autism and Me and the Genealogy of the Neurobiological Subject -- Hannah Ebben -- 13. Animated Memories -- Annabelle Honess Roe."]
[null,null,null,"Sommario/riassunto","Chapter “Introduction” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com."]