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[null,"1.","Record Nr.",null,"UNINA9910131564003321"]
[null,null,"Autore",null,"Legaré Anne"]
[null,null,"Titolo",null,"La société distincte de l'état : Québec-Canada 1930-1980 / / Anne Legaré, Nicole Morf"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified] : , : J.-M. Tremblay, , 2004"]
[null,null,"ISBN",null,"1-55442-730-4"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Classiques des sciences sociales"]
[null,null,"Disciplina",null,"971.4"]
[null,null,"Soggetti",null,"Québec (Province) History"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"La société distincte de l'État: Québec-Canada 1930-1980--Avant-propos, août 1988--Introduction--Partie 1 : sujet politique, état, pouvoir et société--1.1 Sujet politique et pouvoir--1.1.1 Le problème--1.1.2 Limites du marxisme--1.1.3 Repenser le pouvoir--1.1.4 Les enjeux de quelques définitions--1.1.5 Imaginaire et pouvoir--1.2 Sujet politique et État--1.2.1 La problématique--1.2.2 L'histoire et les formes de l'État--1.2.3 Repenser l'État--1.2.4 Les enjeux de la~définition de l'État--1.2.5 Définitions de l'État et représentations du changement--1.3 Repenser la société--1.3.1 Concepts et terminologie appropriés--1.3.2 La filiation critique--Partie 2 : le rapport état/société au canada 1930-1980--2.1 Le processus de formation de l'État : préalables historiques--2.1.1 L'AANB et les rapports politiques--2.1.2 La réalisation effective de l'État (1896-1929)--2.2 Les transformations du libéralisme et le passage au keynésianisme--2.2.1 Des indices contradictoires--2.2.2 La socialisation étatique de la santé--2.2.3 Assistance et assurance sociales : vers l'intégration--2.3 Le keynésianisme et l'incorporation salariale dans l'État au Canada--2.3.1 La réglementation libérale--2.3.2 Vers la reconnaissance syndicale ?--2.3.3 La loi de 1944--2.3.4 Le virage des années soixante--2.4 Le rôle du fédéralisme et la structuration de l'État--2.4.1 Les limites de l'analyse en termes de centralisation--2.4.2 Au-delà de la décentralisation : l'intégration--2.5 Unification et spécialisation de l'État--2.5.1 Le contrôle de la santé publique--2.5.2 L'intégration au centre de la sécurité sociale--Partie 3 : les sciences sociales et le problème de la scientificité--3.1 Questions de philosophie--3.2 Les trois moments de la méthode--3.3 Structures et structuralisme--3.3.1 Aux origines, la double structure du sens--"]
[{"$nulls":4},"3.3.2 Une « hypothèse fictive »--3.3.3 La dérive du structuralisme--3.3.4 L'impasse structuro-marxiste--3.3.5 Toujours du réel échappe à la connaissance--3.3.6 Sociologie et scientificité--Conclusion : Québec-Canada: quelle société distincte ?--Tableaux."]
[null,"2.","Record Nr.",null,"UNINA9910483067503321"]
[null,null,"Autore",null,"D'Arcy Geraint"]
[null,null,"Titolo",null,"Mise en scène, Acting, and Space in Comics / / by Geraint D'Arcy"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer International Publishing : , : Imprint : Palgrave Pivot, , 2020"]
[null,null,"ISBN",null,"9783030511135"]
[{"$nulls":4},"3030511138"]
[null,null,"Edizione",null,"[1st ed. 2020.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"Palgrave Studies in Comics and Graphic Novels, , 2634-6389"]
[null,null,"Disciplina",null,"741.59"]
[{"$nulls":4},"301"]
[null,null,"Soggetti",null,"Comic books, strips, etc - Influence on mass media"]
[{"$nulls":4},"Stage management"]
[{"$nulls":4},"Motion pictures"]
[{"$nulls":4},"Comics Studies"]
[{"$nulls":4},"Technology and Stagecraft"]
[{"$nulls":4},"Film Theory"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"1. Introduction -- 2. Mise en scène and Décor -- 3. Acting -- 4. Space -- 5. Conclusion. ."]
[null,null,null,"Sommario/riassunto","\"This is a clear, concise, and very useful book for students, educators, and academics in the field of comic studies. It will be the 'go-to' book from now on and help us all feel more comfortable using 'mise en scène' in our conversations, debates, and analyses of comic books.\" -Ian Hornsby, University of Chichester, United Kingdom This book explores some of the less frequently questioned ideas which underpin comics creation and criticism. \"Mise en scène\" is a term which refers to the way in which visual elements work together to create meaning in comics. It is a term that comics have borrowed from cinema, which borrowed it in turn from theatre. But comics are not film and they are not cinema, so how can this term be of any use? If we consider comics to have mise en scène, should not we also ask if the characters in comics act like the characters on film and stage? In its exploration of these ideas, this book also asks what film and theatre can learn from comics. Geraint D'Arcy is a practising scenographer, and the author of Critical Approaches to TV and Film Set Design (2019). A Lecturer in "]
[{"$nulls":4},"Media practice at the UEA, Norwich, he previously worked at USW, Cardiff, where he helped establish the bi-annual Creative Comics, Creating Comics symposium."]