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[null,"1.","Record Nr.",null,"UNINA9910265944603321"]
[null,null,"Titolo",null,"Barn og unge : by, sted og sosiomaterialitet / Sissel Seim og Oddrun Sæter (red.)"]
[null,null,"Pubbl/distr/stampa",null,"Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing), 2018"]
[{"$nulls":4},"[Oslo]"]
[null,null,"Descrizione fisica",null,"226 s : fig"]
[null,null,"Disciplina",null,"305.2309481"]
[null,null,"Lingua di pubblicazione",null,"Norvegese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910483424503321"]
[null,null,"Autore",null,"Ionica Cristina"]
[null,null,"Titolo",null,"The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction : Revolutionary and Evolutionary Paradoxes / / by Cristina Ionica"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2020"]
[null,null,"ISBN",null,"9783030349028"]
[{"$nulls":4},"3030349020"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xi, 286 pages)"]
[null,null,"Collana",null,"New Interpretations of Beckett in the Twenty-First Century, , 2945-6800"]
[null,null,"Disciplina",null,"848.91409"]
[{"$nulls":4},"828.91209"]
[null,null,"Soggetti",null,"Literature, Modern - 20th century"]
[{"$nulls":4},"European literature"]
[{"$nulls":4},"Drama"]
[{"$nulls":4},"Theater - History"]
[{"$nulls":4},"Fiction"]
[{"$nulls":4},"Twentieth-Century Literature"]
[{"$nulls":4},"European Literature"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"Fiction Literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"1. Introduction to Beckett's \"Absurdist\" Excess -- Part I Contagion and Accessibility: Revolutionary Beckett -- 2. Repetition, Deliberation, and an Other Power: The Paradox as Practice -- 3. The Liberating Laughter of \"Nearly There\": Beckett's Solidarity-Building Dramas -- 4. Under-the-Radar Derision and Anger: Becoming Revolutionary in/ through Beckett's Fiction -- Part II Script Evaluation and Enrichment: Evolutionary Beckett -- 5. Beckett's \"Script Multiplication and Enrichment\": Rejecting Toxic Disjunctions and Seeking Inclusivity -- 6. Evaluation, Expulsion, Expansion, and Reframing: Building Processing Speed and Tolerance to Cognitive Strain -- 7. Conclusion."]
[null,null,null,"Sommario/riassunto","The Affects, Cognition, and Politics of Samuel Beckett's Postwar Drama and Fiction: Revolutionary and Evolutionary Paradoxes theorizes the "]
[{"$nulls":4},"revolutionary and evolutionary import of Beckett's works in a global context defined by increasingly ubiquitous and insidious mechanisms of capture, exploitation, and repression, alongside unprecedented demands for high-volume information-processing and connectivity. Part I shows that, in generating consistent flows of solidarity-based angry laughter, Beckett's works sabotage coercive couplings of the subject to social machines by translating subordination and repression into processes rather than data of experience. Through an examination of Beckett's attack on gender/ class-related normative injunctions, the book shows that Beckett's works can generate solidarity and action-oriented affects in readers/ spectators regardless of their training in textual analysis. Part II proposes that Beckett's works can weaken the cognitivedominance of constrictive \"frames\" in readers/ audiences, so that toxic ideological formations such as the association of safety and comfort with simplicity and \"sameness\" are rejected and more complex cognitive operations are welcomed instead-a process that bolsters the mind's ability to operate at ease with increasingly complex, malleable, extensible, and inclusive frames, as well as with increasing volumes of information."]
[null,"3.","Record Nr.",null,"UNINA9910476917603321"]
[null,null,"Autore",null,"Utz Christian <p>Christian Utz, Kunstuniversität Graz, Österreich </p>"]
[null,null,"Titolo",null,"Musical Composition in the Context of Globalization : New Perspectives on Music History in the 20th and 21st Century / Christian Utz, Laurence Sinclair Willis"]
[null,null,"Pubbl/distr/stampa",null,"Bielefeld, : transcript Verlag, 2021"]
[null,null,"ISBN",null,"9783839450956"]
[{"$nulls":4},"3839450950"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (528 p.)"]
[null,null,"Collana",null,"Musik und Klangkultur"]
[null,null,"Classificazione",null,"LP 19507"]
[null,null,"Disciplina",null,"780.904"]
[null,null,"Soggetti",null,"Contemporary Music"]
[{"$nulls":4},"20th Century"]
[{"$nulls":4},"Globalization"]
[{"$nulls":4},"Transnationalism"]
[{"$nulls":4},"Entangled Histories"]
[{"$nulls":4},"Asia"]
[{"$nulls":4},"China"]
[{"$nulls":4},"Japan"]
[{"$nulls":4},"Korea"]
[{"$nulls":4},"Music"]
[{"$nulls":4},"Musicology"]
[{"$nulls":4},"Interculturalism"]
[{"$nulls":4},"Cultural Studies"]
[{"$nulls":4},"Cultural History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Frontmatter -- Table of Contents -- Preface -- Preface to the Revised and Expanded English Edition -- Acknowledgements -- List of Examples, Figures, and Tables -- I. Introduction: Art Music, Identity, and Reflexive Globalization -- 1. Art Music in a Global Context -- 2. Identity Criticism and Reflexive Globalization -- 3. Discourses of Intercultural Composition -- II. Toward an Entangled History of Twentieth-Century Music in a Global Context -- 1. Preliminaries of an Intercultural Music Historiography -- 2. Internationalism and Universalism: Repercussions of Political and Cultural History -- 3. The "]
[{"$nulls":4},"Ambivalence of the Local in Twentieth-Century Music -- 4. Modernist Reception of Japanese and Indian Traditional Music between 1910 and 1945: Delage, Cowell, Mitsukuri, and Hayasaka -- 5. Re-Reading the Impact of the \"Cultural Cold War\" on Music History: Cowell, Mayuzumi, Berio -- 6. Categories of Intercultural Reception in Western Composition -- III. Studies on the History and Analysis of New East Asian Music -- 1. The Reception of Western Modernism in the Music of China and Japan Since the Late Nineteenth Century -- 2. Triggering Musical Modernism in China: The Work of Wolfgang Fraenkel in Shanghai Exile -- 3. The Travels of a Jasmine Flower: A Chinese Folk Song, Its Prehistory, and Tan Dun's Symphony 1997 -- 4. Probing the Compositional Relevance of Cultural Difference: Key Tendencies of East Asian New Music Since the 1950s -- 5. Intercultural Narrativity in East Asian Art Music since the 1990s -- 6. The Impact of Traditional Music on Composition in Taiwan since the Postwar Period -- IV. The shō Context -- 1. Transformation and Myth Criticism in Works for the Japanese Mouth Organ -- 2. The shō as a Medium of Alterity and Self-Referentiality in Helmut Lachenmann's Music -- V. New Music and Beyond: Music-Historical and Cultural Entanglements -- 1. The Rediscovery of Presence: Intercultural Passages Through Vocal Spaces Between Speech and Song -- 2. Space-Time Movements in György Ligeti's Piano Concerto: Polymeter and Conflicting Meter in Historical and Intercultural Perspective -- 3. Intercultural Tension in Music by Chaya Czernowin and Isabel Mundry: Variations on Identity and Musical Meaning -- VI. Reflections on My Own Composing as a Search for Traces in the In-Between -- 1. Layered Fabric, Intertextuality, and Cultural Context: From Striated to Open Space -- 2. Stratification and Analysis -- 3. Intercultural and Multilingual Trajectories of the Human Voice -- 4. Composition as Polyphony: Creating, Performing, and Perceiving Music Non-Hierarchically -- Bibliography -- Appendix -- Index"]
[null,null,null,"Sommario/riassunto","Since the early transformation of European music practice and theory in the cultural centers of Asia, Latin America, and Africa around 1900, it has become necessary for music history to be conceived globally – a challenge that musicology has hardly faced yet. This book discusses the effects of cultural globalization on processes of composition and distribution of art music in the 20th and 21st century. Christian Utz provides the foundations of a global music historiography, building on new models such as transnationalism, entangled histories, and reflexive globalization. The relationship between music and broader changes in society forms the central focus and is treated as a pivotal music-historical dynamic."]
[{"$nulls":4},"Besprochen in:Circuit, 32/1 (2022), Robert Hasegawa"]
[{"$nulls":4},"»Christian Utz' Monographie stellt auch acht Jahre nach der deutschen Erstausgabe eine beeindruckende Pionierleistung dar, an der alle kommenden Studien zur globalen Musikgeschichte gemessen werden müssen.«"]