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[null,null,"Autore",null,"McEvoy Sean <1959->"]
[null,null,"Titolo",null,"Class, Culture and Tragedy in the Plays of Jez Butterworth / / by Sean McEvoy"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021"]
[null,null,"ISBN",null,"9783030627119"]
[{"$nulls":4},"303062711X"]
[null,null,"Edizione",null,"[1st ed. 2021.]"]
[null,null,"Descrizione fisica",null,"1 online resource (VII, 217 p.)"]
[null,null,"Disciplina",null,"822.914"]
[{"$nulls":4},"822.92"]
[null,null,"Soggetti",null,"Theater - History"]
[{"$nulls":4},"Playwriting"]
[{"$nulls":4},"Dramatists"]
[{"$nulls":4},"Drama"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"Playwrights and Playwriting"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. Yakkety Yak: Mojo (1995) -- 3. Exclusion from the Garden: The Night Heron (2002) -- 4. Homage: The Winterling (2006) -- 5. Drought: Parlour Song (2008) -- 6. The Enchanted Wood: Jerusalem (2009) -- 7. Time, Myth and Power: The River (2012) -- 8. Allusion: The Ferryman (2017)."]
[null,null,null,"Sommario/riassunto","Jez Butterworth is undoubtedly one of the most popular and commercially successful playwrights to have emerged in Britain in the early twenty-first century. This book, only the second so far to have been written on him, argues that the power of his most acclaimed work comes from a reinvigoration of traditional forms of tragedy expressed in a theatricalized working-class language. Butterworth's most developed tragedies invoke myth and legend as a figurative resistance to the flat and crushing instrumentalism of contemporary British political and economic culture. In doing so they summon older, resonant narratives which are both popular and high-cultural in order to address present cultural crises in a language and in a form which possess wide appeal. Tracing the development of Butterworth's work chronologically from Mojo (1995) to The Ferryman (2017), each chapter "]
[{"$nulls":4},"offers detailed critical readings of a single play, exploring how myth and legend become significant in a variety of ways to Butterworth's presentation of cultural and personal crisis."]